Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Home
Hostname: page-component-55597f9d44-vkn6t Total loading time: 4.432 Render date: 2022-08-17T22:58:14.219Z Has data issue: true Feature Flags: { "shouldUseShareProductTool": true, "shouldUseHypothesis": true, "isUnsiloEnabled": true, "useRatesEcommerce": false, "useNewApi": true } hasContentIssue true
The Cambridge Guide to the Worlds of Shakespeare The Cambridge Guide to the Worlds of Shakespeare
Buy print or eBook[Opens in a new window]

Book contents

Part XXIV - Shakespeare and the Book

Published online by Cambridge University Press:  17 August 2019

By
Georgianna Ziegler
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Keywords

artists’ booksBiblebirthplacecomicsmangamusicchronicle historycommonplace methodencyclopediaFrench literatureGreek tragedyimitationItalian literatureLatin textsnovellareadingschoolschoolingsourcesStratford-upon-Avontime frameannotationsapocryphal playsautographsbook collectingbookplatesCivil WarCondell, Henrydeposit copyFirst FolioFourth FolioHeminges, JohnmarginaliaprovenanceRestorationSecond FolioStationers’ CompanyThird FoliowatermarksauthorshipBenson, JohnbindingsBodley, ThomasChapman, GeorgeDaniel, SamueldigitizationeditingfolioGarrick, DavidGreg, W. W.HamletHenry VHeywood, ThomasJonson, BenLucreceMalone, EdmundmarginaliaNew BibliographyOthelloPavier, ThomasPericlesPollard, A. W.printingquartoRichard IIISammelbändeSonnetsTitus Andronicustract booksvariorumVenus and Adonisanthologyauthoritycommonplaceeighteenth-century Shakespearemiscellanymoralitynineteenth-century ShakespeareparodyquotationreadingreceptionShakespeare in educationadageadaptationapo(ph)thegmappropriationauthorcommonplacequotationquotation markssententiatranslationAll for LoveAntony and CleopatraArden Dictionary of Shakespeare QuotationsThe Art of English PoetryAs You Like ItBartlett, JohnBartlett’s Familiar QuotationsBradshaw, IsabellaBysshe, EdwardColumbia Dictionary of Quotations from ShakespeareThe Comedy of ErrorsThe Cyclopedia of Practical Quotationsdictionaries of quotationsDryden, JohnFoakes, MaryFoakes, ReginaldFriswell, J. HainHamletHoyt, Jehiel KeelerLocrineMacbethOthelloOxford Dictionary of QuotationsQuotations from ShakespeareRoutledge, EdmundShakespeare forget-me-nots, a text book of Shakespeare quotationsStevenson, BurtonStevenson’s Book of Shakespeare QuotationsTroilus and CressidaThe Two Noble Kinsmen, Ward, Anna LydiaWeb sites for QuotationsThe Wedding-Day Book, with quotations from Shakespeare and other authorsActionAgeCalderón de la Barca, PedroCervantes, Miguel deClark, JaimeThe Comedy of ErrorsdeathdesireGoethe, Johann Wolfgang vonHamletHenry VIjusticekindnessKing LearlifeloveMacpherson, GuillermoThe Merchant of VeniceMoneyOthelloPericlespowerquotationsRomeo and JulietSenecaShakespeare, WilliamSonnetsSpainThe Taming of the ShrewtimetranslationVega, Lope deVelasco y Rojas, Matías dewomenwordsworkAnglomaniaAnglophobiaArtaud, AntoninBernhardt, SarahBrook, PeterCopeau, JacquesDelacroix, EugènedramademonstrationsfFreedomGallimardHugo, François-VictorHugo, VictorlanguageMallarmé, StéphanepoetrypoliticsProust, MarcelStendhaltexttranslationVoltaireacculturationBach, C. P. E.Beethoven, Ludwig vanFerdinand FreiligrathGoethe, Johann Wolfgang vonGundolf, FriedrichHamletHeidegger, MartinIdealismKoberstein, AugustLeo, F. A.Mendelssohn-Bartholdy, FelixphenomologyAugust Wilhelm SchlegelSchubert, FranzTieck, LudwigTocotronic“unser Shakespeare” (“our Shakespeare”)Wieland, Christoph Martinanalogcompact disc (CD)digitaldigital cultureDVDFujimura, MisaoideasInoue, HisashiKawai, ShoichiroThe Kegon Fall, Nikko (Japan)Nakano, HaruoNinagawa, YukioOdashima, YūshiquotationsToyama, ShigehikoWorthen, W. B.Wikiquote linksHamletJoyce, JamesquotationTristram ShandyUlyssesWorld War IAll for LoveAmerican ShakespeareAurora FloydBetween the ActsBottom the WeaverBraddon, Mary ElizabethCardenio“Circe”/NighttownThe Confidence-ManCymbelineDavenant, WilliamDavid CopperfieldDickens, Charlesdistance from Shakespearedouble falsehoodDryden, JohnErickson, Peterfeminist theatrical adaptationsFletcher, JohnGreat ExpectationsHamletThe Heart of MidlothianHe Knew He Was RightIndigoJohn, JulietJoyce, JamesKenilworthKing LearLocke, MatthewMacbethMama DayMaus, KatherineMelville, HermanMoby DickmusicalsMrs. Ramsaynarrative/storytellingThe Nature of BloodNaylor, GloriaOthelloPhillips, CarylPolitics of Adaptationpopular fictionpostmodernismquotationRestoration adaptationsRomanticismRosencrantz and Guildenstern Are DeadScott, Sir WalterShakespeare as characterShakespeare as transcendentSonnetsspin-offsStoppard, Tomstructural allusionTate, NahumThe Tempest, or The Enchanted IslandTheobald, LewisTimon of AthensTo The LighthousetranslationsTrollope, AnthonyTwelfth NightUlyssesWarner, MarinaThe Woman’s Prize, or The Tamer TamedThe Women of Brewster Placewomen writersWoolf, VirginiaAsimov, IsaacAtkinson, RowanBacon, FrancisBaring, MauriceBate, JonathanBond, EdwardBorges, Jorge LuisBoyd, WilliamBrophy, JohnBurbage, RichardBurgess, AnthonyCervantes, Miguel deDane, Clemencede Vere, Edward, Earl of OxfordDhondy, FarrukhDrake, NathanDryden, JohnDuval, AlexandreElizabeth IFictionFilmGaiman, NeilGarrick, DavidGibson, WilliamGreene, RobertHarris, FrankHathaway, AnneHerbert, William, Earl of PembrokeJong, EricaJoyce, JamesKenilworthKingsmill, HughKipling, RudyardLandor, Walter SavageLenz, J. M. R.Lucy, Sir ThomasManningham, JohnMarlowe, ChristopherMoore, GeorgeMortimer, JohnNye, RobertRowe, NicholasRush, ChristopherRylance, MarkSand, GeorgeSchiller, FriedrichShakespeare, EdmundShakespeare, SusannaShaw, George BernardTamayo y Baus, ManuelTelevisionTieck, LudwigVega, Lope devenereal diseaseWelcombe enclosuresWhelan, PeterWilde, OscarWriothesly, Henry, Earl of SouthamptonadaptationadolescenceadolescentsappropriationArksey, Neilauthorship debateBarrett, AngelaBentley, NicolasBergantino, DavidBlackwood, GaryBowdler, HenriettaBurdett, LoisCalder, CharlotteCheaney, J. B.childhoodchildrenchildren’s bookschildren’s literatureChute, MarchetteClassClassics IllustratedCliffs NotescomicsCooper, SusanCoville, BruceCovington, DennisClarke, Mary Cowdencultural capitalDeary, TerryDraper, SharonEarly, MargareteducationethnicityFiedler, LisaForeman, MichaelGaiman, NeilGarfield, LeonGenderGilmore, Kategraphic novelsGreenberg, NikkiGriffiths, Andyhistorical fictionHowe, NormaillustrationIngpen, RobertintertextualityKatz, Welwyn WintonKorman, GordonKositsky, LynneLamb, CharlesLamb, MaryLester, Julius“Manga”Mark, JanMarsden, JohnMatthews, AndrewMccaughrean, GeraldineMelnikoff, Pamelameta-fictionmeta-theaterNesbit, EdithNolan, DennisOneal, Zibbypicture booksQuiller-Couch, ArthurraceretellingRogers, GregoryromanticRosen, MichaelRoss, TonyRowlands, AvrilSanderson, RuthSelfors, SuzanneSerraillier, IanSexton, AdamShakespeare, William (as character)Singer, MarilynTiffany, GraceTrease, GeoffreyUpdike, JohnVictorianWilliams, Marciayoung adult literatureBardBardolatryThe Beauties of ShakespearebusinessCarlyle, Thomascommonplacecommonplace bookDe Copiaeighteenth centuryErasmus, DesideriusGarrick, DavidguidanceHamletindustryJohnson, Samuelmarketingmoralmoralitymoral authorityMoral Sentences Culled from the Works of ShakespeareThe Moral System of Shakespearenineteenth centuryPower Plays: Shakespeare’s Lessons in Leadership and Management Preface to ShakespearereligionRemarks on the Moral Influence of Shakspeare’s PlaysRenaissanceSartor Resartusself-helpSelf-Help, with Illustrations of Character and ConductShakespeare, WilliamShakespeare as the Girl’s FriendShakespeare: His Religious and Moral SentimentsShakespeare in ChargeThe Shakespeare Love BookShakespeare on ManagementShakespeare the SalesmanShakespeare in Time of WarShakespeare: The World’s Greatest PsychistShakespeare’s Household WordsShakespeare’s Portrayal of the Moral LifeShakespeare’s Rules of LifeShakspeare’s Hamlet: An Attempt to Find the Key to a Great Moral ProblemSmiles, SamueltopictoposWhere There’s A Will There’s A Way
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1661 - 1728
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Purchase

Buy Book

Buy print or eBook[Opens in a new window]

References

Bowdler, Henrietta. The Family Shakespeare. London: Hatchard, 1807.Google Scholar
Dawson, Giles E. “A Seventh Signature for Shakespeare.” Shakespeare Quarterly 43.1 (1992): 72–79.CrossRefGoogle Scholar
Duncan-Jones, Katherine. Introduction. Shakespeare’s Sonnets. London: Arden Shakespeare, 2003.Google Scholar
Duncan-Jones, Katherine. Ungentle Shakespeare. London: Arden Shakespeare, 2001.Google Scholar
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge University Press, 2003.Google Scholar
Gibson, James M. The Philadelphia Shakespeare Story: Horace Howard Furness and the New Variorum Shakespeare. New York: AMS Press, 1990.Google Scholar
Hackett, Helen, Shakespeare and Elizabeth: the Meeting of Two Myths. Princeton: Princeton UP, 2009.CrossRefGoogle Scholar
Harner, James L. “Miniature Editions of Shakespeare: An Illustrated Bibliography.” World Shakespeare Bibliography. Dept. of English, Texas A&M University, n.d. http://www-english.tamu.edu/wsb/project/. Accessed 21 March 2013.Google Scholar
Jensen, Michael P. “The Comic Book Shakespeare.” Shakespeare Newsletter 56 and 57 (2006–08): 56: 81–2, 97, 104, 113, 118–19; 57: 2, 4, 8, 38–40, 42, 62, 66, 68, 78–80.Google Scholar
McCreery, Conor, et al. “About This Book.” Kill Shakespeare. n.d. Bookish.com. Accessed 21 March 2013.Google Scholar
Montaigne, Michel. “Of Three Kinds of Association.” Essay. III: 3. Complete Works. Trans. Frame, Donald M.. Stanford: Stanford UP, 1957. 621–30.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Orgel, Stephen. Introduction. The Tempest. By Shakespeare, William. Oxford: Oxford UP, 1987.Google Scholar
Scott, Charlotte. Shakespeare and the Idea of the Book. Oxford: Oxford UP, 2007.CrossRefGoogle Scholar
Slagle, Judith Bailey. Introduction. The Collected Letters of Joanna Baillie. 2 vols. Madison: Fairleigh Dickinson UP, 1999.Google Scholar
St. Clair, William. The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2004.Google Scholar
Tannenbaum, Samuel A. “Reclaiming One of Shakspere’s Signatures.” Studies in Philology 22.3 (1925): 394ff.Google Scholar
Ziegler, Georgianna. “Alice Reads Shakespeare: Charles Dodgson and the Girl’s Shakespeare Project.” Reimagining Shakespeare for Children and Young Adults. Ed. Miller, Naomi J.. New York: Routledge, 2003. 107–19.Google Scholar
Chedgzoy, Kate, and Greenhaigh, Susanne, eds. Shakespeare and the Cultures of Childhood. Spec. issue of Shakespeare 2.2 (2006).CrossRefGoogle Scholar
Dugas, Don-John. Marketing the Bard: Shakespeare in Performance and Print, 1660–1740. Columbia: U of Missouri P, 2006.Google Scholar
Hateley, Erica. Shakespeare in Children’s Literature: Gender and Cultural Capital. New York: Routledge, 2009.CrossRefGoogle Scholar
Marsden, Jean I. The Re-imagined Text: Shakespeare, Adaptation and Eighteenth-Century Literary Theory. Lexington: UP of Kentucky, 1995.Google Scholar
Miller, Naomi, ed. Reimagining Shakespeare for Children and Young Adults. New York: Routledge, 2003.Google Scholar
Richmond, Velma Bourgeois. Shakespeare as Children’s Literature: Edwardian Retellings in Words and Pictures. Jefferson: McFarland, 2008.Google Scholar
Baldwin, T. W. William Shakspere’s “Small Latine and Lesse Greeke.” 2 vols. Urbana: U of Illinois P, 1944.Google Scholar
Bate, Jonathan. Shakespeare and Ovid. Oxford: Clarendon, 1991.Google Scholar
Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare. 8 vols. London: Routledge and Kegan Paul, 1957–75.Google Scholar
Gillespie, Stuart. Shakespeare’s Books: A Dictionary of Shakespeare’s Sources. London: Athlone, 2001.Google Scholar
Hunter, G. K. “Shakespeare’s Reading.” A New Companion to Shakespeare Studies. Ed. Muir, Kenneth and Schoenbaum, S.. Cambridge: Cambridge University Press, 1971. 55–66.Google Scholar
Jones, Emrys. The Origins of Shakespeare. Oxford: Clarendon, 1977.Google Scholar
Miola, Robert S. Shakespeare’s Reading. Oxford: Oxford UP, 2000.Google Scholar
Mr. William Shakespeare and the Internet, Sources section. http://shakespeare.palomar.edu/sources.htm.Google Scholar
Muir, Kenneth. The Sources of Shakespeare’s Plays. London: Methuen, 1977.Google Scholar
“Narrative and Dramatic Sources of All Shakespeare’s Works.” The Bard of Avon: Shakespeare in Stratford-on-Avon. http://www.shakespeare-w.com/english/shakespeare/source.html.Google Scholar
[Barton, T. P.]. Description of a Copy of the First Folio Edition of Shakespeare Now in the Collection of T. P. Barton. 1860. Rpt. in “The Library’s First Folio of Shakespeare.” [Ed. Haraszti, Zoltán]. The Boston Public Library Quarterly (April 1958): 63–77.Google Scholar
Blayney, Peter W. M. The First Folio of Shakespeare. Washington: Folger Shakespeare Library, 1991.Google Scholar
Booth, Lionel, ed. Shakespeare As Put Forth in 1623: A Reprint of Mr. William Shakespeares Comedies, Histories, & Tragedies. London: 1864.Google Scholar
Capell, Edward, ed. Mr William Shakespeare his Comedies, Histories, and Tragedies. 10 vols. London: 1768.Google Scholar
Dibdin, T. F. The Library Companion, or the Young Man’s Guide, and the Old Man’s Comfort in the Choice of a Library. 2 vols. London: 1824.Google Scholar
Fleming, William H. “Bibliography of First Folios in New York City.” Shakespeariana 5 (1888): 101–17.Google Scholar
Hinman, Charlton K. The Printing and Proof-reading of the First Folio of Shakespeare. 2 vols. Oxford: Oxford UP, 1963.Google Scholar
Hinman, Charlton K. ed. The Norton Facsimile: The First Folio of Shakespeare, with Introduction. London: Norton, 1968.Google Scholar
Hinman, Charlton K. ed. The Norton Facsimile: The First Folio of Shakespeare, with a New Introduction by Peter W. M. Blayney. London: Norton, 1996.Google Scholar
Johnson, Samuel, ed. The Plays of William Shakespeare. 8 vols. London: 1765.Google Scholar
Lee, Sidney. Notes & Additions to the Census of Copies of the Shakespeare First Folio. Reprinted from The Library, April 1906, and revised to 24th May, 1906. Oxford: Oxford UP, 1906.CrossRefGoogle Scholar
Lee, Sidney. Shakespeares Comedies, Histories, & Tragedies: A Census of Extant Copies. Oxford: Clarendon, 1902.Google Scholar
Lee, Sidney, ed. Shakespeares Comedies, Histories, & Tragedies, Being a Reproduction in Facsimile of the First Folio Edition 1623. Oxford: Clarendon, 1902.Google Scholar
Rasmussen, Eric, and West, Anthony James, eds. The Shakespeare First Folio: A Descriptive Catalogue. New York: Palgrave Macmillan, 2012.Google Scholar
Vickers, Brian, ed. Shakespeare: The Critical Heritage. 6 vols. London: Routledge, 1974–81.Google Scholar
West, Anthony James. The Shakespeare First Folio: The History of the Book. Vol. 1: An Account of the First Folio Based on Its Sales and Prices, 1623–2000. Oxford: Oxford UP, 2001.Google Scholar
West, Anthony James. The Shakespeare First Folio: The History of the Book. Vol. 2: A New Worldwide Census of First Folios. Oxford: Oxford UP, 2003.Google Scholar
West, Anthony James. “Proving the Identity of the Stolen Durham University First Folio.” The Library 7th ser. 14 (2013): 429–40.CrossRefGoogle Scholar
West, Anthony James. “The First Shakespeare First Folio to Travel Abroad: Constantine Huygens’s Copy.” Foliomania: Stories Behind Shakespeare’s Most Important Book. Ed. Williams, Owen. Washington: Folger Shakespeare Library, 2011.Google Scholar
West, Anthony James. “Ownership of Shakespeare First Folios Over Four Centuries.” The Library 7th ser. 10 (2009): 405–08.CrossRefGoogle Scholar
West, Anthony James. “The Life of the First Folio in the Seventeenth and Eighteenth Centuries.” A Concise Companion to Shakespeare and the Text. Ed. Murphy, Andrew. Malden: Blackwell, 2007. 71–90.Google Scholar
West, Anthony James. “The Market Fortunes of the First Folio.” Out of Profit & Into Print: History of the Rare and Secondhand Book Trade in the Twentieth Century. Ed. Mandelbrote, Giles. London: British Library; New Castle: Oak Knoll, 2006. 215–19.Google Scholar
Winsor, Justin. “The First Folio of Shakespeare, 1623, no. 46 (1 April 1874). [Account of all known copies of early quarto and folio editions of Shakespeare, Boston, MA, 1874–77]. (This title was given by the binder.) A series of leaves torn from his Boston Public Library Reports.... Folger Shakespeare Library card catalogue.Google Scholar
Wright, E., and Wright, J.. [no title page: A Facsimile Reproduction of the Shakespeare First Folio]. London: 1807–08.Google Scholar
Yamada, Akihiro, ed. The First Folio of Shakespeare: A Transcript of Contemporary Marginalia in a Copy of the Kodama Library of Meisei University. Tokyo: Yushodo, 1998.Google Scholar
Greg, W. W. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Oxford UP, 1955.Google Scholar
Pollard, Alfred W. Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685. London: Methuen, 1909.Google Scholar
West, Anthony James. Correcting the First Folio’s Table of Contents. The Papers of the Bibliographical Society of America 108:2 (2014): 238–42.CrossRefGoogle Scholar
Bancroft, Richard. Untitled manuscript letter (Lambeth Palace Library LR [Library Records] f.1). 1610.Google Scholar
Bartlett, Henrietta C., and Pollard, Alfred W.. A Census of Shakespeare’s Plays in Quarto. New Haven: Yale UP, 1916.Google Scholar
Marotti, Arthur F. “Shakespeare’s Sonnets as Literary Property.” Soliciting Interpretation: Literary Theory and Seventeenth-Century English Poetry. Ed. Harvey, Elizabeth D. and Maus, Katharine Eisaman. Chicago: U of Chicago P, 1990. 143–73.Google Scholar
Needham, Paul. The Printer and the Pardoner: An Unrecorded Indulgence Printed by William Caxton. Washington: Library of Congress, 1986.Google Scholar
Pollard, A. W. Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685. London: Methuen, 1909.Google Scholar
Pollard, A. W., and Redgrave, G. R.. A Short- Title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad, 1475–1640. London: Bibliographical Society, 1927.Google Scholar
Sherman, William. “What Did Renaissance Readers Write in Their Books?” Books and Readers in Early Modern England. Ed. Andersen, Jennifer and Sauer, Elizabeth. Philadelphia: Penn, 2002. 119–37.Google Scholar
Werstine, Paul. “Narratives about Printed Shakespeare Texts: ‘Foul Papers’ and ‘Bad’ Quartos.” Shakespeare Quarterly 41.1 (1990): 65–86.CrossRefGoogle Scholar
Wheeler, G. W., ed. Letters of Thomas Bodley to Thomas James, First Keeper of the Bodleian Library. Oxford: Oxford UP, 1926.Google Scholar
Blayney, Peter W. M. “The Publication of Playbooks.” New History of Early English Drama. Ed. Cox, John D. and Kastan, David Scott. New York: Columbia UP, 1997. 383–422.Google Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon, 1991.CrossRefGoogle Scholar
de Grazia, Margreta, and Stallybrass, Peter. “The Materiality of the Shakespearean Text.” Shakespeare Quarterly 44 (1993): 255–84.CrossRefGoogle Scholar
Greg, W. W. A Bibliography of the English Printed Drama to the Restoration. 4 vols. London: Bibliographical Society, 1939–59.Google Scholar
Knight, Jeffrey Todd. Bound to Read: Compilations, Collections, and the Making of Renaissance Literature. Philadelphia: U Pennsylvania P, 2013.CrossRefGoogle Scholar
Maguire, Laurie E. Shakespearean Suspect Texts: The “Bad” Quartos and Their Contexts. Cambridge: Cambridge University Press, 1996.CrossRefGoogle Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007. See especially Chapters 3 and 4.Google Scholar
McLeod, Randall. “The Marriage of Good and Bad Quartos.” Shakespeare Quarterly 33.4 (1982): 421–31.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003. See especially Chapter 1.Google Scholar
Roberts, Sasha. Reading Shakespeare’s Poems in Early Modern England. New York: Palgrave, 2003.CrossRefGoogle Scholar
Allott, Robert. Englands Parnassus; Or, the choysest flowers of our moderne poets: with their poetical comparisons. Descriptions of Bewties, Personages, Castles, Pallaces, Mountaines, Groves, Seas, Springs, Rivers. &c. Whereunto are annexed other various discourses, both pleasant and profitable. London: 1600.Google Scholar
Bentley, Gerald Eades. “John Cotgrave’s ‘English Treasury of Wit and Language’ and the Elizabethan Drama.” Studies in Philology 40.2 (1943): 186–203.Google Scholar
Bysshe, Edward, comp. The Art of English Poetry: containing, i. rules for making verses, ii. a dictionary of rhymes, iii. a collection of the most noble thoughts that are to be found in the best English poets. London: R. Knaplock, 1702.Google Scholar
de Grazia, Margreta. “Shakespeare in Quotation Marks.” The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. Ed. Marsden, Jean I.. New York: Harvester Wheatsheaf, 1991. 57–71.Google Scholar
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation, and Authorship, 1660–1769. Oxford: Clarendon, 1992.Google Scholar
Dodd, William. Beauties of Shakespear. London: T. Waller, 1752.Google Scholar
Edmondson, Paul, and Wells, Stanley. Shakespeare’s Sonnets. Oxford: Oxford UP, 2004.Google Scholar
Gildon, Charles. The Complete Art of Poetry. London: Rivington, 1718.Google Scholar
Henry, Julie. “Shakespeare Cut Down to Size for GCSE Students.” Daily Telegraph [London] 3 March 2004. http://www.telegraph.co.uk/education/educationnews/3335266/Shakespeare-cut-down-to-size-for-GCSE-students.html.Google Scholar
Lanier, Doug. “ShakespeareTM: Myth and Biographical Fiction.” The Cambridge Companion to Shakespeare and Popular Culture. Ed. Shaughnessy, Robert. Cambridge: Cambridge University Press, 2007. 93–113.CrossRefGoogle Scholar
Marsden, Jean. The Reimagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory. Lexington: UP of Kentucky, 1995.Google Scholar
Moss, Ann. Printed Commonplace-Books and the Structuring of Renaissance Thought. Oxford: Clarendon, 1996.CrossRefGoogle Scholar
Murphy, Andrew. Shakespeare for the People: Working-Class Readers, 1800–1900. Cambridge: Cambridge University Press, 2008.Google Scholar
Palgrave, Francis. Songs and Sonnets of William Shakespeare. London: Macmillan, 1879.Google Scholar
Price, Leah. The Anthology and the Rise of the Novel from Richardson to George Eliot. Cambridge: Cambridge University Press, 2000.CrossRefGoogle Scholar
Roberts, Sasha. Reading Shakespeare’s Poems in Early Modern England. Basingstoke: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Roberts, Sasha. “Reading Shakespeare’s Tragedies of Love: Romeo and Juliet, Othello, and Antony and Cleopatra in Early Modern England.” A Companion to Shakespeare’s Works: The Tragedies. Ed. Dutton, Richard and Howard, Jean E.. Malden: Blackwell, 2003. 108–33.Google Scholar
Rumbold, Kate. “Shakespeare Anthologised.” The Edinburgh Companion to Shakespeare and the Arts. Ed. Burnett, Mark Thornton, Streete, Adrian, and Wray, Ramona. Edinburgh: Edinburgh UP, 2011. 88–105.Google Scholar
Stallybrass, Peter, and Chartier, Roger. “Reading and Authorship: The Circulation of Shakespeare, 1590–1619.” A Concise Companion to Shakespeare and the Text. Ed. Murphy, Andrew. Malden: Blackwell, 2007. 35–56.Google Scholar
St. Clair, William. The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2004.Google Scholar
Vaeudevan, A. Poems and Readings for Weddings and Civil Partnerships. London: New Holland, 2005.Google Scholar
Watson, Julia. Poems and Readings for Weddings. London: Penguin, 2004.Google Scholar
Benedict, Barbara. Making the Modern Reader: Cultural Mediation in Early Modern Literary Anthologies. Princeton: Princeton UP, 1996.Google Scholar
The Digital Miscellanies Index. http://digitalmiscellaniesindex.org/. Accessed 25 March 2011.Google Scholar
Ferry, Anne. Tradition and the Individual Poem: An Inquiry into Anthologies. Stanford: Stanford UP, 2001.Google Scholar
Lesser, Zachary, and Stallybrass, Peter. “The First Literary Hamlet and the Commonplacing of Professional Plays.” Shakespeare Quarterly 59.4 (2008): 371–420.CrossRefGoogle Scholar
Smyth, Adam. An Index of Poetry in Printed Miscellanies, 1640–1682. 2008. http://cobweb.businesscollaborator.com/pub/english.cgi/0/5383492. Accessed 15 December 2014.Google Scholar
Smyth, Adam. Profit and Delight: Printed Miscellanies in England, 1640–1682. Detroit: Wayne State UP, 2004.Google Scholar
Armstrong, Jane, comp. The Arden Dictionary of Shakespeare Quotations. Shakespeare, Arden. London: Thomson Learning, 1999.Google Scholar
de Grazia, Margreta. “Shakespeare in Quotation Marks.” The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. Ed. Marsden, Jean I.. New York: St. Martin’s, 1991. 57–71.Google Scholar
Garber, Marjorie. ““ ”(Quotation Marks).” Critical Inquiry 25.4 (1999): 653–79. Reprinted in a slightly revised form in Garber, Marjorie, Quotation Marks. New York: Routledge, 2003. 7–32.CrossRefGoogle Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon, 1991.CrossRefGoogle Scholar
Lesser, Zachary, and Stallybrass, Peter. “The First Literary Hamlet and the Commonplacing of Professional Plays.” Shakespeare Quarterly 59.4 (winter 2008): 371–420.CrossRefGoogle Scholar
Bruster, Douglas. Quoting Shakespeare: Form and Culture in Early Modern Drama. Lincoln: U of Nebraska P, 2000.Google Scholar
Murphy, Andrew, ed. A Concise Companion to Shakespeare and the Text. Oxford: Blackwell, 2007.CrossRefGoogle Scholar
Thatcher, David. “Shakespeare as Phrasemaker: Attributions and Misattributions.” The Shakespeare Newsletter 52.4 (winter 2002): 95–96, 98.Google Scholar
Whall, Helen M. “Bartlett’s Evolving Shakespeare.” Shakespeare after Mass Media. Ed. Burt, Richard. Basingstoke: Palgrave, 2002. 287–94.Google Scholar
Armstrong, Jane, comp. The Arden Dictionary of Shakespeare Quotations. Shakespeare, Arden. London: Thomson Learning, 1999.Google Scholar
Bartlett, John, comp. Bartlett’s Familiar Quotations: A Collection of Passages, Phrases, and Proverbs Traced to Their Source in Ancient and Modern Literature. 17th ed. Ed. Kaplan, Justin. Boston: Little, Brown, 2002.Google Scholar
Bartlett, John. Familiar Quotations: being an attempt to trace to their source passages and phrases in common use by John Bartlett. Author’s ed. London: George Routledge and Sons, 1869.Google Scholar
Bradshaw, Isabella, comp. The Wedding-Day Book with quotations from Shakespeare and upwards of sixty other authors. London: John Heywood, 1884.Google Scholar
Bysshe, Edward, comp. The Art of English Poetry: containing, i. rules for making verses, ii. a dictionary of rhymes, iii. a collection of the most noble thoughts that are to be found in the best English poets. London: R. Knaplock, 1702.Google Scholar
Foakes, Mary, and Foakes, Reginald, comps. The Columbia Dictionary of Quotations from Shakespeare. New York: Columbia UP, 1998.Google Scholar
Friswell, J. Hain, comp. Familiar Words: an index verborum or quotation handbook, with parallel passages, of phrases which have become imbedded in our English tongue. London: Sampson, Low, Son, and Marston, 1865.Google Scholar
Hoyt, Jehiel Keeler, and Ward, Anna Lydia, comps. The Cyclopædia of Practical Quotations, English and Latin with an appendix containing Proverbs from the Latin and Modern Foreign Languages; Law and Ecclesiastical Terms and Significations; Names, Dates, and Nationality of Quoted Authors, etc. with copious indexes. London: Richard D. Dickinson, 1882.Google Scholar
Hoyt, Jehiel Keeler. The Cyclopedia of Practical Quotations, English, Latin, and Modern Foreign Languages. (A new edition, revised, corrected, and enlarged.) New York: Funk and Wagnalls, 1896.Google Scholar
Knowles, Elizabeth. “Dictionaries of Quotations.” The Oxford History of English Lexicography. Vol. 2. Ed. Cowie, A. P.. Oxford: Clarendon, 2009. 245–68.Google Scholar
Oxford Dictionary of Quotations. 1941. 7th ed. London: Oxford UP, 2009.Google Scholar
Routledge, Edmund, comp. Quotations from Shakespeare, a collection of passages from the works of William Shakespeare. London: George Routledge and Sons, 1867.Google Scholar
Shakespeare Forget-Me-Nots: a text book of Shakespeare quotations. London: Griffith, Farrar, Okeden, and Welsh, 1885.Google Scholar
Stevenson, Burton Egbert, comp. Stevenson’s Book of Shakespeare Quotations, being also a concordance & a glossary of the unique words & phrases in the plays and poems. London: Cassell and Company, 1938.Google Scholar
Cohen, Michael David. “Bartlett’s Familiar Quotations: ‘A Glancing Bird’s Eye View’ by a ‘Morbid Scholiast,’” Harvard Library Bulletin n.s. 14, 2 (2003): 55–74.Google Scholar
Finnegan, Ruth. Why Do We Quote? The Culture and History of Quotation. Cambridge: OpenBook Publishers, 2011.CrossRefGoogle Scholar
Morson, Gary Saul. The Words of Others: From Quotations to Culture. New Haven: Yale UP, 2011.Google Scholar
Regier, Willis Goth. Quotology. Lincoln: U Nebraska P, 2010.Google Scholar
Álvarez Villamil, V. Paradojas y pensamientos de mujeres y hombres célebres. Madrid, 1916.Google Scholar
Amor, Juan. Selección de frases célebres de autoayuda. Valencia: Tetragrama, D.L., 2002.Google Scholar
Bartra, Agustí. Diccionario de citas. Barcelona: Grijalbo, 1986.Google Scholar
Bergua, Juan B. Mil frases célebres de la literatura clásica. Madrid: Ediciones Ibéricas, D.L., 2010.Google Scholar
Bravo Morata, Federico. Diccionario del amor. Madrid: Fenicia, [1969].Google Scholar
Castañares, Wenceslao, and Quirós, José Luis González. Diccionario de citas. Madrid: Noesis, 2002.Google Scholar
Caudet Yarza, Francisco. Frases célebres. [Barcelona]: Antalbe, D.L., 1988.Google Scholar
Cierva, Álvaro de la. Antología de frases célebres. Madrid: Susaeta, [2001].Google Scholar
Doval, Gregorio. Diccionario general de citas. Madrid: Ediciones del Prado, 1994.Google Scholar
García Cabezas, Sergio, and Hernando, Elena Pérez. 750 frases célebres. [Madrid]: TCC Trébol Comunicación y Creación, 2000.Google Scholar
Goicoechea, Cesáreo. Diccionario de citas. 1955. 2nd ed. Barcelona: Labor, 1962.Google Scholar
Laurent, Alberto. Citas de amor de los grandes autores. Barcelona: Edicomunicación, D.L. 1989.Google Scholar
Lladó, José María. Pensamientos amorosos. Barcelona: Bruguera, [1955].Google Scholar
Molina, Martín, Javier, Francisco, and Virosta, Alberto Martínez. El libro de las mil mejores frases. [Madrid]: Ciencia 3, 1991.Google Scholar
Matons, Augusto, et al. Tesoros del pensamiento. Barcelona: Bruguera, 1972.Google Scholar
Rus, Miguel Ángel. Perlas del pensamiento misógino: evolución histórica en la visión de la mujer. 2nd ed. [Madrid]: Ediciones Irreverentes, 2009.Google Scholar
Señor, Luis. Diccionario Espasa: Citas. 2nd ed. Madrid: Espasa Calpe, 1999.Google Scholar
Sintes Pros, Jorge. Diccionario de agudezas, dichos y ocurrencias: diccionario del ingenio. Barcelona: Sintes, D.L., 1989.Google Scholar
Sintes Pros, Jorge. Diccionario de frases célebres. 1957. 4th ed. Les Fonts de Tarrasa: Sintes, [1972].Google Scholar
Sintes Pros, Jorge. Diccionario de la felicidad: Breviario del exito. 1968. 2nd ed. as Diccionario de consejos, principios y reflexiones: diccionario de la felicidad: breviario del éxito. Barcelona: Sintes, D.L. 1988.Google Scholar
Sintes Pros, Jorge. Diccionario humorístico: definiciones, máximas, agudezas. 1958. 3rd ed. Les Fonts de Terrassa, Barcelona: Sintes, [1982].Google Scholar
Sopena, . Frases célebres y citas: 12000 frases y citas literarias, dichos, adagios. Barcelona: Ramón Sopena, 1988.Google Scholar
Vega, Vicente. Diccionario ilustrado de frases célebres y citas literarias. 1952. 3rd ed. Barcelona: Gustavo Gili, 1966.Google Scholar
Velasco y Rojas, Matías. Pensamientos, máximas, aforismos y definiciones entresacados de William Shakspeare. Madrid: 1879.Google Scholar
A Bibliography for a Study of Shakespeare Quotations in Spain. http://www.uv.es/shaxpere/quot/quotbib.html.Google Scholar
Par, Alfonso. Shakespeare en la literatura española. 2 vols. Madrid: Librería General de Victoriano Balmes; Barcelona: Biblioteca Balmes, 1935.Google Scholar
Sir Thomas, Henry. “Shakespeare in Spain.” Proceedings of the British Academy 35 (1949): 3–24.Google Scholar
Artaud, Antonin. Le Théâtre et son double. 1938. Préface, Œuvres complètes. Vol. 4. Paris: Gallimard and NRF, 1964.Google Scholar
Bachelard, Gaston. L’Eau et les rêves. Essai sur l’imagination de la matière. Paris: José Corti, 1942.Google Scholar
Balzac, Honoré. Le Père Goriot. 1835. La Comédie humaine. Vol. 3. Ed. Castex, P.-G.., 1976.Google Scholar
Hugo, François-Victor,trans. Œuvres complètes de W. Shakespeare. 15 vols. Paris: Pagnerre, 1859–65, and 3 vols. of Apocrypha, 1866–72.Google Scholar
Hugo, Victor. William Shakespeare. Paris: Hetzel, 1864.Google Scholar
Mallarmé, Stéphane. “Crayonné au théâtre.” La Revue Indépendante [Paris] 1886: 37–43. Rpt. in Oeuvres complètes. Paris: Gallimard, 1945. 299–302.Google Scholar
Proust, Marcel. Les Plaisirs et les Jours. Paris: Calmann-Lévy, 1896.Google Scholar
Proust, Marcel. Remembrance of Things Past. Trans. Scott-Moncrieff, C. K.. 1924. Édition bilingue intégrale en ligne. http://www.page2007.com/news/proust.Google Scholar
Stendhal, (Beyle, Henri. Racine et Shakespeare: Etudes sur le romantisme. 1823. Nouvelle, ed. Paris: Michel Lévy Frères, 1854.Google Scholar
Thibaudat, J.-P. Interview with Brook, Peter. Libération 30 November 2000.Google Scholar
Willems, Michèle. “Hamlet in France.” Global Hamlet.” Hamletworks.org. Accessed 5 April 2013.Google Scholar
Besterman, Theodore, ed. Voltaire on Shakespeare. Geneva: Droz, 1967.Google Scholar
Chasles, Philarète. “Henry VIII, tragédie de Shakspeare.” Revue de Paris 10 August 1830. Rpt. in “Mœurs dramatiques du XVIe siècle.” Caractères et Paysages. Paris: Mame-Delaunay, 1833. Chapter 7.Google Scholar
Dorval, Patricia, ed. Shakespeare et la France. Paris: Société Française Shakespeare, 2000.Google Scholar
Dumas, Alexandre, and Meurice, Paul. Hamlet, prince de Danemark, étude en cinq actes, en vers, sur le drame de Shakespeare. Paris: Dondey Dupré, 1847.Google Scholar
Goy-Blanquet, Dominique. “Meurtres dans un jardin français.” Interview with Mesguich, Daniel, Seide, Stuart, Lavaudant, Georges, Marthouret, François, Colin, Christian, and Sobel, Bernard. L’Angleterre à contre-courant. Paris: Esprit, 1985. 73–86.Google Scholar
Israel, Fortunato. “Shakespeare en français: être ou ne pas être?” Palimpsestes 3 (October 1990): 11–23.Google Scholar
Mounet-Sully, Jean. Souvenirs d’un tragédien. Paris: Pierre Laffitte, 1917.Google Scholar
Mounet-Sully, Jean. “Le théâtre et l’ennui: Shakespeare serviteur de deux maîtres.” Shakespeare poète. Ed. Peyré, Yves and Kapitaniak, Pierre. Paris: Société Française Shakespeare, 2007.Google Scholar
Proust, Marcel. A la Recherche du Temps Perdu. Paris: Gallimard, 1919–27.Google Scholar
Serrulaz, Arlette, and Bonnefoy, Yves. Delacroix and Hamlet. Paris: Editions de la réunion des musées nationaux, 1993.Google Scholar
Voltaire, (Arouet, François-Marie). Appel à toutes les nations de l’Europe des jugements d’un écrivain anglais. Vol. 14. 1761. 196–203.Google Scholar
Voltaire, . Oeuvres complètes. 52 vols. Paris: Edition Moland, 1877–85.Google Scholar
Voltaire, . “Sur la tragédie.” Letter 18. Letters Concerning the English Nation. Vol. 12. Basel: 1734. 149–51.Google Scholar
Willems, Michèle, and Maguin, Jean-Marie, eds. French Studies on Shakespeare and His Contemporaries: “What would France with us?” Newark: Associated UP, 1995.Google Scholar
Wilson, Richard. Shakespeare in French Theory: King of Shadows. Abingdon: Routledge, 2007.Google Scholar
Blinn, Hansjürgen. The German Shakespeare: An Annotated Bibliography of the Shakespeare Reception in German-Speaking Countries (Literature, Theatre, Mass Media, Music, Fine Arts). Berlin: Schmidt, 1993.Google Scholar
Fischer, Katrin. Reclams Lexikon der Shakespeare-Zitate. Stuttgart: Reclam, 2002.Google Scholar
Gooch, Bryan Niel Shirley, and Thatcher, David. A Shakespeare Music Catalogue. Vol. 3. Oxford: Clarendon, 1991. http://www.oxfordmusiconline.com.Google Scholar
Hegel, Georg Friedrich Wilhelm. Das Sein. 1812. 2nd ed. Hamburg: Meiner, 1999.Google Scholar
Helm, Eugene. “The ‘Hamlet’ Fantasy and the Literary Element in C. P. E. Bach’s Music.” The Musical Quarterly 58. 2 (1972): 277–96.Google Scholar
Koberstein, August. “Shakespeare in Deutschland.” Shakespeare Jahrbuch 1 (1865): 1–17.Google Scholar
Lanier, Douglas M. “Post-textual Shakespeare.” Shakespeare Survey 64 (2011): 145–62.Google Scholar
Leo, F. A. “Geflügelte Worte und volksthümlich gewordene Aussprüche aus Shakespeare’s dramatischen Werken.” Shakespeare Jahrbuch 27 (1892): 4–107.Google Scholar
Loquai, Franz. Hamlet und Deutschland: Zur literarischen Shakespeare-Rezeption im 20. Jahrhundert. Stuttgart: Metzler, 1993.CrossRefGoogle Scholar
Mieder, Wolfgang. “Sein oder Nichtsein” Das Hamlet-Zitat in Literatur, Übersetzungen, Medien und Karikaturen. Vienna: Praesens, 2008.Google Scholar
Paulin, Roger. The Critical Reception of Shakespeare in Germany, 1682–1914. Hildesheim: Georg Olms, 2003.Google Scholar
Pergrande, Frank. “Gut gebrüllt, Löwe!” Frankfurter Allgemeine Zeitung 12 September 2011: 2.Google Scholar
Pfister, Manfred. “Hamlet und der deutsche Geist: Die Geschichte einer Interpretation.” Shakespeare Jahrbuch (West) 128 (1992): 13–38.Google Scholar
Sessler, Brigitte. Hamlet – ein lyrisches Politikum? Hamlet in deutschsprachigen Gedichten vom 18. Jahrhundert bis heute. Heidelberg: Winter, 2008.Google Scholar
Erken, Günther. “Die Rezeption Shakespeares in Literatur und Kultur: Deutschland.” Shakespeare Handbuch. Ed. Schabert, Ina. 4th ed. Stuttgart: Kröner, 2000. 635–60.Google Scholar
Greenfield, Sayre. “Quoting Hamlet outside Britain in the Eighteenth Century.” Shakespeare’s World/World Shakespeares. Proceedings of the International Shakespeare Association World Congress, Brisbane, 2006. Newark: U of Delaware P, 2008. 237–46.Google Scholar
Höfele, Andreas. “Raising Shakespeare’s Ghost.” Shakespeare im 18. Jahrhundert. Ed. Paulin, Roger. Göttingen: Wallstein., 2007. 303–20.Google Scholar
Ludwig, Alois. “Shakespeare als Held deutscher Dramen.” Shakespeare Jahrbuch 54 (1918): 1–21.Google Scholar
Merbach, Paul Alfred. “Shakespeare als Romanfigur.” Shakespeare Jahrbuch 58 (1922): 83–98.Google Scholar
Müller-Schwefe, Gerhard, ed. Was haben die aus Shakespeare gemacht! Weitere alte und neue deutsch-sprachige Shakespeare-Parodien. Tübingen: Francke, 1993.Google Scholar
Hayashi, Kichiro. “Intercultural Communication: Past, Present & Future.” Intercultural Communication 13 (2010): 13–19.Google Scholar
Inoue, Hisashi. Tenpo Juninen no Shakespeare. Tokyo: Sincho, 1973. Print. Tokyo: Bunkamura, 2005. DVD-ROM.Google Scholar
Kawai, Shoichiro. Moving Passages from William Shakespeare. Tokyo: Shogakukan, 2004. Print and CD-ROM.Google Scholar
Nakano, Haruo. Learn Shakespeare’s Famous Quotations & Be Successful in Love and Work! Tokyo: Magazine House, 2002.Google Scholar
Obara, Shinji. “King Lear.” New Century’s Shakespeare. Tokyo: Avex Entertainment Co., 2009. DVD-ROM.Google Scholar
Odashima, Yūshi. Famous Speeches from Shakespeare. Tokyo: Iwanami, 1985.Google Scholar
Shakespeare Searchable Quotation Database. Version 2. http://shakespeare-w.com/english/shakespeare/database.html. Accessed 20 September 2010.Google Scholar
Toyama, Shigehiko, et al., eds. The Taishūkan Dictionary of Familiar Quotations. Tokyo: Taishukan, 1984.Google Scholar
Worthen, W. B. “Performing Shakespeare in Digital Culture.” The Cambridge Companion to Shakespeare and Popular Culture. Ed. Shaughnessy, Robert. Cambridge: Cambridge University Press, 2007. 227–47.Google Scholar
Arai, Yoshio, et al., eds. A Globe Shakespeare Encyclopedia. Tokyo: Nihon Tosho Centre, 2002.Google Scholar
Desmet, Christy. “Paying Attention in Shakespeare Parody: From Tom Stoppard to YouTube.” Shakespeare Survey 61 (2008): 227–38.Google Scholar
Gupta, Suman. Globalization and Literature. Cambridge: Polity, 2009.Google Scholar
Kishi, Tetsuo, and Bradshaw, Graham. Shakespeare in Japan. London: Continuum, 2005.Google Scholar
Newton, K. M. “Performing Literary Interpretation.” Literary Theory and Criticism: An Oxford Guide. Ed. Waugh, Patricia. Oxford: Oxford UP, 2006. 475–85.Google Scholar
Osborne, Laurie E. “A Local Habitation and a Name: Television and Shakespeare.” Shakespeare Survey 61 (2008): 213–26.Google Scholar
Sasayama, Takashi, Mulryne, J. R., and Shewring, Margaret, eds. Shakespeare and the Japanese Stage. Cambridge: Cambridge University Press, 1998.Google Scholar
Sugimoto, Yoshiko, ed. The Cambridge Companion to Modern Japanese Culture. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Yong, Li Lan. “After Translation.” Shakespeare Survey 62 (2009): 283–95.Google Scholar
Joyce, James. Ulysses. Paris: Shakespeare & Co., 1922.Google Scholar
Lakoff, George, and Johnson, Mark. Metaphors We Live By. Chicago: U of Chicago P, 1980.Google Scholar
Partridge, Eric. A Dictionary of Catch Phrases: British and American, from the Sixteenth Century to the Present Day. Ed. Beale, Paul. London: Routledge, 1986.Google Scholar
Allen, Graham. Intertextuality. London: Routledge, 2000.CrossRefGoogle Scholar
Engler, Balz. Poetry and Community. Tübingen: Stauffenburg, 1990. 11–85.Google Scholar
Greenfield, Sayre. “Quoting Hamlet in the Early Seventeenth Century.” Modern Philology 105.3 (2008): 510–34.CrossRefGoogle Scholar
Hohl Trillini, Regula. “Hamlet and Textual Re-production, 1550–1650.” The Construction of Textual Identity in Medieval and Early Modern Literature. Ed. Ghose, Indira and Renevey, Denis. Tübingen: Narr, 2009. 163–76.Google Scholar
Hohl Trillini, Regula, and Quaßdorf, Sixta. “Quotations and Their Co(n)texts: Corpus-Based Insights into Discoursing with Hamlet.” Variability and Change in Language and Discourse. Ed. Hamm, Albert and Higgs, Lyndon. Strasbourg: RANAM, 2008. 141–55.Google Scholar
Orr, Mary. Intertextuality: Debates and Contexts. Cambridge: Polity, 2003.Google Scholar
Beck, Richard. “Hamlet and the Region of Death: What Franco Moretti Found by Turning Shakespeare into Data.” Boston Globe 29 May 2011. http://archive.boston.com/bostonglobe/ideas/articles/2011/05/29/hamlet_and_the_region_of_death/.Google Scholar
Braddon, Mary Elizabeth. Aurora Floyd. Ed. Nemesvari, Richard and Surridge, Lisa. Toronto: Broadview, 1998.Google Scholar
Di Battista, Maria. Virginia Woolf’s Major Novels: The Fables of Anon. New Haven: Yale UP, 1980.Google Scholar
Erickson, Peter. Rewriting Shakespeare, Rewriting Ourselves. Berkeley: U of California P, 1991.Google Scholar
Fox, Alice. Virginia Woolf and the Literature of the English Renaissance. Oxford: Clarendon, 1990.CrossRefGoogle Scholar
Glavin, John. “‘To Make the Situation Natural’: Othello at Mid-century.” Victorian Shakespeare. Vol. 2: Literature and Culture. Ed. Marshall, Gail and Poole, Adrian. Basingstoke: Palgrave Macmillan, 2003. 30–45.CrossRefGoogle Scholar
Henderson, Diana. Collaborations with the Past: Rewriting Shakespeare across Time and Media. Ithaca: Cornell UP, 2006.Google Scholar
John, Juliet. “Dickens and Hamlet.” Victorian Shakespeare. Vol. 2: Literature and Culture. Ed. Marshall, Gail and Poole, Adrian. Basingstoke: Palgrave Macmillan, 2003. 46–60.CrossRefGoogle Scholar
Joyce, James. Ulysses. New York: Vintage, 1961.Google Scholar
Marshall, Gail, and Poole, Adrian, eds. Victorian Shakespeare. Vol. 2: Literature and Culture. Basingstoke: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Maus, Katherine Eisaman. “Arcadia Lost: Politics and Revision in the Restoration Tempest.” Renaissance Drama 13 (1982): 189–209.CrossRefGoogle Scholar
Melville, Herman. The Confidence-Man: His Masquerade. Stilwell: Digireads.com, 2008. http://books.google.com/books?id=SJEqjEtRXtgC.CrossRefGoogle Scholar
Melville, Herman. Moby Dick; or the Whale. [n.p.]: Forgotten Books, 2008. http://books.google.com/books?id=iqbHsfS5UW8C.CrossRefGoogle Scholar
Sir Scott, Walter. The Heart of Midlothian. Ed. Lamont, Claire. Oxford: Oxford UP, 1982.Google Scholar
Stoppard, Tom. Rosencrantz and Guildenstern Are Dead. New York: Grove Weidenfeld, 1967.Google Scholar
Woolf, Virginia. Orlando: A Biography. New York: Harcourt, Brace, Jovanovich, 1956.Google Scholar
Woolf, Virginia. To the Lighthouse. Harvest/HBJ edition. New York: Harcourt Brace Jovanovich, 1989.Google Scholar
Bristol, Michael D. Big-Time Shakespeare. London: Routledge, 1996.Google Scholar
Fischlin, Daniel, and Fortier, Mark. Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present. London: Routledge, 2000.Google Scholar
Howard, Jean E., and O’Connor, Marion F., eds. Shakespeare Reproduced: The Text in History and Ideology. New York: Routledge, 1990.Google Scholar
Lanier, Douglas. Shakespeare and Modern Popular Culture. Oxford: Oxford UP, 2002.Google Scholar
Massai, Sonia, ed. World-wide Shakespeares: Local Appropriations in Film and Performance. London: Routledge, 2005.Google Scholar
Novy, Marianne, ed. Cross-Cultural Performances: Differences in Women’s Re-Visions of Shakespeare. Urbana: U of Illinois P, 1993.Google Scholar
Shaughnessy, Robert, ed. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Warner, Marina. Indigo. New York: Simon and Schuster, 1992.Google Scholar
Burgess, Anthony. Enderby’s Dark Lady. London: Hutchinson, 1984.Google Scholar
Dhondy, Farrukh. Black Swan. London: Gollancz, 1992.Google Scholar
Drake, Nathan. Montchensey, or a Tale from the Days of Shakspeare. London: Cadell, 1824.Google Scholar
Duval, Alexandre. Shakespeare amoureux. Paris: Vente, 1812.Google Scholar
Harris, Frank. The Man Shakespeare and His Tragic Life-Story. London: Frank Palmer, 1909.Google Scholar
Kingsmill, Hugh. The Return of William Shakespeare. London: Duckworth, 1929.Google Scholar
Madden, John, dir. Shakespeare in Love. USA, Miramax, 1998. Film, snd., col., 122 mins.Google Scholar
Memoirs of the Shakespear’s Head in Covent Garden. London: Noble, 1755.Google Scholar
Shaw, George Bernard. The Dark Lady of the Sonnets. London: Constable, 1910.Google Scholar
Tieck, Ludwig. Dichterleben. Berlin: Spemann, n.d.Google Scholar
Wilde, Oscar. “The Portrait of Mr W.H.” Lord Arthur Savile’s Crime and Other Stories. New York: Dodd, Mead, 1891.Google Scholar
Baker, Susan. “Shakespearean Authority in the Classic Detective Story.” Shakespeare Quarterly 46.4 (winter 1995): 424–48.CrossRefGoogle Scholar
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon, 1992.Google Scholar
Ellis, David. That Man Shakespeare. The Banks: Helm, 2005.Google Scholar
Franssen, Paul. “The Bard in Ireland: Shakespeare’s Protestantism as Politics in Disguise.” Shakespeare Survey 54 (2001): 71–79.Google Scholar
Franssen, Paul, and Hoenselaars, Ton, eds. The Author as Character. London: Associated UP, 1999.Google Scholar
Hackett, Helen. Shakespeare and Elizabeth: The Meeting of Two Myths. Princeton: Princeton UP, 2009.CrossRefGoogle Scholar
O’Sullivan, Maurice J., ed. Shakespeare’s Other Lives. Jefferson: McFarland, 1997.Google Scholar
Schoenbaum, S(amuel). Shakespeare’s Lives. New ed. Oxford: Oxford UP, 1991.Google Scholar
Schubert, Berit Bettina. (Enter Shakespeare.) Der Dramatiker als Figur im Modernen Drama. (Enter Shakespeare. The Dramatist as a Character in Modern Drama.) Frankfurt am Main: Peter Lang, 2003.Google Scholar
Howe, Norma. Blue Avenger Cracks the Code. 2000. New York: HarperTempest, 2002.Google Scholar
Lamb, Charles, and Lamb, Mary. Tales from Shakespeare. 1807. Ed. Armstrong, Martin. London: Collins, 1953.Google Scholar
Chedgzoy, Kate, Greenhalgh, Susanne, and Shaughnessy, Robert, eds. Shakespeare and Childhood. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Frey, Charles H. “A Brief History of Shakespeare as Children’s Literature.” The New Review of Children’s Literature and Librarianship 7 (2001): 147–56.Google Scholar
Hateley, Erica. Shakespeare in Children’s Literature: Gender and Cultural Capital. New York: Routledge, 2009.CrossRefGoogle Scholar
Isaac, Megan Lynn. Heirs to Shakespeare: Reinventing the Bard in Young Adult Literature. Portsmouth: Heinemann, 2000.Google Scholar
Miller, Naomi J., ed. Reimagining Shakespeare for Children and Young Adults. London: Routledge, 2003.Google Scholar
Richmond, Velma Bourgeois. Shakespeare as Children’s Literature: Edwardian Retellings in Words and Pictures. Jefferson: McFarland, 2008.Google Scholar
Augustine, Norman, and Adelman, Kenneth. Shakespeare in Charge: The Bard’s Guide to Leading and Succeeding on the Business Stage. New York: Hyperion, 1999.Google Scholar
Brayman Hackl, Heidi. Reading Material in Early Modern England: Print, Gender, and Literacy. Cambridge: Cambridge University Press, 2005.Google Scholar
Burruss, William B. Shakespeare the Salesman. Chicago: The Dartnell Corporation, 1942.Google Scholar
Cockburn, Amanda. “Awful Pomp and Endless Diversity: The Sublime of Sir John Falstaff.” Shakespeare and the Eighteenth Century. Ed. Sabor, Paul and Yachnin, Paul. Aldershot: Ashgate, 2008. 137–50.Google Scholar
Colmer, Francis. Shakespeare in Time of War: Excerpts from the Plays Arranged with Topical Allusion. New York: Dutton, 1916.Google Scholar
Erasmus, Desiderius. On Copia of Words and Ideas (De utraque verborum ac rerum copia). Trans. and intro. King, Donald B. and Rix, H. David. Milwaukee: Marquette UP, 1963.Google Scholar
Garrick, David. The Plays of David Garrick. Ed. Pedicord, Harry William and Bergmann, Frederick Louis. Carbondale: Southern Illinois UP, 1980.Google Scholar
Maguire, Laurie. Where There’s a Will There’s a Way: or, All I Really Need to Know I Learned from Shakespeare. London: Nicholas Brealey, 2006.Google Scholar
Sharp, Frank Chapman. Shakespeare’s Portrayal of the Moral Life. New York: Charles Scribner’s Sons, 1902.Google Scholar
Sir Strachey, Edward. Shakspeare’s Hamlet: An Attempt to Find the Key to a Great Moral Problem, by Methodical Analysis of the Play. London: J. W. Parker, 1848.Google Scholar
Travers, T. H. E. “Samuel Smiles and the Origins of ‘Self-Help’: Reform and the New Enlightenment.” Albion: A Quarterly Journal Concerned with British Studies 9.2 (summer 1977): 161–87.CrossRefGoogle Scholar
Sir Watson, Frederick Beilby, comp. Moral Sentences culled from the works of Shakespeare: compared with sacred passages drawn from Holy Writ. Dedicated to the Shakespeare Society by a member. London: Hatchard, Dean, [c.1857].Google Scholar
Bate, Jonathan. Shakespearean Constitutions: Politics, Theatre, Criticism, 1730–1830. Oxford: Clarendon, 1989.Google Scholar
Lanier, Douglas. “Shakescorp Noir.” Shakespeare Quarterly 53.2 (2002): 157–80.CrossRefGoogle Scholar
Moss, Ann. Printed Commonplace-Books and the Restructuring of Renaissance Thought. Oxford: Clarendon; New York: Oxford UP, 1996.CrossRefGoogle Scholar
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth, 1989.Google Scholar
See also the articles on “Writing about Shakespeare” in Shakespeare Survey 58 (2005).Google Scholar