The fifth chapter explores how concepts of caricature interacted with historical romance in the critical reception and writing of Walter Scott’s characters. I explore Scott’s association of pictorial caricature with accuracy, particularity and referentiality, looking in particular at The Heart of Mid-Lothian and Guy Mannering, and suggesting the implications of John Kay’s caricatures for Scott’s ’compendious realism’. Scott’s defences of historical ’caricature’ – in his essay on Tobias Smollett and in the Magnum Opus edition of The Monastery – are a counterpoint to the anti-caricature rhetoric used to disparage his novels. Returning to the realist device of the ’explained caricature’, I differentiate national caricatures of the Scots and Jewish ’body-corporate’ in Rob Roy, The Heart of Mid-Lothian and Ivanhoe.