Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Home
Hostname: page-component-768dbb666b-6zkrn Total loading time: 2.373 Render date: 2023-02-03T11:55:09.779Z Has data issue: true Feature Flags: { "useRatesEcommerce": false } hasContentIssue true
The Cambridge History of the Gothic The Cambridge History of the Gothic
Buy print or eBook[Opens in a new window]

Book contents

Select Bibliography

Published online by Cambridge University Press:  18 July 2020

Catherine Spooner
Edited by
Dale Townshend  and
Angela Wright
Catherine Spooner
Affiliation:
Lancaster University
Dale Townshend
Affiliation:
Manchester Metropolitan University
Angela Wright
Affiliation:
University of Sheffield
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge History of the Gothic , pp. 482 - 519
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Purchase

Buy Book

Buy print or eBook[Opens in a new window]

References

Select Bibliography

Adelman, Richard, ‘Ruskin & Gothic literature’, The Wordsworth Circle 48:3 (Summer 2017): 152–63.CrossRefGoogle Scholar
Bécquer, Adolfo, Gustavo, Leyendas (Madrid: Cátedra, 2002).Google Scholar
Aird, Catherine, ‘Dickens and railway spine neurosis’, The Dickensian 108:486 (Spring 2012): 25–8.Google Scholar
Reyes, Aldana, Xavier, Spanish Gothic: National Identity, Collaboration and Cultural Adaptation (Basingstoke: Palgrave Macmillan, 2017).CrossRefGoogle Scholar
Alexander, Michael, Medievalism: The Middle Ages in Modern England (New Haven and London: Yale University Press, 2007).Google Scholar
Alexander, William, Bishop of Derby, ‘Sensationalism’, in Maunder, Andrew (ed.), Sensationalism and the Sensation Debate: Varieties of Women’s Sensation Fiction 1855–1890, 6 vols (London: Pickering & Chatto, 2004), vol. 1, pp. 263–74.Google Scholar
Allen, Grant, The Evolutionist at Large (London: Chatto and Windus, 1881).CrossRefGoogle Scholar
Allen, Grant, ‘My New Year’s Eve Among the Mummies’, in Lost in a Pyramid & Other Classic Mummy Stories, edited and intro. by Smith, Andrew (London: British Library, 2016), pp. 59–78.Google Scholar
Altick, Richard D., The English Common Reader: A Social History of the Mass Reading Public, 1800–1900 (Chicago: Chicago University Press, 1957).Google Scholar
Altick, Richard D., The Shows of London (Cambridge, MA and London: Harvard University Press, 1978).Google Scholar
Amigoni, David, Colonies, Cults and Evolution: Literature, Science and Culture in Nineteenth-Century Writing (Cambridge: Cambridge University Press, 2007).CrossRefGoogle Scholar
Andrew, Lucy, ‘“Away with dark shadders!”: juvenile detection versus juvenile crime in The Boy Detective; or, The Crimes of London. A Romance of Modern Times’, Clues 30:1 (April 2012): 18–29.Google Scholar
Andrews, Stuart, Robert Southey: History, Politics, Religion (New York: Palgrave Macmillan, 2011).CrossRefGoogle Scholar
Angenot, Marc, ‘Science fiction in France before Verne’, trans. by J. M. Gouanvic and D. Suvin, Science Fiction Studies 5:1 (March 1978): 58–66.Google Scholar
Anon., The Black Forest; or, The Cavern of Horrors (London: Lemoine and Roe, 1802).Google Scholar
Anon., The Bleeding Nun, of the Castle of Lindenberg; or, The History of Raymond & Agnes. By the author of the Castle Spectre (London: Hodgson & Co., [1823]).Google Scholar
Anon., Lord Ruthven o i vampiri di Lord Byron (Napoli: R. Marotta and Vaspandoch, 1826).Google Scholar
Anon., Il vampiro. Novella di Lord Byron tradotta dall’inglese (Udine: Fratelli Mattiuzzi, 1831).Google Scholar
Anon., Rocket 150: 150th Anniversary of the Liverpool and Manchester Railway 1830–1980: Official Handbook (London: British Rail, 1980).Google Scholar
Anon., ‘A Desperate Run’, in Ashley, Mike (ed.), The Platform Edge: Uncanny Tales of the Railways (London: British Library, 2019), pp. 47–50.Google Scholar
Apel, Johann August and Laun, Friedrich, Gespensterbuch, 5 vols (Leipzig: Göschen, 1810–15).Google Scholar
Appel, Toby A., The Cuvier-Geoffroy Debate: French Biology in the Decades Before Darwin (Oxford: Oxford University Press, 1987).Google Scholar
Arata, Stephen, ‘Stevenson and Fin-de-Siècle Gothic’, in Fielding, Penny (ed.), The Edinburgh Companion to Robert Louis Stevenson (Edinburgh: Edinburgh University Press, 2010), pp. 53–69.Google Scholar
Arata, Stephen D., ‘The occidental tourist: Dracula and the anxiety of reverse colonialism’, Victorian Studies 33:4 (Summer 1990): 621–45.Google Scholar
Armstrong, Isobel, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993).Google Scholar
Atkinson, Edmund, Natural Philosophy for General Readers and Young Persons (London: Longmans, Green, and Co., 1884).Google Scholar
Atterbury, Paul, ‘Steam and Speed: Industry, Transport and Communications’, in Mackenzie, John M. (ed.), The Victorian Vision: Inventing New Britain (London: V&A Publications, 2001), pp. 147–71.Google Scholar
Auerbach, Nina, Our Vampires, Ourselves (Chicago: University of Chicago Press, 1995).CrossRefGoogle Scholar
Auerbach, Nina, ‘Ghosts of ghosts’, Victorian Literature and Culture 32:1 (2004): 277–84.CrossRefGoogle Scholar
Ayguals de Izco, Wenceslao, La bruja de Madrid (Barcelona: Editorial Taber, 1969).Google Scholar
Backus, Margot Gayle, The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order (Durham, NC: Duke University Press, 1999).Google Scholar
Baker, William and Clarke, William W. (eds), The Letters of Wilkie Collins, 2 vols (Basingstoke: Macmillan, 1999).Google Scholar
Baldick, Chris and Mighall, Robert, ‘Gothic Criticism’, in Punter, David (ed.), A New Companion to the Gothic (Oxford: Blackwell, 2012), pp. 265–87.Google Scholar
Bann, Jennifer, ‘Ghostly hands and ghostly agency: the changing figure of the nineteenth-century specter’, Victorian Studies 51:4 (Summer 2009): 663–85.CrossRefGoogle Scholar
Bann, Stephen, Romanticism and the Rise of History (New York: Twayne Publishers, 1995).Google Scholar
Barber, X. Theodore, ‘Phantasmagorical wonders: the magic lantern ghost show in nineteenth-century America’, Film History 3:2 (1989): 73–86.Google Scholar
Barnes, James J. and Barnes, Patience P., ‘Reassessing the reputation of Thomas Tegg, London publisher, 1776–1846’, Book History 3 (2000): 45–60.CrossRefGoogle Scholar
Barnes, John (ed.), The Beginnings of the Cinema in England 1894–1901, 5 vols (Exeter: University of Exeter Press, 1998).Google Scholar
Barr, Alan P. (ed.), The Major Prose of Thomas Henry Huxley (Athens, GA: University of Georgia Press, 1997).Google Scholar
Barrow, Robin, ‘Braddon’s haunting memories: rape, class and the Victorian popular press’, Women’s Writing 13:3 (2006): 348–68.CrossRefGoogle Scholar
Barzilai, Shuli, Tales of Bluebeard and His Wives from Late Antiquity to Postmodern Times (London: Routledge, 2009).Google Scholar
Basham, Diana, The Trial of Woman: Feminism and the Occult Sciences in Victorian Literature and Society (Baltimore: Johns Hopkins University Press, 1993).Google Scholar
Bataille, Georges, ‘Le Collège de Sociologie’, Mardi 4 juillet 1939, in Le Collège de Sociologie (1937–1939), edited by Hollier, Denies (Paris: Gallimard, 1995).Google Scholar
Bate, Jonathan, Romantic Ecology: Wordsworth and the Environmental Tradition (London: Routledge, 1991).Google Scholar
Bearden-White, Roy, ‘A history of guilty pleasure: chapbooks and the Lemoines’, Papers of the Bibliographical Society of America 103 (2009): 284–318.CrossRefGoogle Scholar
Beatty, Bernard and Newey, Vincent (eds), Byron and the Limits of Fiction (Liverpool: Liverpool University Press, 1988).Google Scholar
Beer, Gillian, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (Cambridge: Cambridge University Press, 2009).CrossRefGoogle Scholar
Belcher, Margaret (ed.), The Letters of A. W. N. Pugin, 1830–1842, 5 vols (Oxford: Oxford University Press, 2001).Google Scholar
Bendixen, Alfred, ‘Romanticism and the American Gothic’, in Andrew Weinstock, Jeffrey (ed.), The Cambridge Companion to American Gothic (Cambridge: Cambridge University Press, 2017), pp. 31–43.CrossRefGoogle Scholar
Bennett, Bridget, ‘“The Dear Old Sacred Terror”: Spiritualism and the Supernatural from The Bostonians to The Turn of the Screw’, in Kontou, Tatiana and Willburn, Sarah (eds), The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult (Farnham: Ashgate, 2012), pp. 311–31.Google Scholar
Bennett, Gillian, ‘Introduction’, in Crowe, Catherine, The Night Side of Nature; or, Ghosts and Ghost Seers (Ware, Herts: Wordsworth, 2000).Google Scholar
Bergland, Renée L., The National Uncanny: Indian Ghosts and American Subjects (Hanover, NH: University Press of New England, 2000).Google Scholar
Bernheimer, Charles, Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and the Culture of the Fin de Siècle in Europe (Baltimore, MA: Johns Hopkins University Press, 2002).Google Scholar
Bersani, Leo, ‘Is the rectum a grave?’, October 43 (Winter 1987): 197–222.CrossRefGoogle Scholar
Bertman, Stephen, ‘The role of the golem in the making of Frankenstein’, Keats-Shelley Review 29:1 (2015): 42–50.CrossRefGoogle Scholar
Bienstock Anolik, Ruth, ‘Reviving the golem: cultural negotiations in Ozick’s The Puttermesser Papers and Piercy’s He, She and It’, Studies in American Jewish Literature 19 (2000): 37–48.Google Scholar
Bienstock Anolik, Ruth, ‘Appropriating the golem, possessing the dybbuk: female retellings of Jewish tales’, Modern Language Studies 31:2 (2001): 39–55.CrossRefGoogle Scholar
Billiani, Francesca. ‘Delusional identities: the politics of the Italian gothic and fantastic’, in Igino Ugo Tarchetti’s trilogy ‘Amore nell’arte’ and Luigi Gualdo’s short stories ‘Allucinazione’, ‘La canzone di Weber’ and ‘Narcisa’, Forum for Modern Language Studies 44:4 (2008): 497–9.CrossRefGoogle Scholar
Birch, Dinah (ed.), John Ruskin: Selected Writings (Oxford: Oxford University Press, 2004).Google Scholar
Bizup, Joseph, Manufacturing Culture: Vindications of Early Victorian Industry (Charlottesville and London: University of Virginia Press, 2003).Google Scholar
Blanco White, Joseph, Vargas: A Tale of Spain (London: Baldwin, Cradock and Joy, 1822).Google Scholar
Bleasdale, John, ‘“To Laughter”: Shelley’s sonnet and solitude’, Romanticism on the Net 22 (2001) <http://id.erudit.org/iderudit/005972ar> (last accessed 19 September 2019).Google Scholar
Bloom, Clive, Victoria’s Madmen: Revolution and Alienation (Basingstoke: Palgrave Macmillan, 2013).CrossRefGoogle Scholar
Bloom, Harold, The Anxiety of Influence: A Theory of Poetry (Oxford: Oxford University Press, 1973).Google Scholar
Bloom, Harold, A Map of Misreading (Oxford: Oxford University Press, 1975).Google Scholar
Boerner, Peter, ‘Bürger’s “Lenore” in Germany, France and England’, in Riesz, Janos and Boerner, Peter (eds), Sensus Communis: Contemporary Trends in Comparative Literature (Tübingen: G. Narr, 1986), pp. 305–11.Google Scholar
Boitard, Pierre, Paris Avant Les Hommes, trans. by Stephen Trussel (Paris: Passard, 1861) <www.trussel.com/prehist/boitarde.htm> (last accessed 21 February 2019).Google Scholar
Boos, Florence S. (ed.), History and Community: Essays in Victorian Medievalism (Abingdon: Routledge, 2016).CrossRefGoogle Scholar
Booth, Michael R., ‘Aspects of Staging in Irving’s The Corsican Brothers’, in Booth, Michael R. (ed.), English Plays of the Nineteenth Century II: Drama 1850–1900 (Oxford: Clarendon Press, 1969), pp. 71–5.Google Scholar
Booth, Michael R., Victorian Spectacular Theatre 1850–1910 (Boston, London and Henley: Routledge & Kegan Paul, 1981).Google Scholar
Booth, Michael R., Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991).Google Scholar
Botrel, Jean-François, ‘Los nuevos lectores en la España del siglo XIX’, Siglo Diecinueve 2 (1996): 47–64.Google Scholar
Botting, Fred, Gothic, 2nd edition (London and New York: Routledge, 2014).Google Scholar
Botting, Fred and Spooner, Catherine, ‘Introduction: Monstrous Media/Spectral Subjects’, in Botting, Fred and Spooner, Catherine (eds), Monstrous Media/Spectral Subjects: Imaging Gothic Fictions from the Nineteenth Century to the Present (Manchester: Manchester University Press, 2015), pp. 1–12.Google Scholar
Bowen, John, Other Dickens: Pickwick to Chuzzlewit (Oxford: Oxford University Press, 2000).Google Scholar
Bowen, John, ‘Uncanny Gifts, Strange Contagion: Allegory in Dickens’s The Haunted Man’, in David, Deirdre and Gillooly, Eileen (eds), Contemporary Dickens (Columbus: Ohio State University Press, 2009), pp. 75–92.Google Scholar
Bowen, John, ‘Introduction to the Cresset Press edition of Uncle Silas, by Sheridan Le Fanu, 1947’, in Walshe, Eibhear (ed.), Elizabeth Bowen’s Selected Irish Writings (Cork: Cork University Press, 2011), pp. 143–57.Google Scholar
Bowen, John, ‘Chapter 1: The Life of Dickens 1: Before Ellen Ternan’, in Ledger, Sally and Furneaux, Holly (eds), Dickens in Context (Cambridge: Cambridge University Press, 2011), pp. 3–10.CrossRefGoogle Scholar
Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela, ‘Introduction’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 1–19.Google Scholar
Braddon, Mary Elizabeth, The Black Band; or, The Mysteries of Midnight (London: George Vickers, 1864).Google Scholar
Braddon, Mary Elizabeth, Lady Audley’s Secret, edited by Houston, Natalie (Peterborough, Ont.: Broadview, 2003).Google Scholar
Braddon, Mary Elizabeth, ‘At Chrighton Abbey’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of English Ghost Stories (Oxford: Oxford University Press, 2008), pp. 163–89.Google Scholar
Brantlinger, Patrick, Rule of Darkness: British Literature and Imperialism, 1830–1914 (Ithaca, NY: Cornell University Press, 1988).Google Scholar
Bratton, Jacky, New Readings in Theatre History (Cambridge: Cambridge University Press, 2003).Google Scholar
Bratton, Jacky, ‘Romantic Melodrama’, in Moody, Jane and Quinn, Daniel (eds), The Cambridge Companion to British Theatre, 1730–1830 (Cambridge: Cambridge University Press, 2007), pp. 115–27.Google Scholar
Breen, Jennifer (ed.), Victorian Women Poets 1830–1900: An Anthology (London: Everyman, 1994).Google Scholar
Brewster, David, Letters on Natural Magic Addressed to Sir Walter Scott, Bart, reprint of 1832 edition (New York: Harper and Brothers, 1842).Google Scholar
Brewster, Scott, ‘Gothic Hogg’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 115–28.Google Scholar
Brewster, Scott and Thurston, Luke, ‘Introduction’, in Brewster, Scott and Thurston, Luke (eds), The Routledge Handbook to the Ghost Story (New York and London: Routledge, 2017), pp. 1–15.CrossRefGoogle Scholar
Bricchi, Mariarosa, ‘“Come una magnifica veste gittata sopra un manichino manierato e logoro”. I ‘Promessi Sposi’, il gusto gotico e Ann Radcliffe’, Autografo. La letteratura italiana e l’Europa nell’Ottocento 31 (1995): 29–70.Google Scholar
Briggs, Julia, ‘The Ghost Story’, in Punter, David (ed.), A New Companion to the Gothic (Oxford: Wiley-Blackwell, 2012), pp. 176–85.Google Scholar
Brontë, Anne, The Tenant of Wildfell Hall, edited by Hargreaves, G. D. (Harmondsworth: Penguin, 1979).Google Scholar
Brontë, Charlotte, Jane Eyre, edited by Newman, Beth (Boston: Bedford/St. Martin’s, 1996).Google Scholar
Brontë, Charlotte, Shirley, edited by Rosengarter, Herbert, intro. by Smith, Margaret (Oxford: Oxford University Press, 1981).Google Scholar
Brontë, Emily, Wuthering Heights, edited by Jack, Ian (Oxford: Oxford University Press, 1995).Google Scholar
Brooke, John Hedley, ‘Visions of the Past: Religious Belief and the Historical Sciences’, in Brooke, John Hedley, Science and Religion: Some Historical Perspectives (Cambridge: Cambridge University Press, 2014), pp. 307–73.CrossRefGoogle Scholar
Brooker, Jeremy, ‘The polytechnic ghost: Pepper’s Ghost, metempsychosis and the magic lantern at the Royal Polytechnic Institution’, Early Popular Visual Culture 5:2 (2007): 189–206.CrossRefGoogle Scholar
Brooker, Jeremy, The Temple of Minerva: Magic and the Magic Lantern at the Royal Polytechnic Institution, London 1837–1901 (London: The Magic Lantern Society, 2013).Google Scholar
Brooks, Chris, The Gothic Revival (London: Phaidon, 1999).Google Scholar
Brown, Charles Brockden, Three Gothic Novels: Wieland, Arthur Mervyn, Edgar Huntly, edited by Krause, Sydney J. (New York: Library of America, 1998).Google Scholar
Brown, Rica, ‘The Bécquer legend’, Bulletin of Hispanic Studies 18:69 (1941): 4–18.CrossRefGoogle Scholar
Browning, Robert, The Poems of Robert Browning (Oxford: Oxford University Press, 1928).Google Scholar
Bulfin, Ailise, ‘The fiction of gothic Egypt and imperial paranoia: the curse of the Suez Canal’, English Literature in Transition, 1880–1920 54:4 (2011): 411–43.Google Scholar
Burdekin, R., ‘Pepper’s Ghost at the opera’, Theatre Notebook 69:3 (2015): 152–64.Google Scholar
Burke, Edmund, Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, edited by Phillips, Adam (Oxford: Oxford University Press, 1998).Google Scholar
Burke, Peter, ‘A Short History of Distance’, in Phillips, Mark Salber, Caine, Barbara and Thomas, Julia Adeney (eds), Rethinking Historical Distance (Basingstoke and New York: Palgrave Macmillan, 2013), pp. 21–33.CrossRefGoogle Scholar
Butler, Marilyn, ‘The first Frankenstein and radical science’, Times Literary Supplement 9 (April 1993), pp. 12–14.Google Scholar
Byron, Lord Gordon, George, The Prisoner of Chillon and Other Poems (London: Printed for John Murray, 1816).Google Scholar
Byron, Lord Gordon, George, ‘“A Fragment”, June 17, 1816’, in Shelley, Mary, Frankenstein; or, The Modern Prometheus: The 1818 Text, edited by Rieger, James, Phoenix edition (Chicago: University of Chicago Press, 1982), pp. 260–5.Google Scholar
Byron, Lord Gordon, George, Lord Byron: The Major Works, edited by McGann, Jerome (Oxford: Oxford University Press, 2000).Google Scholar
Calder, Jenni, ‘Introduction’, in Oliphant, Margaret, A Beleaguered City and Other Tales of the Seen and the Unseen, edited by Calder, Jenni (Edinburgh: Canongate, 2000), pp. vii–xviii.Google Scholar
Calvino, Italo (ed.), Fantastic Tales: Visionary and Everyday (Boston: Mariner Books, 1997).Google Scholar
Camilletti, Fabio, ‘Beyond the uncanny: Fantasmagoriana, intertextuality, and the pleasure principle’, Compar(a)ison 1–2 (2009): 61–81.Google Scholar
Camilletti, Fabio, ‘From Villa Diodati to Villa Gabrielli: a manuscript appendix to Fantasmagoriana’, Gothic Studies 20:1–2 (November 2018), pp. 214–26.CrossRefGoogle Scholar
Capuana, Luigi, Novelle dal mondo occulto, edited by Cedola, Andrea (Bologna: Pendragon, 2007).Google Scholar
Capuana, Luigi, ‘Il vampiro’, in Melani, Costanza (ed.), Fantastico italiano (Milano: BUR Rizzoli, 2009), pp. 290–308.Google Scholar
Carleton, William, ‘The Lianhan Shee: An Irish Superstition’, Traits and Stories of the Irish Peasantry, 2nd series, 2nd edition, 3 vols (Dublin: William Wakeman, 1834), vol. 2, pp. 3–44.Google Scholar
[Carlyle, Thomas], ‘Signs of the times’, Edinburgh Review, 49 (1829): 439–59.Google Scholar
Carlyle, Thomas, Sartor Resartus: The Life and Opinions of Herr Teufelsdröckh (London: Oxford University Press, 1943).Google Scholar
Carlyle, Thomas, Reminiscences, edited by Fielding, K. J. and Campbell, Ian (Oxford: Oxford University Press, 1997).Google Scholar
Carlyle, Thomas, Past and Present, edited by Vanden Bossche, Chris R. (Berkeley, Los Angeles and London: University of California Press, 2005).Google Scholar
Cassuto, Leonard, ‘Urban American Gothic’, in Jeffrey Andrew Weinstock (ed.), The Cambridge Companion to American Gothic (Cambridge: Cambridge University Press, 2017), pp. 156–70.Google Scholar
Castle, Terry, ‘Phantasmagoria: spectral technology and the metaphorics of modern reverie’, Critical Inquiry 15:1 (1988): 26–61.CrossRefGoogle Scholar
Castle, Terry, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny (New York and Oxford: Oxford University Press, 1995).Google Scholar
Ceserani, Remo, ‘Fantastic and Literature’, in Puppa, Paolo and Somigli, Luca (eds), Encyclopedia of Italian Literary Studies, gen ed. Marrone, Gaetana (London and New York, Routledge, 2007), pp. 684–8.Google Scholar
Chernaik, Judith and Burnett, Timothy, ‘The Byron and Shelley notebooks in the Scrope Davies find’, The Review of English Studies 29:113 (1978): 36–49.CrossRefGoogle Scholar
Chesterton, G. K., ‘A Defence of Penny Dreadfuls’, in The Defendant (London: Dent, 1907), pp. 8–17.Google Scholar
Chichester, Teddi Lynn, ‘Evading “earth’s dungeon tomb”: Emily Brontë, A. G. A., and the fatally feminine’, Victorian Poetry 29:1 (Spring 1991): 1–15.Google Scholar
Child, Francis J., The English and Scottish Popular Ballads, 5 vols (New York: Dover Publications, 1965).Google Scholar
Chisholm, Hugh, ‘How to counteract the “penny dreadful”’, Fortnightly Review 58: 347 (1895): 765–75.Google Scholar
Clark, Kenneth, The Gothic Revival: An Essay on the History of Taste, revised and enlarged edition (London: Constable, 1950).Google Scholar
Clemens, Valdine, The Return of the Repressed: Gothic Horror from The Castle of Otranto to Alien (New York: New York University Press, 1999).Google Scholar
Clery, E. J., ‘The Genesis of “Gothic” Fiction’, in Hogle, Jerrold E. (ed.), The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2002), pp. 21–40.CrossRefGoogle Scholar
Clery, E. J. and Miles, Robert (eds), Gothic Documents: A Sourcebook 1700–1820 (Manchester and New York: Manchester University Press, 2000).Google Scholar
Cochran, Peter, Byron and Bob: Lord Byron’s Relationship with Robert Southey (Newcastle upon Tyne: Cambridge Scholars, 2010).Google Scholar
Cohen, Jeffrey Jerome, ‘Monster Culture (Seven Theses)’, in Monster Theory: Reading Culture (Minneapolis: University of Minnesota Press, 1996), pp. 3–25.CrossRefGoogle Scholar
Cohn, Jan, Romance and the Erotics of Property (Durham, NC: Duke University Press, 1988).Google Scholar
Colby, Vineta and Colby, Robert A., The Equivocal Virtue: Mrs Oliphant and the Victorian Market Place (Hamden, Connecticut: Archon Books, 1966).Google Scholar
Colclough, Stephen and Vincent, David, ‘Reading’, in McKitterick, David (ed.), The Cambridge History of the Book in Britain, Volume VI: 1830–1914 (Cambridge: Cambridge University Press, 2009), pp. 281–323.CrossRefGoogle Scholar
Coleridge, Samuel Taylor, The Statesman’s Manual (London: Gale and Jenner, 1816).Google Scholar
Coleridge, Samuel Taylor, On the Constitution of the Church and State, edited by Colmer, John (London and Princeton, NJ: Routledge & Kegan Paul, Princeton University Press, 1976).Google Scholar
Coleridge, Samuel Taylor, , Lectures 1808–1819: On Literature, edited by Foakes, R, 2 vols (London and Princeton, NJ: Routledge & Kegan Paul, Princeton University Press, 1987).Google Scholar
Coleridge, Samuel Taylor, Christabel 1816, intro. by Wordsworth, Jonathan (Oxford: Woodstock Books, 1991).Google Scholar
Coleridge, Samuel Taylor, The Collected Works of Samuel Taylor Coleridge: Poetical Works; Poems (Variorum Text), Part I, Vol. XVI, edited by Mays, J. C. C. (Princeton, NJ: Princeton University Press, 2001).Google Scholar
Coleridge, Samuel Taylor and Wordsworth, William, Lyrical Ballads, 1798 and 1800, edited by Gamer, Michael and Porter, Dahlia (Peterborough, Ont.: Broadview, 2008).Google Scholar
The Collected Letters of Robert Southey, 6 parts, edited by Lynda Pratt, Ian Packer, Tim Fulford and Carol Bolton, 2009–16 <www.rc.umd.edu/editions/southeys_letters/> (last accessed 22 January 2019).+(last+accessed+22+January+2019).>Google Scholar
Collodi, Carlo [pseud. of Carlo Lorenzini], The Story of a Puppet or The Adventures of Pinocchio, trans. by Mary Alice Murray, illust. C. Mazzanti [sic] (London: Fisher Unwin, 1892).Google Scholar
Colman, George the Younger, Blue-Beard; or, Female Curiosity! A Dramatick Romance (London: Printed by T. Woodfall for Cadell and Davies, 1798).Google Scholar
Colvin, Howard M. and Newman, John (eds), Of Building: Roger North’s Writings on Architecture (Oxford: Clarendon, 1981).Google Scholar
Conan Doyle, Arthur, ‘The Adventure of the Creeping Man’, in The Casebook of Sherlock Holmes, edited by Robson, W. W. (Oxford: Oxford University Press, 2009), pp. 50–71.Google Scholar
Connell, Philip, Romanticism, Economics and the Question of ‘Culture’ (Oxford: Oxford University Press, 2001).Google Scholar
Conner, Patrick R. M., ‘Pugin and Ruskin’, Journal of the Warburg and Courtauld Institutes 41 (1978): 344–50.CrossRefGoogle Scholar
Connolly, Claire, ‘Writing the Union’, in Keogh, Daíre and Whelan, Kevin (eds), Acts of Union: The Causes, Contexts, and Consequences of the Act of Union (Dublin: Four Courts Press, 2001), pp. 171–86.Google Scholar
Connolly, Claire, ‘Theater and nation in Irish romanticism: the tragic drama of Charles Robert Maturin and Richard Lalor Shiel’, Éire-Ireland 41:3&4 (2006): 185–214.CrossRefGoogle Scholar
Connolly, Claire, A Cultural History of the Irish Novel (Cambridge: Cambridge University Press, 2011).Google Scholar
Connor, Steven, ‘The Machine in the Ghost: Spiritualism, Technology and the “Direct Voice”’, in Buse, Peter and Stott, Andrew (eds), Ghosts: Deconstruction, Psychoanalysis, History (London: Macmillan, 1999), pp. 203–25.Google Scholar
Connor, Steven, ‘Afterword’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 258–77.Google Scholar
Conrad, Joseph, The Secret Agent, edited by Lyon, John (Oxford: Oxford University Press, 2008).Google Scholar
Cook, Edward Tyas, , The Life of John Ruskin, 2 vols (New York: Haskell House, 1968).Google Scholar
Cook, E. T. and Wedderburn, Alexander (eds), The Works of John Ruskin, 39 vols (London: George Allen, 1903–12).Google Scholar
Courthope, William John, The Liberal Movement in English Literature (London: John Murray, 1885).Google Scholar
Cox, Jeffrey N. (ed.), Seven Gothic Dramas 1789–1825 (Athens, OH: Ohio University Press, 1992).Google Scholar
Cox, Jeffrey N., ‘English Gothic Theatre’, in Hogle, Jerrold E. (ed.), The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2002), pp. 125–44.Google Scholar
Cox, Jeffrey N., ‘The Death of Tragedy; or, the Birth of Melodrama’, in Davis, Tracy C. and Holland, Peter (eds), The Performing Century: Nineteenth-Century Theatre’s History (Basingstoke: Palgrave Macmillan, 2007), pp. 161–81.Google Scholar
Cox, Michael, and Gilbert, R. A., ‘Introduction’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of English Ghost Stories (Oxford: Oxford University Press, 2008), pp. ix–xvii.Google Scholar
Croce, Benedetto, ‘Arrigo Boito’, in La letteratura della Nuova Italia. Saggi Critici, 6 vols (Bari: Laterza, 1914), vol. 1, pp. 259–76.Google Scholar
Croce, Benedetto, ‘Gli ultimi romanzi di Francesco Domenico Guerrazzi’, in Croce, Benedetoo, La letteratura della Nuova Italia. Saggi Critici, 6 vols (Bari: Laterza, 1914), vol. 1, pp. 27–44.Google Scholar
Crookenden, Isaac, The Mysterious Murder; or, The Usurper of Naples: An Original Romance. To Which Is Prefixed, The Nocturnal Assassin; or, Spanish Jealousy (London: Lee, 1808).Google Scholar
Crow, Charles L., ‘Under the Upas Tree: Charles Chesnutt’s Gothic’, in McElrath, Joseph R., Jr (ed.), Critical Essays on Charles Chesnutt (New York: G. K. Hall, 1999), pp. 261–70.Google Scholar
Crowe, Catherine, The Night Side of Nature; or, Ghosts and Ghost Seers (Ware, Herts: Wordsworth, 2000).Google Scholar
Curry, Kenneth (ed.), New Letters of Robert Southey, 2 vols (New York and London: Columbia University Press, 1965).Google Scholar
Curry, Kenneth, Southey, 2nd edition (London and New York: Routledge, 2016).CrossRefGoogle Scholar
Cusack, Andrew, ‘Cultural Transfer in the Dublin University Magazine: James Clarence Mangan and the German Gothic’, in Cusask, Andrew and Murnane, Barry (eds), Popular Revenants: The German Gothic and Its International Reception, 1800–2000 (Rochester, NY: Camden House, 2012), pp. 87–104.Google Scholar
Cvetcovich, Ann, Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (New Brunswick: Rutgers University Press, 1992).Google Scholar
Dacre, Charlotte, Zofloya, or The Moor, edited by Craciun, Adriana (Peterborough, Ont.: Broadview Press, 1997).Google Scholar
Daniele, Antonio (ed.), Vampiriana: Novelle italiane di vampiri (Salerno: Keres Edizioni, 2011).Google Scholar
D’Arcy Wood, Gillen, Tambora: The Eruption that Changed the World (Princeton, NJ and Oxford: Princeton University Press, 2014).CrossRefGoogle Scholar
Darwin, Charles, On the Origin of Species by Means of Natural Selection, 2nd edition (London: John Murray, 1860).Google Scholar
Darwin, Charles, The Expression of the Emotions in Man and Animals (London: John Murray, 1872).CrossRefGoogle Scholar
Darwin, Charles, The Descent of Man, 2nd edition (New York: D. Appleton, 1875).Google Scholar
Darwin, Charles, The Variation of Animals and Plants under Domestication, 2nd edition, 2 vols (London: John Murray, 1875).Google Scholar
Darwin, Charles, The Origin of Species by Means of Natural Selection, edited by Burrow, John W. (Baltimore: Penguin, 1968).Google Scholar
Darwin Correspondence Project <www.darwinproject.ac.uk/> (last accessed 13 August 2019).+(last+accessed+13+August+2019).>Google Scholar
Darwin, Erasmus, Zoonomia; or, the Laws of Organic Life (London: Joseph Johnson, 1794–6).Google Scholar
Davidson, Cathy N., Revolution and the Word: The Rise of the Novel in America (New York: Oxford University Press, 1987).Google Scholar
Davidson, Jane P., ‘Golem–Frankenstein–golem of your own’, The Journal of the Fantastic in the Arts 7:2/3 (1995): 228–43.Google Scholar
Davies, Ann, Contemporary Spanish Gothic (Edinburgh: Edinburgh University Press, 2016).CrossRefGoogle Scholar
Davison, Carol Margaret, Gothic Literature 1764–1824 (Cardiff: University of Wales Press, 2009).Google Scholar
Davison, Carol Margaret, ‘The Victorian Gothic and Gender’, in Smith, Andrew and Hughes, William (eds), The Victorian Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2012), pp. 124–41.Google Scholar
Davison, Carol Margaret, ‘Charles Brockden Brown: Godfather of American Gothic’, in Crow, Charles L. (ed.), A Companion to American Gothic (Malden, MA: Wiley Blackwell, 2014), pp. 110–23.Google Scholar
Davison, Carol Margaret, ‘Southern Gothic: Haunted Houses’, in Street, Susan Castillo and Crow, Charles L. (eds), The Palgrave Handbook of the Southern Gothic (Basingstoke: Palgrave Macmillan, 2016), pp. 55–67.CrossRefGoogle Scholar
Davison, Carol Margaret, ‘Introduction: The Corpse in the Closet: The Gothic, Death, and Modernity’, in Davison, Carol Margaret (ed.), The Gothic and Death (Manchester: Manchester University Press, 2017), pp. 1–18.CrossRefGoogle Scholar
Davison, Carol Margaret and Germanà, Monica, ‘Borderlands of Identity and the Aesthetics of Disjuncture: An Introduction to Scottish Gothic’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 1–13.CrossRefGoogle Scholar
Deane, Bradley, ‘Mummy fiction and the occupation of Egypt: imperial striptease’, English Literature in Transition 1880–1920 51:4 (2008): 381–410.CrossRefGoogle Scholar
Défourneaux, Marcelin, Inquisición y censura de libros en la España del siglo XVIII (Madrid: Taurus, 1973).Google Scholar
DeLamotte, Eugenia C., Perils of the Night: A Feminist Study of Nineteenth-Century Gothic (Oxford: Oxford University Press, 1990).Google Scholar
Delano, Cristina, ‘Gothic tales of the liberal nation in Juan Martínez Villergas’s Los misterios de Madrid (1844–1845)’, Bulletin of Hispanic Studies 93:3 (2016): 269–83.Google Scholar
Deleuze, Gilles and Guattari, Félix A, A Thousand Plateaus, trans. by Brian Massumi (London and New York: Continuum, 2004).Google Scholar
Desmond, Adrian, The Politics of Evolution Morphology, Medicine, and Reform in Radical London (Chicago: Chicago University Press, 1989).Google Scholar
Desmond, Adrian, Huxley: From Devil’s Disciple to Evolution’s High Priest (London: Penguin, 1998).Google Scholar
de Turris, Gianfranco, ‘Gotico popolare italiano. Appunti per una bibliostoria’, in Gentili, Enzo Biffi, with Squarotti, Giorgio Barberi, Boggione, Valter and Zandrino, Barbara (eds), Neogotico tricolore. Letteratura e altro (Milano and Cuneo: Cassa di Risparmio di Cuneo Foundation, 2015), pp. 129–42.Google Scholar
Dever, Carolyn, Death and the Mother from Dickens to Freud: Victorian Fiction and the Anxiety of Origins (Cambridge: Cambridge University Press, 1998).CrossRefGoogle Scholar
Dickens, Charles, Bleak House, edited by Ford, George and Monod, Sylvère (New York: Norton, 1977).Google Scholar
Dickens, Charles, ‘Mugby Junction. No. 1 Branch Line. The Signal-Man’, in Selected Short Fiction, edited by Thomas, Deborah A. (Harmondsworth: Penguin, 1977), pp. 78–90.Google Scholar
Dickens, Charles, Dealings with the Firm of Dombey and Son, Wholesale, Retail and for Exportation, edited by Fairclough, Peter (Harmondsworth: Penguin, 1981).Google Scholar
Dickens, Charles, Little Dorrit, edited by Sucksmith, Peter Harvey (Oxford: Oxford University Press, 1982).Google Scholar
Dickens, Charles, The Mystery of Edwin Drood, edited by Cardwell, Margaret (Oxford: Oxford University Press, 1982).Google Scholar
Dickens, Charles, Our Mutual Friend, edited by Cotsell, Michael (Oxford: Oxford University Press, 1989).Google Scholar
Dickens, Charles, Great Expectations, edited by Cardwell, Margaret (Oxford: Oxford University Press, 1994).Google Scholar
Dickens, Charles, Christmas Stories, edited by Glancy, Ruth (London: Everyman, 1996).Google Scholar
Dickens, Charles, ‘A Christmas Tree’, in Pascoe, David (ed.), Charles Dickens: Selected Journalism, 1850–1870 (Harmondsworth: Penguin, 1997), pp. 3–16.Google Scholar
Dickens, Charles, ‘Nurse’s Stories’, in The Uncommercial Traveller and Other Papers 1859–70, edited by Slater, Michael and Drew, John (London: Dent, 2000), pp. 169–80.Google Scholar
Dickens, Charles, The Old Curiosity Shop, edited by Page, Norman (Harmondsworth: Penguin, 2000).Google Scholar
Dickens, Charles, Oliver Twist, edited by Horne, Philip (Harmondsworth: Penguin, 2002).Google Scholar
Dickens, Charles, A Christmas Carol and Other Christmas Books, edited by Douglas-Fairhurst, Robert (Oxford: Oxford University Press, 2006).Google Scholar
Dickerson, Vanessa D., Victorian Ghosts in the Noontide: Women Writers and the Supernatural (Columbia and London: University of Missouri Press, 1996).Google Scholar
Dickinson, Emily, The Poems of Emily Dickinson: Reading Edition, edited by Franklin, R. W. (Cambridge, MA: The Belknap Press of Harvard University Press, 1998).Google Scholar
di Giacomo, Salvatore. ‘La fine di Barth’, in Melani, Costanza (ed.), Fantastico italiano (Milano: BUR Rizzoli, 2009), pp. 381–4.Google Scholar
Doherty, Ruth, ‘Reading Reynolds: The Mysteries of London as “Microscopic Survey”’, in Rooney, Paul Raphael and Gasperini, Anna (eds), Media and Print Culture Consumption in Nineteenth-Century Britain: The Victorian Reading Experience (Basingstoke: Palgrave Macmillan, 2016), pp. 147–63.Google Scholar
Downey, Dara, ‘“Taking Noiseless Turns in the Passage”: Phantoms and Floor Plans in Henry James’s The Turn of the Screw’, in O’Briain, Helen Conrad and Stevens, Julie Anne (eds), The Ghost Story from the Middle Ages to the Twentieth Century (Dublin: Four Courts Press, 2010), pp. 189–202.Google Scholar
Downey, Dara, American Women’s Ghost Stories in the Gilded Age (Basingstoke: Palgrave Macmillan, 2014).CrossRefGoogle Scholar
Doyle, Arthur Conan, ‘The Captain of the Polestar’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of Victorian Ghost Stories (Oxford: Oxford University Press, 2003), pp. 283–302.Google Scholar
Doyle, Arthur Conan, ‘Lot No. 249’, in Lost in a Pyramid & Other Classic Mummy Stories, edited and intro. by Smith, Andrew (London: British Library, 2016), pp. 127–70.Google Scholar
Doyle, Laura, ‘At world’s edge: post/coloniality, Charles Maturin, and the gothic wanderer’, Nineteenth-Century Literature 65:4 (March 2011): 513–47.CrossRefGoogle Scholar
Drake, Nathan, Literary Hours; or, Sketches Critical and Narrative (London, 1798).Google Scholar
Duggett, Tom, Gothic Romanticism: Architecture, Politics, and Literary Form (Basingstoke and New York: Palgrave Macmillan, 2010).CrossRefGoogle Scholar
Duggett, Tom, ‘Gothic and Architecture: Morris, Ruskin, Carlyle and the Gothic Legacies of the Lake Poets’, in Punter, David (ed.), The Edinburgh Companion to Gothic and the Arts (Edinburgh: Edinburgh University Press, 2019), pp. 15–35.Google Scholar
Duncan, Ian, ‘Walter Scott, James Hogg and Scottish Gothic’, in Punter, David (ed.), A New Companion to the Scottish Gothic (Oxford: Blackwell, 2012), pp. 123–34.Google Scholar
During, Simon, Modern Enchantments: The Cultural Power of Secular Magic (Cambridge, MA and London: Harvard University Press, 2002).Google Scholar
Eastlake, Charles Locke, A History of the Gothic Revival (London: Longmans, Green and Co., 1872).Google Scholar
Eckardt, Theodore, Physics in Pictures: The Principal Natural Phenomena and Appliances described and illustrated by thirty coloured plates for ocular instruction in schools and families, trans A. H. Keane (London: Edward Stanford, 1882).Google Scholar
Edgecombe, Rodney Stenning, ‘Anti-clerical gothic: the tale of the sisters in Nicholas Nickleby’, Modern Language Review 94:1 (January 1999): 1–10.CrossRefGoogle Scholar
Edgeworth, Maria, Ennui, in Butler, Marilyn and Myers, Mitzi (eds), The Novels and Selected Works of Maria Edgeworth, 12 vols (London: Pickering & Chatto, 1999–2003), vol. 1, pp. 157–308.Google Scholar
Edmundson, Melissa, ‘The “uncomfortable houses” of Charlotte Riddell and Margaret Oliphant’, Gothic Studies 12:1 (2010): 51–67.CrossRefGoogle Scholar
Edmundson, Melissa, ‘Women Writers and the Ghost Story’, in Brewster, Scott and Thurston, Luke (eds), The Routledge Handbook to the Ghost Story (New York and London: Routledge, 2017), pp. 69–77.CrossRefGoogle Scholar
Edwards, Amelia B., ‘The Phantom Coach’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of English Ghost Stories (Oxford: Oxford University Press, 2008), pp. 13–24.Google Scholar
Edwards, Bryan, An Historical Survey of the French Colony In the Island of St. Domingo (London, 1797).Google Scholar
Eimer, Manfred, ‘Einflüsse deutscher Räuber- und Schauerromantik auf Shelley, Mrs. Shelley und Byron’, Englische Studien 48 (1914–15): 231–45.Google Scholar
Elbert, Monika and Ryden, Wendy (eds), Haunting Realities: Naturalistic Gothic and American Realism (Tualoosa: University of Alabama Press, 2017).Google Scholar
Eliot, George, Felix Holt, The Radical, edited by Coveney, Peter (Harmondsworth: Penguin, 1975).Google Scholar
Eliot, Simon J. and Nash, Andrew, ‘Mass Markets: Literature’, in McKitterick, David (ed.), The Cambridge History of the Book in Britain, Volume VI: 1830–1914 (Cambridge: Cambridge University Press, 2009), pp. 418–19.Google Scholar
Ellis, David, Byron in Geneva: The Summer of 1816 (Oxford: Oxford University Press, 2011).CrossRefGoogle Scholar
Ellis, F. S., A Lexical Concordance to the Poetical Works of Percy Bysshe Shelley (London: Bernard Quadrich, 1892; rpt. Johnson Reprint Company 1967).Google Scholar
Ellis, Peter Beresford, H. Rider Haggard: A Voice from the Infinite (London: Routledge & Kegan Paul, 1978).Google Scholar
Eltis, Sos, ‘Corruption of the Blood and Degeneration of the Race: Dracula and Policing the Borders of Gender’, in Riquelme, John Paul (ed.), Dracula (Boston: Bedford/St. Martin’s, 2002), pp. 450–65.Google Scholar
Emerson, Ralph Waldo, ‘Nature’, in Porte, Joel (ed.), Emerson: Essays and Lectures (New York: Library of America, 1983), pp. 9–49.Google Scholar
Enns, Anthony, ‘The Undead Author: Spiritualism, Technology and Authorship’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 55–78.Google Scholar
Evans, Dewi, ‘The Victorian Ghost Story and the Invention of Christmas’, in Brewster, Scott and Thurston, Luke (eds), The Routledge Handbook to the Ghost Story (New York and London: Routledge, 2017), pp. 78–86.CrossRefGoogle Scholar
Eyriès, Jean-Baptiste Benoît, Fantasmagoriana, ou Recueil d’Histoires d’Apparitions de Spectres, Revenans, Fantômes, etc.; Traduit de l’allemand, par un Amateur, 2 vols (Paris: Schoell, 1812).Google Scholar
Ezra, Elizabeth, Georges Méliès: The Birth of the Auteur (Manchester: Manchester University Press, 2000).Google Scholar
Faflak, Joel and Haslam, Jason, ‘Introduction’, in Faflak, Joel and Haslam, Jason (eds), American Gothic Culture: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2016), pp. 1–22.Google Scholar
Fanon, Frantz, Black Skin, White Masks, trans. by Charles Lam Markmann (New York: Grove Press, 1967).Google Scholar
Faulkner, Peter (ed.), William Morris: The Critical Heritage (London: Routledge and Kegan Paul, 1973).Google Scholar
Faulkner, Peter, ‘Ruskin and Morris’, Journal of the William Morris Society 14:1 (2000): 6–17.Google Scholar
Feldman, Paula R. and Scott-Kilvert, Diana (eds), The Journals of Mary Shelley, 1814–1844, 2 vols (Oxford: Clarendon Press, 1987).Google Scholar
Fennell, Jack, A Brilliant Void: A Selection of Classic Irish Science Fiction (Dublin: Tramp Press, 2018).Google Scholar
Ferguson, Frances, ‘Shelley’s “Mont Blanc”: What the Mountain Said’, in O’Neill, Michael (ed.), Shelley (London: Longman, 1993), pp. 43–55.Google Scholar
Ferriar, John, An Essay Towards a Theory of Apparitions (London: Cadell and Davies, 1813).Google Scholar
Fielding, Penny, Writing and Orality: Nationality, Culture, and Nineteenth-Century Scottish Fiction (Oxford: Oxford University Press, 1996).CrossRefGoogle Scholar
Fisher, Benjamin F., ‘Early American Gothic Drama’, in Crow, Charles L. (ed.), A Companion to American Gothic (Malden, MA: Wiley Blackwell, 2014), pp. 96–109.Google Scholar
Fisher, Benjamin Franklin, IV (ed.), The Gothic’s Gothic: Study Aids to the Tradition of the Tale of Terror (New York: Routledge, 2018).Google Scholar
Fitzball, Edward, The Flying Dutchman; or, The Phantom Ship: A Nautical Drama (London: G. H. Davidson, n.d.).Google Scholar
Fitzgerald, F. Scott, ‘A Short Trip Home’, in Ashley, Mike (ed.), The Platform Edge: Uncanny Tales of the Railways (London: British Library, 2019), pp. 257–83.Google Scholar
Fitzgerald, Lauren, ‘Female Gothic and the institutionalization of Gothic studies’, Gothic Studies 6:1 (2004): 8–18.CrossRefGoogle Scholar
Foni, Fabrizio, Alla fiera dei mostri. Racconti pulp, horror e arcane fantasticherie nelle riviste italiane 1899–1932 (Latina: Tanué, 2007).Google Scholar
Fontes da Costa, Palmira, ‘The Meaning of Monstrosities in Charles Darwin’s Understanding of the Origin of Species’, in Pereira, Ana Leonor, Pita, João and Fonseca, Pedro Ricardo (eds), Darwin, Evolution, Evolutionists (Coimbra: Imprensa da Universidade de Coimbra, 2011), pp. 74–83.Google Scholar
Forster, E. M. ‘The Story of a Panic’, in Selected Stories, edited, and with an introduction and notes, by Leavitt, David and Mitchell, Mark (Harmondsworth: Penguin, 2001), pp. 1–23.Google Scholar
Forster, John, The Life of Charles Dickens (London: Chapman and Hall, 1892).Google Scholar
Fosbrooke, Thomas Dudley, British Monachism: or, Manners and Customs of the Monks and Nuns of England, 2nd edition, 2 vols (London: John Nichols, 1817).Google Scholar
Foscolo, Ugo, The Sepulchres. Addressed to Ippolito Pindemonte, trans. attrib. to Stratford Canning, Viscount Stratford de Redcliffe (London, 1820?).Google Scholar
Foucault, Michel, The Order of Things: An Archaeology of the Human Sciences (London and New York: Routledge, 2002).Google Scholar
Frangipani, Maria Antonietta, Motivi del romanzo nero nella letteratura lombarda (Roma: Editrice Elia, 1981).Google Scholar
Frank, Frederick S., ‘Gothic gold: the Sadleir-Black Gothic collection’, Studies in Eighteenth-Century Culture 26 (1997): 287–312CrossRefGoogle Scholar
Franklin, Caroline (ed.), The Longman Anthology of Gothic Verse (Harlow: Pearson, 2011).Google Scholar
Franklin, J. Jeffrey, , ‘The counter-invasion of Britain by Buddhism in Marie Corelli’s A Romance of Two Worlds and H. Rider Haggard’s Ayesha: The Return of She’, Victorian Literature and Culture 31:1 (2003): 19–42.CrossRefGoogle Scholar
Free, Melissa, ‘“Dirty linen”: legacies of empire in Wilkie Collins’s The Moonstone’, Texas Studies in Literature and Language 48:4 (2006): 340–71.CrossRefGoogle Scholar
Freeman, Nick, ‘E. Nesbit’s new woman gothic’, Women’s Writing 15:3 (2008): 454–69.CrossRefGoogle Scholar
Freeman, Nick, ‘The Victorian Ghost Story’, in Smith, Andrew and Hughes, William (eds), The Victorian Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2012), pp. 93–107.Google Scholar
Freud, Sigmund, ‘The “Uncanny”’, in Collected Papers of Sigmund Freud, edited and trans. by Joan Riviere, 5 vols (London: Hogarth Press, 1949), vol. 4, pp. 368–407.Google Scholar
Freud, Sigmund, ‘Beyond the Pleasure Principle’, in Pelican Freud Library Volume XI: On Metapsychology, edited by Richards, Angela (Harmondsworth: Penguin, 1984), pp. 271–338.Google Scholar
Frith, Richard, ‘“The Worship of Courage”: William Morris’s Sigurd the Volsung and Victorian Medievalism’, in Holloway, L. M. and Palmgren, J. A. (eds), Beyond Arthurian Romances (New York: Palgrave Macmillan, 2005), pp. 117–32.Google Scholar
Fulford, Tim, ‘Virtual Topography: Poets, Painters, Publishers and the Reproduction of the Landscape in the Early Nineteenth Century’, Romanticism and Victorianism on the Net, 57–58 (February–May 2010) <http://id.erudit.org/iderudit/1006512ar> (last accessed 22 January 2019).CrossRef+(last+accessed+22+January+2019).>Google Scholar
Furneaux, Holly, Queer Dickens: Erotics, Families, Masculinities (Oxford: Oxford University Press, 2009).CrossRefGoogle Scholar
Gale, Steven H. (ed.), Encyclopedia of British Humorists: Geoffrey Chaucer to John Cleese, 3 vols (New York and London: Garland, 1996).Google Scholar
Gallagher, Catherine and Greenblatt, Stephen, Practicing New Historicism (Chicago: Chicago University Press, 2000).Google Scholar
Gamer, Michael, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge: Cambridge University Press, 2000).CrossRefGoogle Scholar
Gamer, Michael, ‘Gothic Melodrama’, in Williams, Carolyn (ed.), The Cambridge Companion to English Melodrama (Cambridge: Cambridge University Press, 2018), pp. 31–46.CrossRefGoogle Scholar
Gange, David, ‘Religion and science in late nineteenth-century British Egyptology’, The Historical Journal 49:4 (December 2006): 1083–103.CrossRefGoogle Scholar
Garside, Peter, ‘Introduction: Consolidation and Dispersal’, in Garside, Peter, Raven, James and Schöwerling, Rainer (eds), The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction Published in the British Isles, 2 vols (Oxford: Oxford University Press, 2000), vol. 2, pp. 1–103.Google Scholar
Gaskell, Elizabeth, ‘The Old Nurse’s Story’, in Gothic Tales, edited by Kranzler, Laura (Harmondsworth: Penguin, 2000), pp. 11–32.Google Scholar
Gaudenzi, Cosetta, ‘Carolina Invernizio’s “Punishment”’, Forum Italicum: A Journal of Italian Studies 38:2 (2004): 562–81.CrossRefGoogle Scholar
Geffarth, Renko, ‘The Masonic Necromancer: Shifting Identities in the Lives of Johann Georg Schrepfer’, in Hammer, Olav and von Stuckrad, Kocku (eds), Polemical Encounters: Esoteric Discourse and Its Others (Leiden and Boston: Brill, 2007), pp. 181–97.Google Scholar
Gerard, Emily, ‘Transylvanian superstitions’, The Nineteenth Century 20 (July 1885): 128–44.Google Scholar
Ghidetti, Enrico (ed.), Notturno italiano. Racconti fantastici dell’Ottocento (Roma: Editori Riuniti, 1984).Google Scholar
Ghidetti, Enrico, Dal racconto fantastico al romanzo popolare (Roma: Editori Riuniti, 1987).Google Scholar
Ghislanzoni, Antonio, Racconti (Milano: Sonzogno, 1884).Google Scholar
Gianquitto, Tina, ‘Criminal Botany: Progress, Degeneration, and Darwin’s Insectivorous Plants’, in Gianquitto, Tina and Fisher, Lydia (eds), America’s Darwin: Darwinian Theory and U.S. Literary Culture (Athens, GA: University of Georgia Press, 2014), pp. 235–62.Google Scholar
Gilbert, Sandra M. and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven: Yale University Press, 1979).Google Scholar
Gilbert, Suzanne, ‘James Hogg and the Authority of Tradition’, in Alker, Sharon and Nelson, Holly Faith (eds), James Hogg and the Literary Marketplace: Scottish Romanticism and the Working-Class Author (Farnham: Ashgate, 2009), pp. 93–109.Google Scholar
Gillespie, Niall, ‘Irish Jacobin Gothic, c. 1796–1825’, in Morin, Christina and Gillespie, Niall (eds), Irish Gothics: Genres, Forms, Modes, and Traditions, c. 1760–1890 (Basingstoke: Palgrave Macmillan, 2014), pp. 58–73Google Scholar
Ginger, Andrew, Painting and the Turn to Cultural Modernity in Spain: The Time of Eugenio Lucas Velázquez (1850–1870) (Selinsgrove, PA: Susquehanna University Press, 2007).Google Scholar
Gledhill, Christine, ‘Domestic Melodrama’, in Williams, Carolyn (ed.), The Cambridge Companion to English Melodrama (Cambridge: Cambridge University Press, 2018), pp. 61–77.CrossRefGoogle Scholar
Goddu, Teresa A., ‘The African American Slave Narrative and the Gothic’, in Crow, Charles L., A Companion to American Gothic (Walden, MA: Wiley Blackwell, 2014), pp. 71–83.Google Scholar
Gómez de Avellaneda, Gertrudis, ‘La dama de Amboto’, Leyendas del siglo XIX (Madrid: Akal, 2013), pp. 153–62.Google Scholar
de Vega, González, Gerardo, ‘La literatura fantástica española bajo el Antiguo Régimen’, El demonio meridiano: Cuentos fantásticos y de terror en la España del Antiguo Régimen (Madrid: Miraguano Ediciones, 2015), pp. 13–148.Google Scholar
Gorky, Maxim, ‘Newspaper review of the Lumière programme at the Nizhni-Novgorod Fair, Nizhegorodski listok, 4 July 1896’, in Harding, Colin and Popple, Simon (eds), In the Kingdom of Shadows: A Companion to Early Cinema (London: Cygnus arts, 1996), pp. 5–6.Google Scholar
Goslee, Nancy Moore, Shelley’s Visual Imagination (Cambridge: Cambridge University Press, 2011).CrossRefGoogle Scholar
Gosse, Edmund, A History of Eighteenth Century Literature (1660–1780) (London and New York: Macmillan and Co., 1889).Google Scholar
Gray, Thomas, The Complete English Poems of Thomas Gray, edited by Reeves, James (London: Heineman, 1973).Google Scholar
Gray, William, Robert Louis Stevenson: A Literary Life (New York: Palgrave Macmillan, 2004).CrossRefGoogle Scholar
Greenblatt, Stephen, Renaissance Self-Fashioning: From More to Shakespeare, revised edition (Chicago: University of Chicago Press, 2005).CrossRefGoogle Scholar
Greenblatt, Stephen, Hamlet in Purgatory: Expanded Edition (Princeton, NJ and Oxford: Princeton University Press, 2013).CrossRefGoogle Scholar
Grierson, Herbert J. C., Sir Walter Scott, Bart (London: Constable & Co., 1938).Google Scholar
Griffin, Gerald, ‘The Brown Man’, in Holland-Tide; or, Irish Popular Tales, 2nd edition (London: Saunders and Otley, 1827), pp. 295–307.Google Scholar
Groom, Nick, ‘“The Celtic Century” and the Genesis of Scottish Gothic’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 14–27.CrossRefGoogle Scholar
Groom, Nick, ‘Catachthonic romanticism: buried history, deep ruins’, Romanticism 24:2 (2018): 118–33.CrossRefGoogle Scholar
Gruner, Elisabeth Rose, ‘Plotting the mother: Caroline Norton, Helen Huntingdon, and Isabel Vane’, Tulsa Studies in Women’s Literature 16:2 (Autumn 1997): 303–25.Google Scholar
Guerrazzi, Francesco Domenico, Note autobiografiche e poema (Firenze: Successori Le Monnier, 1899).Google Scholar
Gutiérrez, Luis, Cornelia Bororquia, o víctima de la Inquisición (Madrid: Cátedra, 2005).Google Scholar
Habegger, Alfred, Henry James and the ‘Woman Business’ (Cambridge: Cambridge University Press, 1989).CrossRefGoogle Scholar
Hackenberg, Sara, ‘Vampires and resurrection men: the perils and pleasures of the embodied past in 1840s sensational fiction’, Victorian Studies 52:1 (2009): 63–75.CrossRefGoogle ScholarPubMed
Haining, Peter (ed.), The Shilling Shockers: Stories of Terror from the Gothic Bluebooks (London: Gollancz, 1978).Google Scholar
Hale, Terry (ed.), Tales of the Dead: The Ghost Stories of the Villa Diodati (Chislehurst: The Gothic Society, 1992).Google Scholar
Hale, Terry, ‘Roman Noir’, in Mulvey-Roberts, Marie (ed.), The Handbook of the Gothic (Basingstoke: Palgrave Macmillan, 2009), pp. 307–9.Google Scholar
Hall, Michael, ‘Introduction’, in Hall, Michael (ed.), Gothic Architecture and Its Meanings, 1550–1830 (Reading: Spire Books, 2002), pp. 7–24.Google Scholar
Harries, Susie, Nikolaus Pevsner: The Life (London: Pimlico, 2013).Google Scholar
Harris, Elisha, ‘Introduction’, in Dugdale, Richard, ‘The Jukes’: A Study in Crime, Pauperism, Disease, and Heredity, 3rd edition (New York: G. P. Putnam’s sons, 1877), pp. v–vi.Google Scholar
Harris, Mason, ‘Introduction’, in Wells, H. G., The Island of Dr Moreau, edited by Harris, Mason (Peterborough, Ont.: Broadview, 2009), pp. 13–58.Google Scholar
Harson, Robert R., ‘Byron’s “Tintern Abbey”’, Keats-Shelley Journal 20 (1971): 113–21.Google Scholar
Hartman, Mary S., Victorian Murderesses: A True History of Thirteen Respectable French and English Women Accused of Unspeakable Crimes (New York: Schocken, 1977).Google Scholar
Hazlitt, William, Lectures on the English Poets. Delivered at the Surrey Institution (London: Printed for Taylor and Hessey, 1818).Google Scholar
Heard, Mervyn, Phantasmagoria: The Secret Life of the Magic Lantern (Hastings: The Projection Box, 2006).Google Scholar
Heard, Mervyn and Crangle, Richard, ‘The Temperance Phantasmagoria’, in Crangle, Richard, Heard, Mervyn and van Dooren, Ine (eds), Realms of Light: Uses and Perceptions of the Magic Lantern from the 17th to the 21st Century (London: The Magic Lantern Society, 2005), pp. 46–55.Google Scholar
Hecht, Hermann, ‘The history of projecting phantoms, ghosts, and apparitions – Part 1’, The New Magic Lantern Journal 3:1 (1984): 2–6.Google Scholar
Hecht, Hermann, ‘The history of projecting phantoms, ghosts, and apparitions – Part 2’, The New Magic Lantern Journal 3:2 (1984): 2–6.Google Scholar
Hecht, Hermann, ‘Stage magic and illusions’, The New Magic Lantern Journal 6:3 (1992): 10–13.Google Scholar
Heilman, Robert B., Tragedy and Melodrama: Versions of Experience (Seattle, WA and London: University of Washington Press, 1968).Google Scholar
Heller, Tamar, Dead secrets: Wilkie Collins and the Female Gothic (New Haven: Yale University Press, 1992).Google Scholar
Heller, Tamar, ‘Textual seductions: women’s reading and writing in Margaret Oliphant’s “The Library Window”’, Victorian Literature and Culture 25:1 (Spring 1997): 23–37.CrossRefGoogle Scholar
Heller, Tamar, ‘Victorian sensationalism and the silence of maternal sexuality in Edith Wharton’s The Mother’s Recompense’, Narrative 5.2 (May 1997): 135–42.Google Scholar
Heller, Tamar, ‘Haunted Bodies: The Female Gothic of Wuthering Heights’, in Lonoff, Sue and Hasseler, Terri A. (eds), Approaches to Teaching Emily Brontë’s Wuthering Heights (New York: MLA Press, 2006), pp. 67–74.Google Scholar
Hendershot, Cindy, The Animal Within: Masculinity and the Gothic (Ann Arbor, MI: University of Michigan Press, 1998).CrossRefGoogle Scholar
Henry, Eva M., ‘The Curse of Vasartas’, in Lost in a Pyramid & Other Classic Mummy Stories, edited and intro. by Smith, Andrew (London: British Library, 2016), pp. 107–25.Google Scholar
Henson, Louise, ‘Investigations and Fictions: Charles Dickens and Ghosts’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 44–63.Google Scholar
Herr, Curt, ‘Introduction’, in Rymer, James Malcolm, Varney the Vampire, edited by Herr, Curt (Crestline, CA: Zittaw Press, 2008), pp. 8–27.Google Scholar
Hervey, Thomas K., The Book of Christmas, reprint of 1836 edition (Boston, MA: Roberts Brothers, 1888).Google Scholar
Hill, Rosemary, God’s Architect: Pugin and the Building of Romantic Britain (London: Allen Lane, 2007).Google Scholar
Hill, Susan and Mallatratt, Stephen, The Woman in Black (London: Samuel French, 1989).Google Scholar
Hillis Miller, J., ‘The genres of A Christmas Carol’, Dickensian 89: 431 (Winter 1993): 193–206.Google Scholar
Hoeveler, Diane Long, Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780–1820 (Columbus, OH: Ohio State University Press, 2010).Google Scholar
Hoeveler, Diane Long, ‘More gothic gold: the Sadleir-Black chapbook collection at the University of Virginia Library., Papers on Language and Literature 46 (2010): 164–93.Google Scholar
Hoeveler, Diane Long, ‘Anti-Catholicism and the Gothic Imaginary: The Historical and Literary Contexts’, in McInelly, Brett C. (ed.), Religion in the Age of Enlightenment, 5 vols (New York: AMS Press, 2012), vol. 3, pp. 1–31.Google Scholar
Hoeveler, Diane Long, ‘Gothic Adaptation, 1764–1830’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (Abingdon and New York: Routledge, 2014), pp. 185–98.Google Scholar
Hoeveler, Diane Long, The Gothic Ideology: Religious Hysterias and Anti-Catholicism in British Popular Fiction, 1780–1880 (Cardiff: University of Wales Press, 2014).Google Scholar
Hogg, James, The Private Memoirs and Confessions of a Justified Sinner, edited by Garside, P. D. (Edinburgh: Edinburgh University Press, 2001).Google Scholar
Hogg, James, ‘The Brownie of the Black Haggs’, in The Shepherd’s Calendar, edited by Mack, Douglas S. (Edinburgh: Edinburgh University Press, 2002), pp. 242–55.CrossRefGoogle Scholar
Hogg, James, ‘Mary Burnet’, in The Shepherd’s Calendar, edited by Mack, Douglas S. (Edinburgh: Edinburgh University Press, 2002), pp. 200–22.CrossRefGoogle Scholar
Hogg, James, ‘Kilmeny’, in The Queen’s Wake, edited by Mack, Douglas S. (Edinburgh: Edinburgh University Press, 2004), pp. 288–96.Google Scholar
Hogg, James, ‘The Pedlar’, in The Mountain Bard, edited by Gilbert, Suzanne (Edinburgh: Edinburgh University Press, 2007), pp. 26–36.Google Scholar
Hogle, Jerrold E., ‘“Christabel” as gothic: the abjection of instability’, Gothic Studies 7:1 (2005): 18–28.CrossRefGoogle Scholar
Hogle, Jerrold E., ‘The gothic image at the Villa Diodati’, The Wordsworth Circle 47 (2017): 16–26.CrossRefGoogle Scholar
Hollington, Michael, ‘Dickens’s gothic gargoyles’, Dickens Quarterly 16:3 (September 1999): 160–77.Google Scholar
Holmes, Richard (ed.), Coleridge: Selected Poems (London: HarperCollins, 1996).Google Scholar
‘Homicidal Heroines’, in Maunder, Andrew (ed.), Sensationalism and the Sensation Debate: Varieties of Women’s Sensation Fiction 1855–1890, 6 vols (London: Pickering & Chatto, 2004), vol. 1, pp. 145–9.Google Scholar
Hood, Thomas, The Poetical Works of Thomas Hood, edited by Rossetti, William Michael (London: Ward, Lock, and Co., 1870).Google Scholar
Hooper, Lucy H., ‘Carnivorine’, in Arment, Chad (ed.), Botanica Delira: More Stories of Strange, Undiscovered, and Murderous Vegetation (Landisville, PA: Coachwhip, 2010), pp. 73–81.Google Scholar
Hopkins, Albert A., Magic: Stage Illusions and Scientific Diversions including Trick Photography (London: Sampson, Low, Marston and Co, 1897).Google Scholar
Horn, David G., The Criminal Body: Lombroso and the Anatomy of Deviance (New York: Routledge, 2003).Google Scholar
Howe, Stephen, Ireland and Empire: Colonial Legacies in Irish History and Culture (Oxford: Oxford University Press, 2000).Google Scholar
Huggett, Richard, Supernatural on Stage: Ghosts & Superstitions of the Theatre (New York: Taplinger, 1975).Google Scholar
Hughes, William, ‘The Uncanny Space of Regionality: Gothic Beyond the Metropolis’, in Hughes, William, and Heholt, Ruth (eds), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles (Cardiff: University of Wales Press, 2018), pp. 1–24.Google Scholar
Humpherys, Anne, ‘An Introduction to G. W. M. Reynolds’s “Encyclopaedia of Tales”’, in Humpherys, Anne and James, Louis (eds), G. W. M. Reynolds: Nineteenth-Century Fiction, Politics and the Press (Aldershot and Burlington, VT: Ashgate, 2008), pp. 123–32.Google Scholar
Hurley, Kelly, The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle (Cambridge: Cambridge University Press, 1996).CrossRefGoogle Scholar
Hyder, Clyde K., ‘Rossetti’s “Rose Mary”: a study in the occult’, Victorian Poetry 1:3 (1963): 197–207.Google Scholar
Iarocci, Michael P., Properties of Modernity: Romantic Spain, Modern Europe, and the Legacies of Empire (Nashville, TN: Vanderbilt University Press, 2006).Google Scholar
Illustrated Catalogue of Magic Lanterns (Chicago, IL: McIntosh Battery and Optical Company Co., 1890).Google Scholar
Jackson, Rosemary, Fantasy: The Literature of Subversion (London and New York, Methuen, 1981).CrossRefGoogle Scholar
James, Henry, ‘Miss Braddon’, in Page, Norman (ed.), Wilkie Collins: The Critical Heritage (London: Routledge, 1974), pp. 122–4.Google Scholar
James, Henry, ‘Preface’, in The Turn of the Screw, edited by Beidler, Peter G. (Boston and New York: Bedford/St Martin’s, 2004), pp. 179–86.Google Scholar
James, Henry, ‘Review of Aurora Floyd’, in Wilson, Mark and Edel, Leon (eds), Literary Criticism: Essays on Literature, American Writers, English Writers (New York: Library of America, 1984), pp. 741–6.Google Scholar
James, Henry, ‘The Turn of the Screw’, in The Turn of the Screw and Other Stories, edited by Lustig, T. J. (Oxford: Oxford University Press, 2008), pp. 113–236.Google Scholar
James, Louis, Fiction for the Working Man, 1830–1850: A Study of the Literature Produced for the Working Classes in Early Victorian Urban England (London: Oxford University Press, 1963).Google Scholar
James, M. R., ‘The Mezzotint’, in James, M. R., Collected Ghost Stories, edited by Jones, Darryl (Oxford: Oxford University Press, 2011), pp. 24–34.Google Scholar
James, M. R., ‘Some Remarks on Ghost Stories’, in James, M. R., Collected Ghost Stories, edited by Jones, Darryl (Oxford: Oxford University Press, 2011), pp. 410–16.Google Scholar
James, William, ‘The Confidences of a “Psychical Researcher”’ (1909), in Essays in Psychical Research, edited by Burkhardt, Frederick and Bowers, Fredson (Cambridge and London: Harvard University Press, 1986), pp. 361–75.Google Scholar
Jann, Rosemary, ‘Democratic myths in Victorian medievalism’, Browning Institute Studies 8 (1980): 129–49.CrossRefGoogle Scholar
Jarrells, Anthony, ‘Short Fictional Forms and the Rise of the Tale’, in Garside, Peter and O’Brien, Karen (eds), The Oxford History of the Novel in English, Volume II: English and British Fiction, 1750–1820 (Oxford: Oxford University Press, 2015), pp. 478–94.Google Scholar
Jerrold, Douglas, The Rent Day: A Domestic Drama, in Two Acts (London: Printed for C. Chappel, 1832).Google Scholar
Jewett, Sarah Orne, ‘In Dark New England Days’, in Straub, Peter (ed.), American Fantastic Tales: Terror and the Uncanny, From Poe to the Pulps, 2 vols (New York: Library of America), vol. 1, pp. 112–30.Google Scholar
Jewsbury, Geraldine, ‘Reader’s Report on East Lynne’, Appendix B in Wood, Ellen, East Lynne, edited by Maunder, Andrew (Peterborough, Ont.: Broadview Press, 2000), pp. 698–9.Google Scholar
Johnson, Ray, ‘Tricks, traps, and transformations: illusion in Victorian spectacular theatre’, Early Popular Visual Culture 5:4 (2007): 151–65.CrossRefGoogle Scholar
Jones, David Annwn, Gothic Effigy: A Guide to Dark Visibilities (Manchester: Manchester University Press, 2018).CrossRefGoogle Scholar
Jones, David J., Gothic Machine: Textualities, Pre-cinematic Media and Film in Popular Visual Culture, 1670–1910 (Cardiff: University of Wales Press, 2011).Google Scholar
Jones, Timothy G., ‘The canniness of the Gothic: genre as practice’, Gothic Studies 11:1 (2009): 124–33.CrossRefGoogle Scholar
Jonckheere, Evelien and Vanhoutte, Kurt, ‘Metempsychosis as attraction on the fairground: the migration of a ghost’, Early Popular Visual Culture 17:2 (2019): 261–78.CrossRefGoogle Scholar
Joshi, S. T., The Weird Tale: Arthur Machen, Lord Dunsany, Algernon Blackwood, M. R. James, H. P. Lovecraft (Austin: University of Texas Press, 1990).Google Scholar
Kahane, Claire, ‘The Gothic Mirror’, in Garner, Shirley Nelson, Kahane, Claire and Sprengnether, Madelon (eds), The (M)Other Tongue: Essays in Feminist Psychoanalytic Interpretation (Ithaca, NY: Cornell University Press, 1985), pp. 43–64.Google Scholar
Kaplan, Morton and Kloss, Robert, The Unspoken Motive: A Guide to Psychoanalytic Literary Criticism (New York: Free Press, 1973).Google Scholar
Kattelman, Beth A., ‘Spectres and Spectators: The Poly-Technologies of the Pepper’s Ghost Illusion’, in Reilly, Kara (ed.), Theatre, Performance, and Analogue Technology (Basingstoke: Palgrave Macmillan, 2013), pp. 198–213.CrossRefGoogle Scholar
Keetley, Dawn, ‘Six Theses on Plant Horror’, in Keetley, Dawn and Tenga, Angela (eds), Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film (Basingstoke: Palgrave Macmillan, 2016), pp. 1–30.CrossRefGoogle Scholar
Kelly, Gary (ed.), Varieties of Female Gothic, Volume II: Street Gothic: Female Gothic Chapbooks (London and Brookfield VT, Pickering & Chatto, 2002).Google Scholar
Kelvin, Norman (ed.), The Collected Letters of William Morris, 4 vols (Princeton, NJ: Princeton University Press, 1984–96).Google Scholar
Kember, Joe, Marketing Modernity: Victorian Popular Shows and Early Cinema (Exeter: University of Exeter Press, 2009).Google Scholar
Kember, Joe, ‘Productive intermediality and the expert audiences of magic theatre and early film’, Early Popular Visual Culture 8:1 (2010): 31–46.CrossRefGoogle Scholar
Khair, Tabish, ‘Summing Up’, in The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere (New York: Palgrave Macmillan, 2009), pp. 157–74.CrossRefGoogle Scholar
Kidd, Colin, Subverting Scotland’s Past: Scottish Whig Historians and the Creation of an Anglo-British Identity, 1689–1830 (Cambridge: Cambridge University Press, 2003).Google Scholar
Kilfeather, Siobhán, ‘The Gothic Novel’, in Foster, John Wilson (ed.), The Cambridge Companion to the Irish Novel (Cambridge: Cambridge University Press, 2006), pp. 78–96.CrossRefGoogle Scholar
Kilgour, Maggie, The Rise of the Gothic Novel (London: Routledge, 1995).Google Scholar
Killeen, Jarlath, Gothic Ireland: Horror and the Irish Anglican Imagination in the Long Eighteenth Century (Dublin: Four Courts Press, 2005).Google Scholar
Killeen, Jarlath, Gothic Literature 1825–1914 (Cardiff: University of Wales Press, 2009).Google Scholar
Killeen, Jarlath, The Emergence of Irish Gothic Fiction: History, Origins, Theory (Edinburgh: Edinburgh University Press, 2014).CrossRefGoogle Scholar
Killick, Tim, British Short Fiction in the Early Nineteenth Century: The Rise of the Tale (Aldershot and Burlington, VT: Ashgate, 2008).Google Scholar
King, Andrew, ‘“Literature of the Kitchen”: Cheap Serial Fiction of the 1840s and 1850s’, in Gilbert, Pamela K. (ed.), A Companion to Sensation Fiction (Malden, MA: Wiley-Blackwell, 2011), pp. 38–53.CrossRefGoogle Scholar
King, Jason, ‘Emigration and the Anglo-Irish novel: William Carleton, “home sickness”, and the coherence of gothic conventions’, The Canadian Journal of Irish Studies, 26:2/27:1 (2000–1): 104–18.Google Scholar
Kipling, Rudyard, The Collected Poems of Rudyard Kipling, edited by Jones, R. T. (Ware: Wordsworth, 1999).Google Scholar
Kipling, Rudyard, The Phantom ’Rickshaw and Other Ghost Stories (Fairfield, CT: 1st World Library, 2007).Google Scholar
Kirkpatrick, Jobert J., From the Penny Dreadful to the Ha’penny Dreadfuller: A Bibliographic History of the Boys’ Periodical in Britain 1762–1950 (London: British Library; New Castle, DE: Oak Knoll Press, 2013).Google Scholar
Kite, Stephen, ‘Shaping the Darks; Ruskin’s “Energetic Shadow”’, in Brittain- Catlin, Timothy, de Meyer, Jan and Bressani, Martin (eds), Gothic Revival Worldwide: A. W. N. Pugin’s Global Influence (Leuven: Leuven University Press, 2016), pp. 228–39.Google Scholar
Kitson, Peter J., ‘The Victorian Gothic’, in Baker, William and Womack, Kenneth (eds), A Companion to the Victorian Novel (Westport, CT: Greenwood Press, 2002), pp. 163–76.Google Scholar
Kleiner, Fred S., Gardner’s Art Through the Ages: Non-Western Perspectives, 13th edition (Boston, MA: Wadsworth, 2010).Google Scholar
Kliger, Samuel, ‘The “Goths” in England: an introduction to the Gothic vogue in eighteenth-century aesthetic discussion’, Modern Philology 43:2 (1945): 107–17.CrossRefGoogle Scholar
Klopp, Charles, ‘Workshops of Creation, Filthy and Not: Collodi’s “Pinocchio” and Shelley’s “Frankenstein”’, in Pizzi, Katia (ed.), Pinocchio, Puppets and Modernity: The Mechanical Body (London and New York: Routledge, 2012), pp. 63–74.Google Scholar
Koch, Angela, ‘Gothic bluebooks in the princely library of Corvey and beyond’, Cardiff Corvey: Reading the Romantic Text 9 (December 2002) <www.romtext.org.uk/articles/cc09_n01\> (last accessed 10 June 2019).Google Scholar
Koselleck, Reinhart, Futures Past: On the Semantics of Historical Time, trans. and edited by Tribe, Keith (New York and Chichester: Columbia University Press, 2004).Google Scholar
Kreilkamp, Vera, ‘The Novel of the Big House’, in Foster, John Wilson (ed.), The Cambridge Companion to the Irish Novel (Cambridge: Cambridge University Press, 2006), pp. 60–77.CrossRefGoogle Scholar
Kristeva, Julia, Powers of Horror: An Essay on Abjection, trans. by Leon S. Roudiez (New York: Columbia University Press, 1982).Google Scholar
Lang, Andrew, ‘The comparative study of ghost stories’, The Nineteenth Century 17 (1885): 623–32.Google Scholar
Lang, Andrew, ‘Mrs. Radcliffe’s novels’, The Cornhill Magazine 9:49 (July 1900): 23–34.Google Scholar
Langdon, Perceval, ‘Railhead’, in Ashley, Mike (ed.), The Platform Edge: Uncanny Tales of the Railways (London: British Library, 2019), pp. 109–18.Google Scholar
Lankester, Edwin, Degeneration: A Chapter in Darwinism (London: Macmillan, 1880).CrossRefGoogle Scholar
Law, Graham and Patten, Robert L., ‘The Serial Revolution’, in McKitterick, David (ed.), The Cambridge History of the Book in Britain, Volume VI: 1830–1914 (Cambridge: Cambridge University Press, 2009), pp. 144–71.Google Scholar
Ledger, Sally and Luckhurst, Roger (eds), The Fin-de-Siècle Reader: A Reader in Cultural History, c. 1880–1900 (Oxford: Oxford University Press, 2000).Google Scholar
Lee, Vernon, Hauntings and Other Fantastic Tales, edited by Maxwell, Catherine and Pulham, Patricia (Peterborough, Ont.: Broadview, 2006).Google Scholar
Le Fanu, Joseph Sheridan, ‘Fireside horrors for Christmas’, Dublin University Magazine 30: 180 (December 1847): 631–46.Google Scholar
Le Fanu, Joseph Sheridan, Uncle Silas, edited by Sage, Victor (London: Penguin Books, 2000).Google Scholar
Le Fanu, Sheridan, ‘Green Tea’, in Newton, Michael (ed.), The Penguin Book of Ghost Stories (Harmondsworth: Penguin, 2010), pp. 105–39.Google Scholar
Le Fanu, Joseph Sheridan, Carmilla: A Critical Edition, edited by Costello-Sullivan, Kathleen (Syracuse, NY: Syracuse University Press, 2013).Google Scholar
‘Lenora. A Ballad, from Bürger’, The Monthly Magazine, and British Register vol. 1 (1796): 135–7.Google Scholar
Leon, Derrick, Ruskin, the Great Victorian (London: Routledge and Kegan Paul, 1949).Google Scholar
Leopardi, Giacomo, Essays, Dialogues and Thoughts, trans. by Patrick Maxwell (London: Walter Scott, Ltd. 1880).Google Scholar
Leopardi, Giacomo, Zibaldone: The Notebooks of Leopardi, edited by Caesar, Michael and D’intino, Franco, trans. by Kathleen Baldwin, Richard Dixon, David Gibbons, Ann Goldstein, Gerard Slowey, Martin Thom and Pamela Williams (Harmondsworth: Penguin, 2013).Google Scholar
Levine, George, Darwin and the Novelists: Patterns of Science in Victorian Fiction (Cambridge, MA: Harvard University Press, 1989).Google Scholar
Levine, George, Darwin the Writer (Oxford: Oxford University Press, 2011)CrossRefGoogle Scholar
Lévy, Maurice, ‘“Gothic” and the Critical Idiom’, in Smith, Allan Lloyd and Sage, Victor (eds), Gothick Origins and Innovations (Amsterdam and Atlanta, GA: Rodopi, 1994), pp. 1–15.Google Scholar
Lewis, Matthew Gregory, The Castle Spectre: A Drama. In Five Acts (London, Printed for J. Bell, 1798).Google Scholar
Liggins, Emma, ‘Gendering the spectral encounter at the fin de siècle: unspeakability in Vernon Lee’s supernatural stories’, Gothic Studies 15:2 (2013): 37–52.CrossRefGoogle Scholar
Lockhart, J. G., Memoirs of the Life of Sir Walter Scott, Bart. 7 vols (Edinburgh: R. Cadell, 1837–8).Google Scholar
Logie Robertson, J. (ed.), Scott: Poetical Works (London: Oxford University Press, 1971).Google Scholar
Lombardo, Paul, ‘Return of the Jukes: eugenic mythologies and internet evangelism’, Journal of Legal Medicine 33:2 (2012): 207–33.CrossRefGoogle ScholarPubMed
Lombroso, Cesare, Ricerche sui fenomeni ipnotici e spiritici (Torino: Unione Tipografico-Editrice Torinese, 1909).Google Scholar
Lombroso, Cesare, Criminal Man, trans. and edited by Mary Gibson and Nicole Hahn Rafter (Durham, NC: Duke University Press, 2006).CrossRefGoogle Scholar
Lombroso-Ferrero, Gina, Criminal Man (New York: G. P. Putnam’s Sons, 1911).Google Scholar
Longueil, Alfred E., ‘The word “gothic” in eighteenth century criticism’, Modern Language Notes 38:8 (December 1923): 453‒60.CrossRefGoogle Scholar
López Santos, Miriam, ‘Introducción’, Pascual Pérez y Rodríguez, La urna sangrienta o el panteón de Scianella (Madrid: Siruela, 2010), pp. 13–25.Google Scholar
López Santos, Miriam, La novela gótica en España (1788–1833) (Vigo: Academia del Hispanismo, 2010).Google Scholar
Rosamaria, Loretelli and Dunkley, John, ‘Translating Ann Radcliffe’s The Italian: André Morellet and Giovanni De Coureil’, in De Michelis, Lidia, Guerra, Lia and O’Gorman, Frank (eds), Politics and Culture in Eighteenth-Century Anglo-Italian Encounters. Entangled Histories (Newcastle: Cambridge Scholars, 2019), pp. 2–46.Google Scholar
Lotman, Juri, Culture and Explosion, edited by Grishakova, Marina (Berlin: De Gruyter, 2009).Google Scholar
Lucerna Magic Lantern Web Resource <www.slides.uni-trier.de/set/index.php?language=EN&id=3005238> (last accessed 28 May 2019).+(last+accessed+28+May+2019).>Google Scholar
Luck, Chad, ‘George Lippard and the Rise of the Urban Gothic’, in Crow, Charles L. (ed.), A Companion to American Gothic (Malden, MA: Wiley Blackwell, 2014), pp. 124–36Google Scholar
Luckhurst, Roger, The Mummy’s Curse: The True History of a Dark Fantasy (Oxford: Oxford University Press, 2012).Google Scholar
Luckhurst, Roger, ‘Psychoanalysis’, in Hughes, William, Punter, David and Smith, Andrew (eds), The Encyclopedia of the Gothic, 2 vols (Malden, MA and Chichester: Wiley-Blackwell, 2016), vol. 2, pp. 526–31.Google Scholar
Lutz, Deborah, ‘Gothic Fictions in the Nineteenth Century’, in Kucich, John and Taylor, Jenny Bourne (eds), The Oxford History of the Novel in English, Volume III: The Nineteenth-Century Novel 1820–1880 (Oxford: Oxford University Press, 2012), pp. 76–89.Google Scholar
Lynch, Eve M., ‘Spectral Politics: The Victorian Ghost Story and the Domestic Servant’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 67–86.Google Scholar
MacCarthy, Fiona, William Morris: A Life for Our Time, 2nd edition (London: Faber and Faber, 2010).Google Scholar
Macdonald, D. L., Poor Polidori: A Critical Biography of the Author of The Vampyre (Toronto: University of Toronto Press, 1991).CrossRefGoogle Scholar
Machen, Arthur, Selected Letters: The Private Writings of the Master of the Macabre, edited by Dobson, Roger, Brangham, Godfrey and Gilbert, R. A. (Wellingborough: Aquarian Press, 1988).Google Scholar
Machen, Arthur, ‘The Inmost Light’, in Wagner, Corinna (ed.), Gothic Evolutions: Poetry, Tales, Context, Theory (Peterborough, Ont.: Broadview, 2014), pp. 388–406.Google Scholar
Mack, Douglas S., Scottish Fiction and the British Empire (Edinburgh: Edinburgh University Press, 2006).Google Scholar
Madden, Lionel (ed.), Robert Southey: The Critical Heritage (London: Routledge, 1972).Google Scholar
Mahawatte, Royce, ‘Horror in the Nineteenth Century: Dreadful Sensations, 1820–80’, in Reyes, Xavier Aldana (ed.), Horror: A Literary History (London: British Library, 2016), pp. 77–101.Google Scholar
Makala, Melissa Edmundson, Women’s Ghost Literature in Nineteenth-Century Britain (Cardiff: University of Wales Press, 2013).Google Scholar
Malchow, Howard L., Gothic Images of Race in Nineteenth-Century Britain (Stanford: Stanford University Press, 1996).Google Scholar
Malley, Shawn, ‘“Time hath no power against identity”: historical continuity and archaeological adventure in H. Rider Haggard’s She’, English Literature in Transition 1880–1920 40:3 (1997): 275–97Google Scholar
Malthête, Jacques and Mannoni, Laurent, Méliès, Magie et Cinéma (Paris: Paris-Musées, 2002).Google Scholar
Mandal, Anthony, ‘The Ghost Story and the Victorian Literary Marketplace’, in Brewster, Scott and Thurston, Luke (eds), The Routledge Handbook to the Ghost Story (New York and London: Routledge, 2017), pp. 29–39.CrossRefGoogle Scholar
Mangan, James Clarence, ‘The Funerals’, in Morash, Christopher (ed.), The Hungry Voice: The Poetry of the Irish Famine (Dublin: Irish Academic Press, 1989), pp. 133–4.Google Scholar
Manlove, Colin, Scottish Fantasy Literature: A Critical Survey (Edinburgh: Canongate Academic, 1994).Google Scholar
Mannoni, Laurent, ‘The Phantasmagoria’, in Mannoni, Laurent, The Great Art of Light and Shadow: Archaeology of the Cinema, edited and trans. by Richard Crangle (Exeter: University of Exeter Press, 2000), pp. 136–75.Google Scholar
Manzoni, Alessandro, The Betrothed, trans. anon. (London: Bentley, 1834).Google Scholar
Manzoni, Alessandro, Opere varie (Milano: Fratelli Rechiedei Editori, 1881).Google Scholar
Manzoni, Alessandro, I promessi sposi, 1. Fermo e Lucia. Appendice storica sulla colonna infame; 2. I promessi sposi nelle due edizioni del 1840 e del 1825–27 raffrontate tra loro. Storia della colonna infame, edited by Caretti, Lanfranco, 2 vols (Torino: Einaudi, 1971).Google Scholar
Manzoni, Alessandro, ‘Letter on romanticism (1823)’, intro. and trans. by Joseph Luzzi, PMLA 119:2 (2004): 299–316.CrossRefGoogle Scholar
Marcus, Steven, The Other Victorians: A Study of Sexuality and Pornography in Mid-Nineteenth-Century England (London: Book Club Associates, 1970).Google Scholar
Margree, Victoria, ‘The feminist orientation in Edith Nesbit’s gothic short fiction’, Women’s Writing 21:4 (2014): 425–44.CrossRefGoogle Scholar
Marion, Fulgence, The Wonders of Optics (London: Sampson Low, Son, and Marston, 1868).Google Scholar
Marrs, E. W. (ed.), Letters of Charles and Mary Anne Lamb, Vol. I (Ithaca, NY: Cornell University Press, 1975).Google Scholar
Marryat, Florence, The Blood of the Vampire, intro. by Brenda Hammack (Kansas City: Valancourt Books, 2009).Google Scholar
Marx, Karl, Capital: A Critique of Political Economy, Volume I, trans. by Ben Fowkes (Harmondsworth: Penguin, 1990).Google Scholar
Matthews, David, ‘From mediaeval to medievalism: a new semantic history’, The Review of English Studies 62:257 (November 2011): 695–715.CrossRefGoogle Scholar
Matthews, David, Medievalism: A Critical History (Cambridge: D.S. Brewer, 2015).Google Scholar
Mattioda, Enrico, ‘Ossian in Italy: From Cesarotti to the Theatre’, in Gaskill, Howard (ed.), The Reception of Ossian in Europe (London and New York: Bloomsbury, 2004), pp. 274–302.Google Scholar
Maturin, Charles Robert, The Milesian Chief, introduced by Wolff, Robert Lee, 4 vols (New York: Garland, 1979).Google Scholar
Maturin, Charles Robert, Melmoth the Wanderer, edited by Grant, Douglas (Oxford: Oxford University Press, 1989).Google Scholar
Maturin, Charles Robert, ‘Bertram; or, The Castle of St Aldobrand’, in Cox, Jeffrey N. (ed.), Seven Gothic Dramas, 1789–1825 (Athens, OH: Ohio University Press, 1992), pp. 316–83.Google Scholar
Maunder, Andrew, ‘“Stepchildren of Nature”: East Lynne and the Spectre of Female Degeneracy, 1860–1861’, in Maunder, Andrew and Moore, Grace (eds), Victorian Crime, Madness and Sensation (Farnham: Ashgate, 2004), pp. 59–71.Google Scholar
Mayo, Robert D., ‘Gothic romance in the magazines’, PMLA 65:5 (1950): 762–89.CrossRefGoogle Scholar
Mayo, Robert D., The English Novel in the Magazines, 1740–1815 (Evanston: Northwestern University Press, 1962).Google Scholar
Mays, Kelly J., ‘How the Victorians un-invented themselves: architecture, the battle of the styles, and the history of the term “Victorian”’, Journal of Victorian Culture 19:1 (2014): 1–23.CrossRefGoogle Scholar
McCarthy, William and Kraft, Elizabeth (eds), Anna Letitia Barbauld: Selected Poetry and Prose (Peterborough, Ont.: Broadview, 2002).Google Scholar
McCorristine, Shane, Spectres of the Self: Thinking about Ghosts and Ghost-Seeing in England, 1750–1920 (Cambridge: Cambridge University Press, 2010).CrossRefGoogle Scholar
McGann, Jerome J., ‘James Thomson (B. V.): the woven hymns of night and day’, Studies in English Literature, 1500–1900 3:4 (Autumn 1963): 493–507.CrossRefGoogle Scholar
McGann, Jerome J., ‘Poetry’, in McCalman, Iain (ed.), An Oxford Companion to the Romantic Age (Oxford: Oxford University Press, 1999), pp. 270–9.Google Scholar
Media History Digital Library <http://mediahistoryproject.org/> (last accessed 28 May 2019).+(last+accessed+28+May+2019).>Google Scholar
Medwin, Thomas, Conversations of Lord Byron (London: Colburn, 1824).Google Scholar
Medwin, Thomas, The Life of Percy Bysshe Shelley (London: Newby, 1847).Google Scholar
Mégroz, Rodolphe Louis, Dante Gabriel Rossetti: Painter Poet of Heaven in Earth (New York: Haskell House, 1971).Google Scholar
Meier, Paul, ‘An unpublished lecture of William Morris’, International Review of Social History 16 (1971): 217–40.CrossRefGoogle Scholar
Melani, Costanza (ed.), Fantastico italiano (Milano: BUR Rizzoli, 2009).Google Scholar
Mellor, Anne K., Mary Shelley: Her Life, Her Fiction, Her Monsters (London and New York: Routledge, 1988).Google Scholar
Melville, Herman, ‘Benito Cereno’, in Billy Budd and Other Tales (New York: New American Library, 1961), pp. 141–223.Google Scholar
Meyer, Susan, Imperialism at Home: Race and Victorian Women’s Fiction (Ithaca, NY: Cornell University Press, 1996).Google Scholar
Mighall, Robert, A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares (Oxford: Oxford University Press, 2003).CrossRefGoogle Scholar
Milbank, Alison, ‘Calvinist and Covenanter Gothic’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 89–101.CrossRefGoogle Scholar
Miller, G. A., ‘Cage aux folles: sensation and gender in Wilkie Collins’s The Woman in White’, Representations 14 (1986): 107–36.Google Scholar
Miller, T. S., ‘Lives of the monster plants: the revenge of the vegetable in the age of animal studies’, The Journal of the Fantastic in the Arts 23:3 (2012): 460–79.Google Scholar
Mistrali, Franco, I racconti del diavolo. Storia di paura (Milano: F. Pagnoni, 1861).Google Scholar
Mistrali, Franco, Il vampiro. Storia vera (Bologna, Società tipografica dei compositori, 1869).Google Scholar
Mistrali, Franco, Il vampiro. Storia vera, edited by Daniele, Antonio (Salerno: Keres Edizioni, 2011).Google Scholar
Moberly, L. G., ‘A Strange Night’, in Ashley, Mike (ed.), The Platform Edge: Uncanny Tales of the Railways (London: British Library, 2019), pp. 61–7.Google Scholar
Moers, Ellen, Literary Women: The Great Writers (New York: Oxford University Press, 1976).Google Scholar
Mogen, David, Sanders, Scott P. and Karpinski, Joanne B. (eds), Frontier Gothic: Terror and Wonder at the Frontier in America (Rutherford, NJ: Farleigh Dickinson University Press, 1993).Google Scholar
Molina Porras, Juan, ‘Introducción’, Leyendas del siglo XIX (Madrid: Akal, 2013), pp. 9–47.Google Scholar
Monks, Aoife, ‘Collecting ghosts: actors, anecdotes and objects at the theatre’, Contemporary Theatre Review 23:2 (2013): 146–52.CrossRefGoogle Scholar
Monnet, Agnieszka Soltysik The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature (Farnham and Burlington: Ashgate, 2010).Google Scholar
Moody, Nickianne, ‘Visible Margins: Women Writers and the English Ghost Story’, in Sceats, Sarah and Cunningham, Gail (eds), Image and Power: Women in Fiction in the Twentieth Century (London and New York: Longman, 1996), pp. 77–90.Google Scholar
Moore, Tara, Victorian Christmas in Print (Basingstoke: Palgrave Macmillan, 2009).CrossRefGoogle Scholar
Moore-Gilbert, Bart, Kipling and ‘Orientalism’ (New York: St Martin’s Press, 1986).Google Scholar
Moretti, Franco, Signs Taken for Wonders: Essays on the Sociology of Literary Forms, trans. by Susan Fischer, David Forgacs and David Miller (New York: Verso, 1988).Google Scholar
Morgan, Thomas, Hand-Book of the Origin of Place Names in Wales and Monmouthshire (Merthyr Tydfil: Printed for the Author, 1887).Google Scholar
Morin, Christina, Charles Robert Maturin and the Haunting of Irish Romantic Fiction (Manchester: Manchester University Press, 2011).Google Scholar
Morin, Christina, The Gothic Novel in Ireland, c. 1760–1829 (Manchester: Manchester University Press, 2018).CrossRefGoogle Scholar
Morley, Henry, The Journal of a London Playgoer From 1851–1866 (London: George Routledge & Sons, 1866).Google Scholar
Morris, William, ‘A night in a cathedral’, The Oxford and Cambridge Magazine, vol. 5 (May 1856): 312–14.Google Scholar
Morris, William, ‘The development of modern society’, Commonweal 6:240 (1890): 260–1.Google Scholar
Morris, William, Preface to Kelmscott edition, The Nature of Gothic (London: George Allen, 1892).Google Scholar
Morris, William, News from Nowhere (London: Kelmscott Press, 1893).Google Scholar
Morris, William, Collected Works of William Morris, 24 vols (London: Longmans, 1912).Google Scholar
Morris, William, The Ideal Book: Essays and Lectures on the Arts of the Book, edited by Peterson, William S. (Berkeley and Los Angeles: University of California Press, 1982).Google Scholar
Morris, William, The Collected Letters of William Morris, edited by Kelvin, Norman, 4 vols (Princeton, NJ: Princeton University Press, 1984–96).CrossRefGoogle Scholar
Morris, William, ‘The Gothic Revival I and II’, in LeMire, Eugene D. (ed.), The Unpublished Lectures of William Morris (Michigan: Wayne State University Press, 1969), pp. 54–94.Google Scholar
Morris, William, ‘The Lesser Arts’, in News from Nowhere and Other Writings, edited by Wilmer, Clive (London: Penguin, 1993), pp. 231–54.Google Scholar
Morris, William, News from Nowhere and Other Writings, edited by Wilmer, Clive (London: Penguin, 1993).Google Scholar
Morris, William, ‘The SPAB Manifesto’ (1877), available from: <www.spabis.org.uk/what-is-spab-/the-manifesto/> (last accessed 23 January 2019).+(last+accessed+23+January+2019).>Google Scholar
Morrison, Robert, ‘“The Singular Wrought Out into the Strange and Mystical”: Blackwood’s Edinburgh Magazine and the Transformation of Terror’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 129–41.Google Scholar
Morse, Samantha, ‘Affective ethics and democratic politics in Sweeney Todd and the Victorian penny press’, Journal of Victorian Culture 24:1 (January 2019): 1–17.CrossRefGoogle Scholar
Morton, Peter, The Vital Science: Biology and the Literary Imagination 1860–1900 (London: Allen & Unwin, 1984).Google Scholar
Murphy, Patricia, The New Woman Gothic: Reconfigurations of Distress (Columbia: University of Missouri Press, 2016).Google Scholar
Murphy, Sharon, Maria Edgeworth and Romance (Dublin: Four Courts Press, 2004).Google Scholar
Murray, Tim, ‘Archaeology and the threat of the past: Sir Henry Rider Haggard and the acquisition of time’, World Archaeology 25:2 (1993): 175–86.CrossRefGoogle Scholar
Musäus, Johann August, Volksmährchen der Deutschen, 5 vols (Gotha: Ettinger, 1782–6).Google Scholar
Napier, Elizabeth R., The Failure of Gothic: Problems of Disjunction in an Eighteenth-Century Literary Form (Oxford: Clarendon Press, 1987).CrossRefGoogle Scholar
Natale, Simone, Supernatural Entertainments: Victorian Spiritualism and the Rise of Modern Media Culture (University Park, PA: Pennsylvania State University Press, 2016).Google Scholar
Natoli, Luigi, I Beati Paoli. Grande romanzo storico (Palermo: Flaccovio, 1971).Google Scholar
Navas, Ruiz, Ricardo, , El romanticismo español (Madrid: Cátedra, 1990)Google Scholar
Nayder, Lillian, ‘Rebellious Sepoys and Bigamous Wives: The Indian Mutiny and Marriage Law Reform in Lady Audley’s Secret’, in Tromp, Marlene, Gilbert, Pamela K. and Haynie, Aeron (eds), Beyond Sensation: Mary Elizabeth Braddon in Context (Albany: State University of New York Press, 2000), pp. 31–42.Google Scholar
Nead, Lynda, Myths of Sexuality: Representations of Women in Victorian Britain (Oxford: Blackwell, 1988).Google Scholar
Nead, Lynda, The Haunted Galley: Painting, Photography, Film c. 1900 (London: Yale University Press, 2007).Google Scholar
Neiman, Elizabeth A., Minerva’s Gothics: The Politics and Poetics of Romantic Exchange, 1780–1820 (Cardiff: University of Wales Press, 2019).Google Scholar
Neiman, Elizabeth A. and Morin, Christina (eds), Romantic Textualities: Literature and Print Culture, 1780–1840 – Special Issue on ‘The Minerva Press and the Romantic-era Literary Marketplace’ (forthcoming).Google Scholar
Nesbit, Edith, The Power of Darkness: Tales of Terror, edited by Davies, David Stuart (Ware, Herts: Wordsworth, 2006).Google Scholar
Neuberg, Victor E., Popular Literature: A History and Guide (Harmondsworth: Penguin, 1977).Google Scholar
Newton, Michael, ‘Introduction’, in Newton, Michael (ed.), The Penguin Book of Ghost Stories (Harmondsworth: Penguin, 2010), pp. xv–xxxv.Google Scholar
Nicholson, William, ‘Narrative and Explanation of the Appearance of Phantoms and other Figures in the Exhibition of Phantasmagoria. With Remarks on the Philosophical use of common Occurrences’, A Journal of Natural Philosophy, Chemistry, and The Arts (London: G. and J. Robinsons, 1802), vol. 1, pp. 147–50.Google Scholar
Nietzsche, Friedrich, ‘On the Uses and Disadvantages of History for Life’, in Untimely Meditations, edited by Breazeale, Daniel, trans. by R. J. Hollingdale (Cambridge: Cambridge University Press, 1997), pp. 57–124.CrossRefGoogle Scholar
Nordau, Max, Degeneration, translated 2nd edition (London: William Heinemann, 1898).Google Scholar
Norman, Edward R., The English Catholic Church in the Nineteenth Century (Oxford: Clarendon, 1984).Google Scholar
North, Dan, ‘Illusory bodies: magical performance on stage and screen’, Early Popular Visual Culture 5:4 (2007): 175–88.CrossRefGoogle Scholar
North, Dan R., Performing Illusions: Cinema, Special Effects, and the Virtual Actor (London: Wallflower Press, 2008).Google Scholar
O’ Connor, Erin, Raw Material: Producing Pathology in Victorian Culture (Durham, NC: Duke University Press, 2000),CrossRefGoogle Scholar
Ofek, Galia, Representations of Hair in Victoria Literature and Culture (Farnham: Ashgate, 2009).Google Scholar
Oliphant, Margaret, ‘Novels’, Blackwood’s Edinburgh Magazine 102 (September 1867): 257–80.Google Scholar
Oliphant, Margaret, ‘The Open Door’, in A Beleaguered City and Other Stories, edited by Williams, Merryn (Oxford: Oxford University Press, 1988), pp. 115–59.Google Scholar
Oliphant, Margaret, A Beleaguered City and Other Tales of the Seen and the Unseen, edited by Calder, Jenni (Edinburgh: Canongate, 2000).Google Scholar
Oliphant, Margaret, ‘Sensation Novels’, in Wood, Ellen, East Lynne, edited by Maunder, Andrew (Peterborough, Ont.: Broadview Press, 2000), p. 715.Google Scholar
Ollier, Charles, Fallacy of Ghosts, Dreams, and Omens (London: Charles Ollier, 1848).Google Scholar
Oppenheim, Janet, The Other World: Spiritualism and Psychical Research in England, 1850–1914 (Cambridge: Cambridge University Press, 1985).Google Scholar
Orr, Jennifer, Literary Networks and Dissenting Print Culture in Romantic-Period Ireland (Basingstoke: Palgrave Macmillan, 2015).CrossRefGoogle Scholar
Ortenberg, Veronica, In Search of the Holy Grail: The Quest for the Middle Ages (London and New York: Continuum, 2006).Google Scholar
Otto, Peter, Multiplying Worlds: Romanticism, Modernity, and the Emergence of Virtual Reality (Oxford: Oxford University Press, 2011).CrossRefGoogle Scholar
‘Our Female Sensation Novelists’, in Maunder, Andrew (ed.), Sensationalism and the Sensation Debate: Varieties of Women’s Sensation Fiction 1855–1890, 6 vols (London: Pickering & Chatto, 2004), vol. 1, pp. 105–14.Google Scholar
Paravisini-Gebert, Lizabeth, ‘Colonial and Postcolonial Gothic: The Caribbean’, in Hogle, Jerrold E. (ed.), The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2002), pp. 229–58.Google Scholar
Parins, Marylyn (ed.), Sir Thomas Malory: The Critical Heritage (London and New York: Routledge, 2002).CrossRefGoogle Scholar
Parker, David, Christmas and Charles Dickens (New York: AMS Press, 2005).Google Scholar
Patrick, Mrs F. C., The Jesuit; or, the History of Anthony Babington, Esq., an Historical Novel, 3 vols (Bath, 1799).Google Scholar
Peake, Richard Brinsley, Stephen C. Behrendt, , Romantic Circles Edition <https://romantic-circles.org/editions/peake/index.html> (last accessed 7 June 2019).+(last+accessed+7+June+2019).>Google Scholar
Pearson, Jacqueline, ‘Masculinizing the novel: women writers and intertextuality in Charles Robert Maturin’s The Wild Irish Boy’, Studies in Romanticism 36:4 (1997): 635–50.CrossRefGoogle Scholar
Pendleton, John, Our Railways: Their Origin, Development, Incident and Romance (London: Cassell and Company, 1894).Google Scholar
Pérez Galdós, Benito, La sombra (Barcelona: Ediciones Internacionales Universitarias, 1997).Google Scholar
Pevsner, Nikolaus, Pioneers of the Modern Movement: From William Morris to Walter Gropius (London: Faber & Faber, 1936).Google Scholar
Pevsner, Nikolaus, An Outline of European Architecture, revised edition (Layton, Utah: Gibbs Smith, 2009).Google Scholar
Phillips, Catherine, Robert Bridges: A Biography (Oxford: Oxford University Press, 1992).Google Scholar
Phillips, Kendall R., A Place of Darkness: The Rhetoric of Horror in Early American Cinema (Austin, TX: University of Texas Press, 2018).Google Scholar
Phillips, Mark Salber, On Historical Distance (New Haven and London: Yale University Press, 2013).CrossRefGoogle Scholar
Pick, Daniel, Faces of Degeneration: A European Disorder, c. 1848–c. 1918 (Cambridge: Cambridge University Press, 1993).Google Scholar
Pinero, Arthur Wing, ‘Trelawny of the “Wells’”’, in Pinero: Three Plays (London: Methuen, 1988), pp. 159–245.Google Scholar
Poe, Edgar Allan, Poe: Poetry and Tales, edited by Quinn, Patrick F. (New York: Library of America, 1984).Google Scholar
Polidori, John, Ernestus Berchtold; or, The Modern Oedipus. A Tale (London: Printed for Longman, Hurst, Rees, Orme, and Brown, 1819).Google Scholar
[Polidori, John], The Vampyre; A Tale (London: Sherwood, Neeley, and Jones, 1819).Google Scholar
Polidori, John, The Diary of Dr John William Polidori 1816, Relating to Byron, Shelley, Etc., edited by Rossetti, William Michael (London: Elkin Matthews, 1911).Google Scholar
Poller, Jake, ‘The transmutations of Arthur Machen: alchemy in “The Great God Pan” and The Three Impostors’, Literature and Theology 29 (2013): 18–32.CrossRefGoogle Scholar
Pollock, Lori, ‘(An)Other politics of reading Jane Eyre’, The Journal of Narrative Technique 26:3 (1996): 249–73.Google Scholar
Poovey, Mary, Uneven Developments: The Ideological Work of Gender in Mid-Victorian England (Chicago: University of Chicago Press, 1988).CrossRefGoogle Scholar
Pope, Alexander, Alexander Pope: The Major Works, edited by Rogers, Pat (Oxford: Oxford University Press, 2006).Google Scholar
Porter, Bernard, The Battle of the Styles: Society, Culture and the Design of the New Foreign Office, 1855–1861 (London: Continuum, 2011).Google Scholar
Potter, Franz J., The History of Gothic Publishing, 1800–1835: Exhuming the Trade (Basingstoke: Palgrave Macmillan, 2005).CrossRefGoogle Scholar
Powell, Hudson John, Poole’s Myriorama! (Bradford on Avon: ELSP, 2002).Google Scholar
Powell, Sally, ‘Black Markets and Cadaverous Pies: The Corpse, Urban Trade and Industrial Consumption in the Penny Blood’, in Maunder, Andrew and Moore, Grace (eds), Victorian Crime, Madness and Sensation (Aldershot and Burlington, VT: Ashgate, 2004), pp. 45–58.Google Scholar
Prichard, Kate and Prichard, Hesketh, ‘The Story of Baelbrow’, in Lost in a Pyramid & Other Classic Mummy Stories, edited and intro. by Smith, Andrew (London: British Library, 2016), pp. 195–12.Google Scholar
Pritchard, Allan, ‘The urban gothic of Bleak House’, Nineteenth-Century Literature 45:4 (March 1991): 432–52.CrossRefGoogle Scholar
Pugin, Auguste Charles and Willson, Edward J., Specimens of Gothic Architecture Selected From Various Ancient Edifices in England, 2 vols (London: J. Taylor, 1821–3).Google Scholar
Pugin, A. W. N., Contrasts, 2nd revised edition (London: Charles Dolman, 1841).Google Scholar
Pykett, Lyn, The ‘Improper’ Feminine: The Women’s Sensation Novel and the New Woman Writing (London: Routledge, 1992).Google Scholar
Radcliffe, Ann, ‘On the supernatural in poetry’, New Monthly Magazine 16:1 (1826): 145–52.Google Scholar
Radcliffe, Ann, The Mysteries of Udolpho, edited by Dobrée, Bonamy (Oxford: Oxford University Press, 1981).Google Scholar
Rafter, Nicole H., ‘Introduction’, in The Origins of Criminology: A Reader (New York: Routledge, 2009), pp. xiii–xxvi.CrossRefGoogle Scholar
Reynolds, G. W. N., The Mysteries of London, 4 vols (London: George Vickers, 1844–8).Google Scholar
Richards, Bernard, English Poetry of the Victorian Period, 1830–1890 (London: Longman, 1988).Google Scholar
Rieger, James, ‘Dr Polidori and the genesis of Frankenstein’, Studies in English Literature, 1500–1900 3:4 (1963): 461–72.CrossRefGoogle Scholar
Rider Haggard, Henry, Ayesha: The Return of She, intro. by David, Pringle (Polegate: Pulp Fictions, 1998).Google Scholar
Ringel, Faye, New England’s Gothic Literature: History and Folklore of the Supernatural from the Seventeenth Through the Twentieth Centuries (Lewiston, Queenston and Lampter: Edwin Mellen Press, 1995).Google Scholar
Roas, David, Hoffmann en España: Recepción e influencias (Madrid: Biblioteca Nueva, 2002).Google Scholar
Roas, David, De la maravilla al horror: Los inicios de lo fantástico en la cultura española (1750–1860) (Pontevedra: Mirabel Editorial, 2006).Google Scholar
Roas, David, La sombra del cuervo: Edgar Allan Poe y la literatura fantástica del siglo XIX (Madrid: Devenir, 2011).Google Scholar
Robertston, Fiona, Legitimate Histories: Scott, Gothic, and the Authorities of Fiction (Oxford: Clarendon Press, 1994).CrossRefGoogle Scholar
Robertson, Fiona, ‘Gothic Scott’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 102–14.Google Scholar
Robinson, Charles E., Shelley and Byron: The Snake and Eagle Wreathed in Fight (Baltimore, MD: The Johns Hopkins University Press, 1976).Google Scholar
Rodenas, Céline, ‘La traduction des romans gothiques anglais vers l’italien a la fin du XVIIIe siècle at au début du XIXe siècle. Échanges culturels entre l’Angleterre et l’Italie. ‘Il Castello di Otranto’ (1795) et ‘La foresta’ (1813)’, Cercles 34 (2015): 170–86.Google Scholar
Rosenman, Ellen Bayuk, ‘Spectacular women: The Mysteries of London and the female body’, Victorian Studies 40:1 (Autumn 1996): 31–64.Google Scholar
Rossetti, Dante Gabriel, Poems, edited by Rossetti, William Michael (London: Ellis & Elvey, 1891).Google Scholar
Rossetti, William Michael (ed.), The Diary of Dr. John William Polidori, 1816, Relating to Byron, Shelley, Etc. (Cambridge: Cambridge University Press, 2014), p. 125.Google Scholar
Rubio Cremades, Enrique, ‘La novela histórica del romanticismo español’, Historia de la Literatura Española: Siglo XIX (I) (Madrid: Espasa-Calpe, 1996), pp. 610–42.Google Scholar
Ruskin, John, ‘Traffic’, in The Crown of Wild Olive: Three Lectures on Work, Traffic, and War (London: Smith, Elder, and Co., 1866), pp. 79–138.Google Scholar
Ruskin, John, Love’s Meinie: Three Lectures on Greek and English Birds (New York: John Wiley, 1873).Google Scholar
Ruskin, John, Modern Painters, 5 vols (London: J. M. Dent, 1907).Google Scholar
Ruskin, John, ‘The Lamp of Memory’, from The Seven Lamps of Architecture, in Birch, Dinah (ed.), John Ruskin: Selected Writings (Oxford: Oxford University Press, 2004), pp. 24–7.Google Scholar
Ruskin, John, ‘The Nature of Gothic’, in Birch, Dinah (ed.), John Ruskin: Selected Writings (Oxford: Oxford University Press, 2004), pp. 32–63.Google Scholar
Ruskin, John [Kata, Phusin], ‘The Poetry of Architecture: No. 1, Introduction’, The Architectural Magazine and Journal 4 (November 1837): 505–8.Google Scholar
Ruston, Sharon, Creating Romanticism: Case Studies in the Literature, Science and Medicine of the 1790s (Basingstoke: Palgrave Macmillan, 2013).CrossRefGoogle Scholar
Rutherford, Andrew (ed.), Byron: The Critical Heritage (London and New York: Routledge & Kegan Paul; New York: Barnes & Noble, 1970).Google Scholar
Rymer, James Malcolm, Varney, the Vampyre; or, The Feast of Blood (London: Edward Lloyd, 1845–7).Google Scholar
Rymer, James Malcolm, Varney the Vampire; or, The Feast of Blood (New York: Arno Press, 1970).Google Scholar
Rymer, James Malcolm, The String of Pearls, 2nd edition (Ware: Wordsworth Editions, 2010).Google Scholar
Sabor, Peter (ed.), Horace Walpole: The Critical Heritage (London: Routledge & Kegan Paul, 1987).Google Scholar
Sage, Victor, ‘Exchanging Fantasies: Sex and the Serbian Crisis in The Lady of the Shroud’, in Hughes, William and Smith, Andrew (eds), Bram Stoker: History, Psychoanalysis and the Gothic (Basingstoke: Macmillan, 1998), pp. 116–33.Google Scholar
Sage, Victor (ed.), The Gothick Novel: A Casebook (Basingstoke: Macmillan, 1990).Google Scholar
Saglia, Diego, Poetic Castles in Spain: British Romanticism and Figurations of Iberia (Amsterdam: Rodopi, 2000).Google Scholar
Saglia, Diego, ‘Gothic theatre, 1765–Present’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (Abingdon and New York: Routledge, 2014), pp. 354–65.Google Scholar
Saglia, Diego and Haywood, Ian (eds), Spain in British Romanticism, 1800–1840 (Basingstoke: Palgrave Macmillan, 2017).Google Scholar
Saint-Hilaire, Isidore Geoffroy, Histoire générale et particulière des anomalies de l’organisation chez l’homme et les animaux (Paris: B. Baillière, 1832–7).CrossRefGoogle Scholar
Santiago de Alvarado de la Peña, D., ‘El traductor’, in Mis Ana de, Radcliff [sic], Adelina, ó la abadía en la selva: Novela histórica (Madrid: Imprenta de I. Sancha, 1830), pp. v–viii.Google Scholar
Schivelbusch, Wolfgang, The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century (Berkeley: University of California Press, 1986).Google Scholar
Schock, Peter A., Romantic Satanism: Myth and the Historical Moment in Blake, Shelley, and Byron (Basingstoke: Palgrave Macmillan, 2003).CrossRefGoogle Scholar
Schmidt-Nowara, Christopher, The Conquest of History: Spanish Colonialism and National Histories in the Nineteenth Century (Pittsburgh, PA: University of Pittsburgh Press, 2006).CrossRefGoogle Scholar
Schotland, Sara D., ‘The slave’s revenge: the terror in Charlotte Dacre’s Zofloya’, The Western Journal of Black Studies 33:2 (2009): 123–31.Google Scholar
Schulze, Friedrich August, Memoiren von Friedrich Laun, 3 vols (Bunzlau: Appun’s Buchhandlung, 1837).Google Scholar
Scott, Walter, Review of The Fatal Revenge; or, the Family of Montorio: a Romance, Quarterly Review 3:6 (1810): 339–47.Google Scholar
Scott, Walter, Lives of the Novelists, 2 vols (Philadelphia and New York, 1825).Google Scholar
Scott, Walter, Letters on Demonology and Witchcraft Addressed to J. G. Lockhart, Esq. (London: John Murray, 1830).Google Scholar
Scott, Walter, Minstrelsy of the Scottish Border, revised edition, 4 vols (Edinburgh: James Ballantyne, 1830).Google Scholar
Scott, George Gilbert, Personal and Professional Recollections (London: Sampson Low, 1879).Google Scholar
Scott, Walter, Waverley; or, ’Tis Sixty Years Since, edited by Lamont, Claire (Oxford: Oxford University Press, 1986).Google Scholar
Scott, Walter, The Bride of Lammermoor, edited by Robertson, Fiona (Oxford: Oxford University Press, 1991).Google Scholar
Scott, Walter, Ivanhoe, edited by Duncan, Ian (Oxford: Oxford University Press, 1996).Google Scholar
Scott, Walter, Redgauntlet, edited by Wood, G. A. M. with David, Hewitt (Edinburgh: Edinburgh University Press, 1997).Google Scholar
Scott, Walter, The Antiquary, edited by Watson, Nicola J. (Oxford: Oxford University Press, 2002).Google Scholar
Scott, Walter, ‘The Tapestried Chamber’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of English Ghost Stories (Oxford: Oxford University Press, 2008), pp. 1–12.Google Scholar
Scullion, Adrienne, ‘Feminine Pleasures and Masculine Indignities: Gender and Community in Scottish Drama’, in Whyte, Christopher (ed.), Gendering the Nation: Studies in Modern Scottish Literature (Edinburgh: Edinburgh University Press, 1995), pp. 169–204.Google Scholar
Sedgwick, Eve Kosofsky, ‘The character in the veil: imagery of the surface in the gothic novel’, PMLA 96:2 (1981): 255–70.CrossRefGoogle Scholar
Sedgwick, Eve Kosofsky, Between Men: English Literature and Male Homosocial Desire (New York: Columbia University Press, 1985).CrossRefGoogle Scholar
Senf, Carol, The Vampire in Nineteenth-Century English Literature (Madison: University of Wisconsin Press, 1988).Google Scholar
Seymour, Miranda, Mary Shelley (London: Faber and Faber, 2011).Google Scholar
Shanahan, Jim, ‘Suffering Rebellion: Irish Gothic Fiction, 1799–1830’, in Morin, Christina and Gillespie, Niall (eds), Irish Gothics: Genres, Forms, Modes, and Traditions, c. 1760–1890 (Basingstoke: Palgrave Macmillan, 2014), pp. 74–93.Google Scholar
Shannon-Mangan, Ellen, James Clarence Mangan: A Biography (Dublin: Irish Academic Press, 1996).Google Scholar
Shapira, Yael, ‘Beyond the Radcliffe Formula: Isabella Kelly and the Gothic Troubles of the Married Heroine’, Women’s Writing (26 November 2015) <www.tandfonline.com/doi/abs/10.1080/09699082.2015.1110289> (last accessed 5 April 2019).CrossRef+(last+accessed+5+April+2019).>Google Scholar
Shaw, Thomas B., A History of English Literature (London: John Murray, 1864).Google Scholar
Shelley, Mary Wollstonecraft, Frankenstein; or, The Modern Prometheus: The 1818 Text, edited by Rieger, James, Phoenix edition (Chicago: University of Chicago Press, 1982).Google Scholar
Shelley, Percy Bysshe, ‘A Defence of Poetry’, in Shepherd, Richard Herne (ed.), The Prose Works of Percy Bysshe Shelley, Vol. II (London: Chatto & Windus, 1906), pp. 1–38.Google Scholar
Shelley, Percy Bysshe, The Letters of Percy Bysshe Shelley, edited by Jones, Frederick L., 2 vols (Oxford: Clarendon Press, 1964).CrossRefGoogle Scholar
Shelley, Percy Bysshe, The Complete Poetry of Percy Bysshe Shelley, edited by Reiman, Donald, Fraistat, Neil and Crook, Nora, 3 vols to date (Baltimore, MD: Johns Hopkins University Press, 2004).Google Scholar
Shelston, Alan (ed.), Thomas Carlyle: Selected Writings (London: Penguin, 1971).Google Scholar
Shenton, Caroline, The Day Parliament Burned Down (Oxford: Oxford University Press, 2012).Google Scholar
Sherwin, Byron L., ‘Golems in the biotech century’, Zygon: Journal of Religion and Science 41:1 (2007): 133–43.Google Scholar
Shiels, William, ‘Thomas More’, in Atkins, Gareth (ed.), Making and Remaking Saints in Nineteenth-Century Britain (Manchester University Press, 2016), pp. 112–26.Google Scholar
Shillito, Ian John and Becky, Walsh, Haunted West End Theatres (Stroud: The History Press, 2011).Google Scholar
Showalter, Elaine, A Literature of Their Own: British Women Novelists from Brontë to Lessing (Princeton: Princeton University Press, 1977).Google Scholar
Showalter, Elaine, ‘Syphilis, Sexuality, and the Fiction of the Fin de Siècle’, in Yeazell, Ruth Bernard (ed.), Sex, Politics, and Science in the Nineteenth-Century Novel (Baltimore: Johns Hopkins University Press, 1986), pp. 88–115.Google Scholar
Shubert, Adrian and José Álvarez Junco, José, ‘Introduction’, Spanish History since 1808 (London: Arnold; New York: Oxford University Press, 2000), pp. 1–16.Google Scholar
Silver, Sean, ‘The Politics of Gothic Historiography, 1660–1800’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (Abingdon and New York: Routledge, 2014), pp. 3–14.Google Scholar
Simmons, Clare, Popular Medievalism in Romantic-Era Britain (New York and Basingstoke: Palgrave Macmillan, 2011).CrossRefGoogle Scholar
Six, Abigail Lee, Gothic Terrors: Incarceration, Duplication and Bloodlust in Spanish Narrative (Lewisburg, PA: Bucknell University Press, 2010).Google Scholar
Six, Abigail Lee, ‘The Monk (1796): a Hispanist’s reading’, Ilha do Desterro 62 (2012): 25–54.Google Scholar
Skarda, Patricia L., ‘Vampirism and plagiarism: Byron’s influence and Polidori’s practice’, Studies in Romanticism 28:2 (Summer 1989): 249–69.CrossRefGoogle Scholar
Slater, Michael, ‘Dickens in Wonderland’, in Peter, L. Caracciolo (ed.), The Arabian Nights in English Literature (Basingstoke: Palgrave Macmillan, 1988), pp. 130–42.Google Scholar
Smajić, Srjdan, Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science (Cambridge: Cambridge University Press, 2010).CrossRefGoogle Scholar
Smith, Andrew, ‘Bram Stoker’s The Mystery of the Sea: Ireland and the Spanish-Cuban-American war’, Irish Studies Review 6:2 (1998): 131–8.CrossRef