Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-mp689 Total loading time: 0 Render date: 2024-04-19T15:48:20.847Z Has data issue: false hasContentIssue false

Introduction: The Art of Deduction

Published online by Cambridge University Press:  24 April 2021

Andrew Glazzard
Affiliation:
Royal United Services Institute
Get access

Summary

‘You know my methods. Apply them, and it will be instructive to compare results.’

Arthur Conan Doyle, The Sign of Four (1890)

‘A Case of Identity’ (1891) opens, like so many stories in the Sherlock Holmes saga, in 221B Baker Street, where Holmes and Dr Watson receive a new client who bears a problem that is also a story. Watson is both Holmes's pupil in the science of detection and, crucially, the story's narrator. Both roles give him the scope to observe and record the client, Miss Mary Sutherland: his description for the reader of her ‘preposterous hat’, ‘vacuous face’ and ‘general air of being fairly well to do, in a vulgar, comfortable, easy-going way’ (Adventures, 39–40) suggests that she is bourgeois ordinariness personified. However, in this instance as in many others, Watson is a conventional but somewhat limited narrator – he reports accurately enough, but also superficially. Holmes sees beyond her appearance and detects her uniqueness as a human being: she is ‘an interesting study … more interesting than her little problem, which, by the way, is rather a trite one’ (39). Her problem, of course, turns out to be anything but trite, but Holmes's message is that no one is as ordinary as they might appear. Put on the spot by Holmes, Watson succeeds in identifying only the outward and obvious features of her appearance, particularly the colours and cuts of her apparel. Holmes's response is crushing: ‘It is true that you have missed everything of importance, but you have hit upon the method.’ Holmes upbraids Watson for failing ‘to realize the importance of sleeves, the suggestiveness of thumb-nails, or the great issues that may hang from a bootlace’ (40). ‘It has long been an axiom of mine that the little things are infinitely the most important’ (36), Holmes tells Miss Sutherland. Watson has trusted to ‘general impressions’ but missed the details: the traces left in the plush of her sleeve by habitually leaning on a table reveal her to be a typist; her nose bears the dint of a pince-nez, indicating shortsight; her boots are odd, not a pair, and incorrectly buttoned, so she put them on in a hurry; an ink-stain on her glove and finger shows she had written a note in haste.

Type
Chapter
Information
The Case of Sherlock Holmes
Secrets and Lies in Conan Doyle's Detective Fiction
, pp. 1 - 8
Publisher: Edinburgh University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×