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226 - The Texts of Shakespeare and Textual Theory

from Part XXIII - Printing and Reception History

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
University of Southern California
Katherine Rowe
Smith College, Massachusetts
Ton Hoenselaars
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Trinity College Dublin
Aimara da Cunha Resende
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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Sources cited

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Further reading

Brooks, Douglas. From Playhouse to Printing House: Drama and Authorship in Early Modern England. Cambridge: Cambridge University Press, 2000.Google Scholar
Chartier, Roger. Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer. Philadelphia: U of Pennsylvania P, 1995.CrossRefGoogle Scholar
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge University Press, 2003.Google Scholar
Kastan, David Scott. Shakespeare and the Book. Cambridge: Cambridge University Press, 2001.Google Scholar
Marcus, Leah. Unediting the Renaissance: Shakespeare, Marlowe, Milton. London: Routledge, 1996.Google Scholar
McGann, Jerome J. A Critique of Modern Textual Criticism. Chicago: U of Chicago P, 1983.Google Scholar
McKenzie, D. F. Bibliography and the Sociology of Texts: The Panizzi Lectures, 1985. London: The British Library, 1986.Google Scholar
McLeod, Randall. “UN Editing Shak-speare.” Sub-Stance 33–34 (1982): 2655.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare’s Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Saeger, James P., and Fassler, Christopher J.. “The London Professional Theater, 1576–1642: A Catalogue and Analysis of the Extant Printed Plays.” Research Opportunities in Renaissance Drama 34 (1995): 63110.Google Scholar

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