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205 - English-Speaking Audiences: Restoration and Eighteenth Century

from Part XXI - Audiences

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
University of Southern California
Katherine Rowe
Smith College, Massachusetts
Ton Hoenselaars
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Trinity College Dublin
Aimara da Cunha Resende
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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Sources cited

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Further reading

Davis, Tracy C., and Postlewait, Thomas. Theatricality. Cambridge: Cambridge University Press, 2003.Google Scholar
Holland, Peter. The Ornament of Action: Text and Performance in Restoration Comedy. Cambridge: Cambridge University Press, 1979.Google Scholar
Lannep, William Van, et al., eds. The London Stage, 1660–1800. 11 vols. Carbondale: Southern Illinois UP, 1960–68.Google Scholar
Palfrey, Simon, and Stern, Tiffany. Shakespeare in Parts. Oxford: Oxford UP, 2007.Google Scholar
Peters, Julie Stone. Theatre of the Book, 1480–1880: Print, Text and Performance in Europe. Oxford: Oxford UP, 2000.Google Scholar
Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford: Oxford UP, 2000.Google Scholar
Straub, Kristina. Sexual Suspects: Eighteenth-Century Players and Sexual Ideology. Princeton: Princeton UP, 1991.Google Scholar
Styan, J. L. The English Stage: A History of Drama and Performance. Cambridge: Cambridge University Press, 1996.Google Scholar
Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Ed. Schwartz, Robert. Baltimore: Johns Hopkins UP, 1987.Google Scholar

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