Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-rkxrd Total loading time: 0 Render date: 2024-07-21T19:55:08.409Z Has data issue: false hasContentIssue false

16 - Music in Drama

from Volume I

Published online by Cambridge University Press:  04 August 2018

Mark Everist
Affiliation:
University of Southampton
Thomas Forrest Kelly
Affiliation:
Harvard University, Massachusetts
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

An extensive bibliography can also be found in Stevens, John and Rastall, Richard, s.v. “Medieval Drama,” in NG2, vol. xvi: 261–67.Google Scholar
de la Halle, Adam. Le Jeu de Robin et Marion, ed. Shwam-Baird, Shira I., Garland Library of Medieval Literature Series A, vol. 94. New York: Garland, 1994; music ed. Sheuerman, Milton G. Jr., 93108.Google Scholar
Ashley, Kathleen, and NeCastro, Gerard, eds. Mankind, TEAMS: Middle English Text Series. Kalamazoo, MI: Medieval Institute Publications, 2010.Google Scholar
Avalle, d’A. S. and Monterosso, R., eds. Sponsus: dramma delle vergini prudenti e delle vergini stolte. Milan: Ricciardi, 1965.Google Scholar
Axton, Richard and Stevens, John, trans. Medieval French Plays. Oxford: Blackwell, 1971.Google Scholar
Baker, Donald C., Murphy, John L., and Hall, Louis B. Jr., eds. The Late Medieval Religious Plays of Bodleian Mss Digby 133 and E Museo 160, Early English Text Society O.S. 283. Oxford University Press, 1982.Google Scholar
Barr, Cyrilla. The Monophonic Lauda and the Lay Religious Confraternities of Tuscany and Umbria in the Late Middle Ages, Early Drama, Art, and Music Monograph Series 10. Kalamazoo, MI: Medieval Institute Publications, 1988.Google Scholar
Bartholomaeis, Vincenzo de. Laude drammatiche e Rappresentazioni sacre, 3 vols. Florence: Le Monnier, 1943.Google Scholar
Bartsch, Karl. Chrestomathie provençale (1904), 6th ed., ed. Koschwitz, Eduard. Geneva: Slatkine, 1973.Google Scholar
Beadle, Richard, ed. The York Plays. Oxford University Press, 1982.Google Scholar
Bevington, David. Medieval Drama. Boston: Houghton Mifflin, 1975.Google Scholar
Bowles, Edmund A.The Role of Musical Instruments in Medieval Sacred Drama,” The Musical Quarterly 45 (1959), 6784.Google Scholar
Brown, Howard Mayer. Music in the French Secular Theater, 1400–1550. Cambridge, MA: Harvard University Press, 1963.Google Scholar
Campbell, Thomas P. and Davidson, Clifford. The Fleury Playbook: Essays and Studies, EDAM monograph series 7. Kalamazoo, MI: Medieval Institute Publications, 1985.Google Scholar
Chailley, Jacques. “La nature musicale du Jeu du Robin et Marion,” in Mélanges d’histoire du théâtre du Moyen Age et de la Renaissance offerts à Gustave Cohen. Paris: Nizet, 1951, 111–17.Google Scholar
Chailley, Jacques. ed., Le Jeu du Robin et Marion. Paris: Choudens, 1986.Google Scholar
Chambers, E. K. The Mediaeval Stage, 2 vols. Oxford University Press, 1903.Google Scholar
Cohen, Gustave. Le livre de conduite de régisseur et le compute des dépenses pour la mystère de la Passion joué à Mons en 1501. Strasbourg: Istra, 1925.Google Scholar
Coleman, William, ed. Philippe de Mézières’ Campaign for the Feast of Mary’s Presentation,Toronto Medieval Latin Texts 11. Toronto: Pontifical Institute of Mediaeval Studies, 1981.Google Scholar
Corbin, Solange. La déposition liturgique du Christ au Vendredi Saint: Sa place dans l’histoire des rites et du théâtre religieux. Paris: Les Belles Lettres, 1960.Google Scholar
Coussemaker, Edmond de, ed. Drames liturgiques du Moyen-Age. Rennes: H. Vater, 1860.Google Scholar
Davidson, Clifford, Walsh, Martin, and Broos, Ton J., eds. Everyman and Its Dutch Original, Elckerlijc. Kalamazoo, MI: Medieval Institute Publications, 2007.Google Scholar
Donovan, Richard B. The Liturgical Drama in Mediaeval Spain. Toronto: Pontifical Institute of Mediaeval Studies, 1958.Google Scholar
Dox, Donnalee. The Idea of the Theater in Latin Christian Thought: Augustine to the Fourteenth Century. Ann Arbor: University of Michigan Press, 2004.Google Scholar
Dreimüller, Karl. Die Musik des Alsfelder Passionsspiels. Vienna, n.p., 1936.Google Scholar
Dutka, Joanna. Music in the English Mystery Plays. Kalamazoo, MI: Medieval Institute Publications, 1980.Google Scholar
Elliott, Kenneth and Shire, Helena M., eds. Music of Scotland 1500–1700, Musica Britannica xv. London: Stainer & Bell, 1957.Google Scholar
Encina, Juan. Obras dramáticas i, ed. Gimeno, Rosalie. Madrid: Istmo, 1975.Google Scholar
Encina, Juan. Teatro, ed. Gimeno, Rosalie. Madrid: Alhambra, 1977.Google Scholar
Evans, M. Blakemore. The Passion Play of Lucerne: An Historical and Critical Introduction. New York: Modern Language Association of America, 1943.Google Scholar
Falvey, Kathleen C.Italian Vernacular Religious Drama of the Fourteenth to Sixteenth Centuries: A Select Bibliography of the Laude Drammatiche and the Sacre Rappresentazioni,” Research Opportunities in Renaissance Drama 26 (1983), 125–44.Google Scholar
Fernandez, Lucas. Farsas y églogas, ed. Moreno, Juan Miguel Valero. Salamanca: Ediciones Universidad de Salamanca, 2002–04.Google Scholar
Flanigan, C. Clifford. “Liturgical Drama and Dramatic Liturgy: A Study of the Quem Queritis Easter Dialogue and Its Cultic Context.” Ph.D. dissertation, Washington University, 1973.Google Scholar
Flanigan, C. Clifford. “Medieval Latin Music-Drama,” in The Theatre of Medieval Europe: New Research in Early Drama, ed. Simon, Eckehard. Cambridge University Press, 1991, 2141.CrossRefGoogle Scholar
Flanigan, C. Clifford. “Medieval Liturgy and the Arts: Visitatio Sepulchri as Paradigm,” in Liturgy and the Arts in the Middle Ages: Studies in Honour of C. Clifford Flanigan, ed. Lillie, Eva Louise and Petersen, Nils Holger Copenhagen: Museum Tusculanum Press, 1993, 935.Google Scholar
Frank, Grace. The Medieval French Drama. Oxford: Clarendon Press, 1964.Google Scholar
Froning, Richard. Das Drama des Mittelalters, 3 vols. Stuttgart: Union Deutsche Verlagsgesellschaft, 1891–92.Google Scholar
Handschin, Jacques. “Das Weihnachts-Mysterium von Rouen als musikgeschichtliche Quelle,” Acta Musicologica 7 (1935), 97110.Google Scholar
Hardison, Osborne B. Christian Rite and Christian Drama in the Middle Ages. Baltimore: Johns Hopkins University Press, 1965.Google Scholar
Hiley, David. Western Plainchant: A Handbook. Oxford University Press, 1993, esp. 250–73.Google Scholar
Hoepffner, Ernest. “Les intermèdes musicaux dans le Jeu provençal de Sainte-Agnès,” in Mélanges d’histoire du théâtre du Moyen Âge et de la Renaissance offerts à Gustave Cohen. Paris: Nizet, 1951, 97104.Google Scholar
Janota, Johannes. Frankfurter Dirigierrolle, Frankfurter Passionsspiel. Mit den Paralleltexten der “Frankfurter Dirigierrolle,” des “Alsfelder Passionsspiels,” des “Heidelberger Passionsspiels,” des “Frankfurter Osterspielfragments” und des “Fritzlarer Passionsspielfragments,” Die Hessische Passionsspielgruppe, vol. i. Tübingen: Niemeyer, 1997.Google Scholar
Janota, Johannes. Die Hessische Passionsspielgruppe, 6 vols. Tübingen: Niemeyer, 1996–.Google Scholar
Jeanroy, Alfred and Gérold, T héodore, eds. Le Jeu de Sainte Agnès, drame provençal du XIVe siècle. Paris: Champion, 1931.Google Scholar
Johnston, Alexandra F. and Hüsken, Wim, eds. English Parish Drama, Ludus 1. Amsterdam: Rodopi,1996.Google Scholar
King, Pamela M. and Davidson, Clifford, eds. The Coventry Corpus Christi Plays, Early Drama, Art, and Music Monograph Series 27. Kalamazoo, MI: Medieval Institute Publications, 2000.Google Scholar
Klausner, David N., ed., The Castle of Perseverance, TEAMS: Middle English Text Series. Kalamazoo, MI: Medieval Institute Publications, 2010.Google Scholar
Klausner, David N., ed., “Music,” in A Companion to the Medieval Theatre, ed. Vince, Ronald. New York: Greenwood, 1989, 257–64.Google Scholar
Klausner, David N., ed., “Vernacular Drama,” in A Performer’s Guide to Medieval Music, ed. Duffin, Ross. Bloomington: Indiana University Press, 2000, 253–63.Google Scholar
Klausner, David N., ed., Two Moral Interludes: “The Pride of Life” and “Wisdom,” TEAMS: Middle English Text Series. Kalamazoo, MI: Medieval Institute Publications, 2009.Google Scholar
Kubinyi, András. “Spielleute und Musiker von Buda in der Jagello-Epoche,” Studia Musicologia Academiae Scientiarum Hungaricae 9 (1967), 7797.Google Scholar
Kümin, Beat. “Music in the English Parish, c. 1400–1600,” in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona. Cambridge University Press, 2001, 7081.Google Scholar
Larson, Orville K.Bishop Abraham of Souzdal’s Description of Sacre Rappresentazioni,” Educational Theatre Journal 9/3 (1957), 208–13.Google Scholar
Lewanski, Julian. Dramaty staropolskie, 6 vols. Warsaw: Państwowy Instytut Wydawniczy, 1959–63.Google Scholar
Lipphardt, Walther. “Das hessische Weihnachtspiel,” Convivium symbolicum 2 (1958).Google Scholar
Lipphardt, Walther. Lateinische Osterfeiern und Osterspiele, 6 vols. Berlin: de Gruyter, 1975–81.Google Scholar
Lipphardt, Walther. “Marienklage und Liturgie,” Jahrbuch für Liturgiewissenschaft 12 (1932), 198205.Google Scholar
Lipphardt, Walther. “Studien zu den Marienklagen,” Beiträge zur Geschichte der deutschen Sprache und Literatur 58 (1934), 390444.Google Scholar
Lipphardt, Walther. Die Weisen des lateinische Osterspiele des 12. und 13. Jahrhunderts. Kassel: Bärenreiter, 1948.Google Scholar
Livermore, Ann. “The Spanish Dramatists and Their Use of Music,” Music & Letters 25 (1944), 140–49.CrossRefGoogle Scholar
Longtin, Mario and Lemaire, Jacques, eds. Le Mystère de sainte Barbe en cinq journées. Orléans: Paradigme, forthcoming.Google Scholar
Lozano, Tomás. Cantemus al alba: Origins of Songs, Sounds, and Liturgical Drama of Hispanic New Mexico, ed. and trans. Montoya, Rima. Albuquerque: University of New Mexico Press, 2007.Google Scholar
Lumiansky, Robert M., and Mills, David, eds. The Chester Mystery Cycle, 2 vols., Early English Text Society Supplementary Series 3–4. London: Oxford University Press, 1974.Google Scholar
Lumiansky, R.M., and Mills, David, eds. The Chester Mystery Cycle: Essays and Documents. Chapel Hill: University of North Carolina Press, 1983.Google Scholar
Macardle, Peter. The St. Gall Passion Play: Music and Performance. Amsterdam: Rodopi, 2007.Google Scholar
Maddox, Donald and Sturm-Maddox, Sara, eds. Parisian Confraternity Drama of the Fourteenth Century: The Miracles de Nostre Dame par personnages. Turnhout: Brepols, 2008.Google Scholar
Meier, Rudolph, ed. Das Innsbrucker Osterspiel. Stuttgart: Reclam, 1963.Google Scholar
Meredith, Peter and Tailby, John. The Staging of Religious Drama in the Later Middle Ages: Texts and Documents in English Translation, Early Drama, Art and Music Monograph Series 4. Kalamazoo, MI: Medieval Institute Publications, 1982, esp. 152–59 (music) and 173–75 (dance).Google Scholar
Milchsack, Gustav. Egerer Fronleichnamsspiel. Tübingen: Literarischen Vereins in Stuttgart, 1881.Google Scholar
Muir, Lynette. Liturgy and Drama in the Anglo-Norman Adam. Oxford University Press, 1973.Google Scholar
Norris, Edwin, ed. The Ancient Cornish Drama, 2 vols. Oxford University Press, 1859.Google Scholar
Ogden, D. H., ed. The Play of Daniel: Critical Essays, with a Transcription of the Music by A. Marcel J. Zijlstra. Kalamazoo, MI, Medieval Institute Publications, 1996.Google Scholar
Osthoff, Helmut. “Deutsche Liedweisen und Wechselgesänge im mittelalterlichen Drama,” Archiv für Musikforschung 7 (1942).Google Scholar
Osthoff, Helmut. Die Musik im Drama des deutschen Mittelalters: Quellen und Forschungsziele. Kassel: Bärenreiter, 1943.Google Scholar
Petersen, Nils Holger. “Biblical Reception, Representational Ritual, and the Question of ‘Liturgical Drama,’” in Sapientia et Eloquentia: Meaning and Function in Liturgical Poetry, Music, Drama, and Biblical Commentary in the Middle Ages, ed. Iversen, Gunilla and Bell, Nicolas. Turnhout: Brepols, 2009, 163201.Google Scholar
Rankin, Susan. “The Music of the Medieval Liturgical Drama in France and in England.” Ph.D. dissertation, University of Cambridge, 1981.Google Scholar
Rankin, Susan. “Shrewsbury School Manuscript vi: A Medieval Part Book?Proceedings of the Royal Musical Association 102 (1975–76), 129–44.Google Scholar
Rastall, Richard. The Heavens Singing: Music in Early English Religious Drama i. Cambridge: D. S. Brewer, 1993.Google Scholar
Rastall, Richard, Minstrels Playing: Music in Early English Religious Drama ii. Cambridge: D. S. Brewer, 2001.Google Scholar
Rastall, Richard, “Music and Liturgy in Everyman: Some Aspects of Production,” in Leeds Studies in English N.S. 29: Essays in Honour of Peter Meredith, ed. Batt, Catherine. Leeds University, 1998, 305–14.Google Scholar
Rastall, Richard, “Music in the Cycle” in The Chester Mystery Cycle: Essays and Documents, ed. Lumiansky, R. M. and Mills, David. Chapel Hill: University of North Carolina Press, 1983, 111–64.Google Scholar
Records of Early English Drama. Toronto: University of Toronto Press, 1979–2010; Woodbridge: Boydell & Brewer, 2010–.Google Scholar
Romeu i Figueras, Josep, ed. Teatre hagiographic, 3 vols. Barcelona: Barcino, 1957.Google Scholar
Salazar, A. “Music in the Primitive Spanish Theatre before Lope de Vega,” Papers of the American Musicological Society (1938), 94108.Google Scholar
Schuler, Ernst. Die Musik der Osterfeiern, Osterspiele und Passionen des Mittelalters. Kassel: Bärenreiter, 1951.Google Scholar
Sheingorn, Pamela. The Easter Sepulchre in England. Kalamazoo, MI: Medieval Institute Publications, 1987.Google Scholar
Shergold, Norman D. A History of the Spanish Stage from Medieval Times until the End of the Seventeenth Century. Oxford: Clarendon Press, 1967.Google Scholar
Smoldon, W.L. The Music of the Medieval Church Dramas. London: Oxford University Press, 1980.Google Scholar
Smoldon, W.L. ed. Sponsus. London: Oxford University Press, 1972.Google Scholar
Spatz, Nancy. “Church Porches and the Liturgy,” in The Liturgy of the Medieval Church, ed. Heffernan, Thomas J. and Ann Matter, E.. Kalamazoo, MI: Medieval Institute Publications, 2001, 327–67.Google Scholar
Spector, Stephen, ed. The N-Town Plays, Early English Text Society Supplementary Series 11–12, 2 vols. Oxford University Press, 1991.Google Scholar
Stevens, John. “Music in Medieval Drama,” Proceedings of the Royal Musical Association 84 (1958), 8195.Google Scholar
Stevens, John. Words and Music in the Middle Ages. Cambridge University Press, 1986.Google Scholar
Stevens, John and Rastall, Richard. “Medieval Drama,” in NG2, vol. xvi, 227–67.Google Scholar
Stevens, Martin and Cawley, Arthur C., eds. The Towneley Plays, 2 vols., Early English Text Society Supplementary Series 13–14. Oxford University Press, 1994.Google Scholar
Sticca, Sandro. The Planctus Mariae in the Dramatic Tradition of the Middle Ages. Athens, GA: University of Georgia Press, 1988.Google Scholar
Stokes, Whitley, ed. Beunans Meriasek. London: Trübner, 1872.Google Scholar
Tailby, John E.Lucerne Revisited: Facts and Questions,” in Leeds Studies in English N.S. 29: Essays in Honour of Peter Meredith, ed. Batt, Catherine. Leeds: Leeds University Press, 1998, 347–58.Google Scholar
Traversa, Vincenzo. The Laude in the Middle Ages. New York: Peter Lang, 1994.Google Scholar
van Dijk, Hans. “The Drama Texts in the Van Hulthem Manuscript,” in Kooper, E., ed., Medieval Dutch Literature in Its European Context. Cambridge University Press, 1994, 283–96.Google Scholar
Veltrusky, Jarmilla F.Medieval Drama in Bohemia,” Early Drama, Art and Music Review 15 (1993), 5163.Google Scholar
Veltrusky, Jarmilla F. A Sacred Farce from Medieval Bohemia: Mastičkář. Ann Arbor: Horace H. Rackham School of Graduate Studies, The University of Michigan, 1985.Google Scholar
Vicente, Gil. Obras, ed. Camões, José, 5 vols. Lisbon: Imprensa Nacional-Casa de Moeda, 2002.Google Scholar
Wilkins, Nigel. “Ballade,” in NG2, vol. ii: 551–52.Google Scholar
Wilkins, Nigel. “Music in the 14th-Century Miracles de nostre dame,” Musica Disciplina 28 (1974), 3975.Google Scholar
Wolf, Klaus. Kommentar zur “Frankfurter Dirigierrolle” und zum “Frankfurter Passionspiele.” Tübingen: 2002; supp. vol. 1 to Die Hessische Passionsspielgruppe, ed. Janota, Johannes.Google Scholar
Woodfill, Walter L. Musicians in English Society. Princeton, NJ: Princeton University Press, 1963.Google Scholar
Wyatt, Diana. “Performance and Ceremonial in Beverley before 1642.” Ph.D. dissertation, University of York, 1983.Google Scholar
Young, Abigail A.Plays and Players: The Latin Terms for Performance,” REED Newsletter 9/2 (1984)), 5662; 10/1 (1985), 9–16.Google Scholar
Young, Karl. The Drama of the Medieval Church, 2 vols. Oxford University Press, 1933, repr. 1967.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×