Skip to main content Accessibility help
×
Home
Hostname: page-component-99c86f546-7mfl8 Total loading time: 0.569 Render date: 2021-12-06T08:39:39.568Z Has data issue: true Feature Flags: { "shouldUseShareProductTool": true, "shouldUseHypothesis": true, "isUnsiloEnabled": true, "metricsAbstractViews": false, "figures": true, "newCiteModal": false, "newCitedByModal": true, "newEcommerce": true, "newUsageEvents": true }

Further Reading

Published online by Cambridge University Press:  07 March 2019

Linda K. Hughes
Affiliation:
Texas Christian University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Armstrong, I., and Blain, V. (eds.) Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830–1900, Houndmills, Macmillan, 1999.CrossRefGoogle Scholar
Blain, V. (ed.) Victorian Women Poets: A New Annotated Anthology, Harlow, Longman, 2001.Google Scholar
Booth, A.Mid-Range Reading: Not a Manifesto.” PMLA 132 (2017), 620–7.CrossRefGoogle Scholar
Chapman, A. (ed.) Victorian Women Poets, English Association Essays and Studies, Cambridge, D. S. Brewer, 2003.Google Scholar
Ledbetter, K. British Victorian Women’s Periodicals: Beauty, Civilization, and Poetry, New York, Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Levine, C. Forms: Whole, Rhythm, Hierarchy, Network, Princeton, Princeton University Press, 2015.Google Scholar
Lootens, T. The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres, Princeton, Princeton University Press, 2017.CrossRefGoogle Scholar
Martin, M. The Rise and Fall of Meter: Poetry and English National Culture, 1860–1930, Princeton, Princeton University Press, 2012.Google Scholar
Vadillo, A. Women Poets and Urban Aestheticism: Passengers of Modernity, Basingstoke, Palgrave Macmillan, 2005.CrossRefGoogle Scholar
Armstrong, I. Victorian Poetry: Poetry, Poetics and Politics, New York, Routledge, 1993.Google Scholar
Billone, A. C. Little Songs: Women, Silence, and the Nineteenth-Century Sonnet, Columbus, Ohio State University Press, 2007.Google Scholar
Diedrick, J. Mathilde Blind: Late-Victorian Culture and the Woman of Letters, Charlottesville, University of Virginia Press, 2016.Google Scholar
Gregory, M. V.Augusta Webster Writing Motherhood in the Dramatic Monologue and the Sonnet Sequence,” Victorian Poetry, 49 (2011), 2751.CrossRefGoogle Scholar
Henville, L. (ed.) Special Issue: Ballads, Victorian Poetry, 54 (2016), 411524.CrossRefGoogle Scholar
Markovits, S.Adulterated Form: Violet Fane and the Victorian Verse-Novel,” ELH, 81.2 (Summer 2014), 635–61.CrossRefGoogle Scholar
Morgan, M. R. Narrative Means, Lyric Ends: Temporality in the Nineteenth-Century British Long Poem, Columbus, Ohio State University Press, 2009.Google Scholar
Rigg, P. (ed.) Special Issue: Augusta Webster, Victorian Poetry, 55 (2017), 1124.CrossRefGoogle Scholar
Thain, M.Victorian Lyric Pathology and Phenomenology,” in The Lyric Poem: Formations and Transformations, Thain, M. (ed.), New York, Cambridge University Press, 2013, 156–76.CrossRefGoogle Scholar
Tucker, H. F. Epic: Britain’s Heroic Muse 1790–1910, New York, Oxford University Press, 2008.CrossRefGoogle Scholar
Abbott, R.George Eliot, Meter, and the Matter of Ideas: The Yale Poetry Notebook,” ELH, 82 (2015), 1179–211.CrossRefGoogle Scholar
Dieleman, K. Religious Imaginaries: The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter, Athens, Ohio University Press, 2012.Google Scholar
Glaser, B.Polymetrical Dissonance: Tennyson, A. Mary F. Robinson, and Classical Meter,” Victorian Poetry, 49 (2011), 199216.CrossRefGoogle Scholar
Houston, N.Towards a New History: Fin-de-Siècle Women Poets and the Sonnet,” in Victorian Women Poets, Chapman, A. (ed.), Cambridge, D. S. Brewer, 2003.Google Scholar
Jackson, V., and Prins, Y.Lyrical Studies,” Victorian Literature and Culture, 27 (1999), 521–30.CrossRefGoogle Scholar
Levine, N.Elizabeth Barrett Browning’s Historiographical Poetics,” Modern Language Quarterly, 77 (2016), 81104.CrossRefGoogle Scholar
Pinch, A.Rhyme’s End,” Victorian Studies, 53 (2011), 485–94.CrossRefGoogle Scholar
Prins, Y.Victorian Meters,” in Cambridge Companion to Victorian Poetry, Bristow, J. (ed.), Cambridge, Cambridge University Press, 2000.Google Scholar
Rudy, J.Hemans’ Passion,” Studies in Romanticism, 45 (2006), 543–62.CrossRefGoogle Scholar
Stetz, M.‘Ballads in Prose’: Genre Crossing in Late-Victorian Women’s Writing,” Victorian Literature and Culture, 34 (2006), 619–29.CrossRefGoogle Scholar
Winterer, C.Victorian Antigone: Classicism and Women’s Education in America, 1840–1900,” American Quarterly, 53 (2001), 7093.CrossRefGoogle Scholar
Griffiths, E. The Printed Voice of Victorian Poetry, Oxford, Clarendon Press, 1989.Google Scholar
Rowlinson, M.Lyric,” in A Companion to Victorian Poetry, eds. Cronin, Richard, Chapman, Alison, and Harrison, Antony, Malden, Blackwell, 2002, 5979.Google Scholar
Vadillo, A.Sight and Song: Transparent Translations and a Manifesto for the Observer,” Victorian Poetry, 38 (2000), 1534.CrossRefGoogle Scholar
Cooke, S., and Goldman, P. (eds.) Readings in Victorian Illustration, 1855–1875: Spoils of the Lumber Room, Farnham, Ashgate, 2012.Google Scholar
Flint, K. The Victorians and the Visual Imagination, Cambridge, Cambridge University Press, 2000.Google Scholar
Golden, C. J. (ed.) Book Illustrated: Text, Image, and Culture 1779–1930, New Castle, Oak Knoll, 2000.Google Scholar
Goldman, P. Victorian Illustrated Books 1850–1870, London, British Museum Press, 1994.Google Scholar
Goldman, P. Victorian Illustration: The Pre-Raphaelites, the Idyllic School and the High Victorians, Aldershot, Scolar Press, 1996.Google Scholar
Kooistra, L. J.‘Illustration,” in Journalism and the Periodical Press in Nineteenth-Century Britain, ed. Shattock, J., Cambridge, Cambridge University Press, 2017, 104–25.Google Scholar
Maidment, B. Reading Popular Prints 1790–1870, 2nd ed., Manchester, Manchester University Press, 1996.Google Scholar
Maxwell, R. (ed.) The Victorian Illustrated Book, Charlottesville, University of Virginia Press, 2002.Google Scholar
Onslow, B.Gendered Production: Annuals and Gift Books,” in Journalism and the Periodical Press in Nineteenth-Century Britain, ed. Shattock, J., Cambridge, Cambridge University Press, 2017, 6683.CrossRefGoogle Scholar
Thomas, J. Pictorial Victorians: The Inscription of Values in Word and Image, Athens, Ohio University Press, 2004.Google Scholar
Armstrong, I.The Gush of the Feminine: How Can We Read Women’s Poetry of the Romantic Period?” in Romantic Women Writers: Voices and Countervoices, eds. Feldman, P. and Kelley, T., Hanover, University Press of New England, 1995, 1332.Google Scholar
Blair, K. Victorian Poetry and the Culture of the Heart, Oxford, Oxford University Press, 2006.CrossRefGoogle Scholar
Lootens, T. The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres, Princeton, Princeton University Press, 2017.CrossRefGoogle Scholar
Mason, E. Women Poets of the Nineteenth Century, Horndon, Northcote, 2006.Google Scholar
McGann, J. The Poetics of Sensibility: A Revolution in Literary Style, Oxford, Clarendon, 1996.Google Scholar
Preston, C. J. Modernism’s Mythic Pose: Gender, Genre, Solo Performance, Oxford, Oxford University Press, 2011.CrossRefGoogle Scholar
Rudy, J. R.Hemans’ Passion,” Studies in Romanticism 45 (2006), 543–62.CrossRefGoogle Scholar
Chapman, A., and Ehnes, C.Introduction,” Victorian Poetry 52 (2014), 120.CrossRefGoogle Scholar
Erickson, L. The Economy of Literary Form, Baltimore, Johns Hopkins University Press, 1996.Google Scholar
Fraser, H., Green, S., and Johnston, J. Gender and the Victorian Periodical, Cambridge, Cambridge University Press, 2003.Google Scholar
Hughes, L. K.What the Wellesley Index Left Out: Why Poetry Matters to Periodical Studies,” Victorian Periodicals Review, 40 (2007), 91125.CrossRefGoogle Scholar
Kooistra, L. J. Poetry, Pictures, and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture, 1855–75, Athens, Ohio University Press, 2011.Google Scholar
Ledbetter, K. British Victorian Women’s Periodicals: Beauty, Civilization, and Poetry, Basingstoke, Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Pulham, P.‘Jewels – delights – perfect loves’: Victorian Women Poets and the Annuals,” in Victorian Women Poets, Chapman, A. (ed.), Cambridge, D. S. Brewer, 2003, 931.Google Scholar
Boehmer, E. Indian Arrivals, 1870–1915: Networks of British Empire, Oxford, Oxford University Press, 2015.CrossRefGoogle Scholar
Chapman, A.‘I think I was enchanted’: Elizabeth Barrett Browning’s Haunting of American Women Poets,” in Representations of Death in Nineteenth-Century US Writing and Culture, Frank, L. (ed.), Aldershot, Ashgate, 2007, 109–24.Google Scholar
Chapman, A. and Stabler, J. (eds.), Unfolding the South: Nineteenth-Century British Women Artists and Writers in Italy, Manchester, Manchester University Press, 2003.Google Scholar
Finnerty, P.Women’s Transatlantic Poetic Network,” in A History of Nineteenth-Century American Women’s Poetry, Putzi, J. and Socarides, J. (eds.), Cambridge, Cambridge University Press, 2016, 170–85.Google Scholar
Hughes, L. K. and Robbins, S. (eds.), Teaching Transatlanticism: Resources for Teaching Nineteenth-Century Anglo-American Print Culture, Edinburgh, Edinburgh University Press, 2015.Google Scholar
Jackson, V. (ed.), American Victorian Poetry, special issue, Victorian Poetry, 43 (2005), 157274.CrossRefGoogle Scholar
Keirstead, C. M. Victorian Poetry, Europe, and the Challenge of Cosmopolitanism, Athens, Ohio University Press, 2011.Google Scholar
Lootens, T.Alien Homelands: Rudyard Kipling, Toru Dutt, and the Poetry of Empire,” in The Fin-de-Siècle Poem: English Literary Culture and the 1890s, Bristow, J. (ed.), Athens, Ohio University Press, 2005, pp. 285310.Google Scholar
McGill, M. American Literature and the Culture of Reprinting 1834–1853, Philadelphia, University of Pennsylvania Press, 2003.CrossRefGoogle Scholar
Mukherjee, M. “Hearing her Own Voice: Defective Acoustics in Colonial India,” inWomen’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830–1900, Armstrong, I. and Blain, V. (eds.), Houndmills, Macmillan, 1999, 207–29.Google Scholar
O’Leary, J. Settler Songs and Wild Romances: Settler Poetry and the Indigene, 1830–1880, Amsterdam, Rodopi, 2011.Google Scholar
Simpson, E. “On Corinne, Or Italy,” in BRANCH: Britain, Representation and Nineteenth-Century History, Felluga, D. F. (ed.), www.branchcollective.org/?ps_articles=erik-simpson-on-corinne-or-italy
Boos, F. S.‘Nurs’d Up Among the Scenes I Have Describ’d’: Poetry of Working-Class Victorian Women,” in Functions of Victorian Culture at the Present Time, Krueger, C. (ed.), Athens, Ohio University Press, 2002, 137–56.Google Scholar
Boos, F. S. (ed.) Working-Class Women Poets in Victorian Britain: An Anthology, Peterborough, Broadview, 2008.
Goodridge, J. (gen. ed.), Nineteenth-Century English Labouring-Class Poets, 3 vols., London, Pickering & Chatto, 2005.Google Scholar
Hodson, J. (ed.), Dialect and Literature in the Long Nineteenth Century, London, Routledge, 2017.CrossRefGoogle Scholar
Klaus, H. G. Factory Girl: Ellen Johnston and Working-Class Poetry in Victorian Scotland, Bern, Peter Lang, 1998.Google Scholar
Maidment, B. (ed.), The Poorhouse Fugitives: Self-Taught Poets and Poetry in Victorian Britain, Manchester, Carcanet, 1987.Google Scholar
McCauley, L.‘Eawr Folk’: Language, Class and English Identity in Victorian Dialect Poetry,” Victorian Poetry, 39 (2001), 287301.CrossRefGoogle Scholar
Rosen, J.Class and Poetic Communities: The Works of Ellen Johnston, ‘The Factory Girl,’Victorian Poetry, 39.2 (2001), 207–27.CrossRefGoogle Scholar
Sanders, M. The Poetry of Chartism: Aesthetics, Politics, History, Cambridge, Cambridge University Press, 2009.CrossRefGoogle Scholar
Zlotnick, S.‘A Thousand Times I’d Be a Factory Girl’: Dialect, Domesticity and Working-Class Women’s Writing in Victorian Britain,” Victorian Studies, 35 (1991), 727.Google Scholar
Avery, S.Telling it Slant: Promethean, Whig, and Dissenting Politics in Elizabeth Barrett’s Poetry of the 1830s,” Victorian Poetry, 44 (2006), 405–24.CrossRefGoogle Scholar
Donaldson, S. (ed.), Critical Essays on Elizabeth Barrett Browning, New York, G. K. Hall, 1999.Google Scholar
Rigg, P. (ed.), Augusta Webster, special issue, Victorian Poetry, 55 (2017), 1124.CrossRefGoogle Scholar
Slinn, E. W. Victorian Poetry as Cultural Critique: The Politics of Performative Language, Charlottesville, University Press of Virginia, 2003.Google Scholar
Timney, M.Mary Hutton and the Development of a Working-Class Women’s Political Poetics: Chartist Threads,” Victorian Poetry, 49 (2011), 127–46.CrossRefGoogle Scholar
Clarke, M. M.Emily Brontë’s ‘No Coward Soul’ and the Need for a Religious Literary Criticism,” Victorians Institute Journal, 37 (2009), 195223.Google Scholar
Houston, G. T. Victorian Women Writers, Radical Grandmothers, and the Gendering of God, Columbus, Ohio State University Press, 2013.Google Scholar
King, J., “Transatlantic Abolitionist Discourse and the Body of Christ in Elizabeth Barrett Browning’s ‘The Runaway Slave at Pilgrim’s Point,’Religions, 8 (2016), 124.CrossRefGoogle Scholar
Knight, M., and Mason, E. Nineteenth-Century Religion and Literature: An Introduction, Oxford, Oxford University Press, 2006.Google Scholar
Lewis, L. M. Elizabeth Barrett Browning’s Spiritual Progress: Face to Face with God, Columbia, University of Missouri Press, 1998.Google Scholar
Mason, E. Women Poets of the Nineteenth Century, Tavistock, Northcote House Publishers, 2006.Google Scholar
Nixon, J. V.‘[S]he shall make all new’: Aurora Leigh and Elizabeth Barrett Browning’s Re-Gendering of the Apocalypse,” in Victorian Religious Discourse, Nixon, J. (ed.), New York, Palgrave Macmillan, 2005, 7293.Google Scholar
Stone, M., “‘A Heretic Believer’: Victorian Religious Doubt and New Contexts for Elizabeth Barrett Browning’s ‘A Drama of Exile,’ ‘The Virgin Mary’ and ‘The Runaway Slave at Pilgrim’s Point,’Studies in Browning and His Circle, 26 (2005), 740.Google Scholar
Williams, W. S. George Eliot, Poetess, Burlington, Ashgate, 2014.Google Scholar
Alexander, C., and McMaster, J. (eds.). The Child Writer from Austen to Woolf, Cambridge, Cambridge University Press, 2005.Google Scholar
Alexander, C., and McMaster, J.Children Writing in Jane Austen’s Time,” Persuasions, 37 (2015), 1328.Google Scholar
Galway, E. From Nursery Rhyme to Nationhood: Children’s Literature and the Culture of Canadian Identity, New York, Routledge, 2008.Google Scholar
Garlitz, B.Christina Rossetti’s Sing-Song and Nineteenth-Century Children’s Poetry,” PMLA, 70 (1955), 539–43.CrossRefGoogle Scholar
Grenby, M. O.Poetry,” Children’s Literature, Edinburgh, Edinburgh University Press, 2008, 3260.Google Scholar
Immel, A. and Paul, L.Poems in the Nursery,” The Oxford Handbook of British Poetry, 1600–1800, Lynch, J. (ed.), Oxford, Oxford University Press, 2016, 88107.Google Scholar
Kittredge, K.Early Blossoms of Genius: Child Poets at the End of the Long 18th Century,” Looking Glass: New Perspectives on Children’s Literature, 15 (2011), www.the-looking-glass.net/index.php/tlg/article/view/274/271Google Scholar
Langbauer, L.Juvenilia and Juvenile Writers,” in The Encyclopedia of Victorian Literature, 4 vols., Felluga, D. (ed.), Oxford, Wiley Blackwell, 2015, 2.861–70.Google Scholar
Meyers, M.Of Mimicry and (Wo)Man: Infants or Forked Tongue?Children’s Literature, 23 (1995), 6670.CrossRefGoogle Scholar
Owen, D. and Peterson, L. (eds.) Home and Away: The Place of the Child Writer, Newcastle-on-Tyne, Cambridge Scholars, 2016.Google Scholar
Sickbert, V.Christina Rossetti and Victorian Children’s Poetry: A Maternal Challenge to the Patriarchal Family,” Victorian Poetry, 31 (1993), 385410.Google Scholar
Smulders, S.Sound, Sense, and Structure in Christina Rossetti’s Sing-Song,” Children’s Literature, 22 (1994), 326.CrossRefGoogle Scholar
Sorby, A.Women Poets, Child Readers,” in A History of Nineteenth-Century American Women’s Poetry, Putzi, J. and Socarides, A. (eds.), Cambridge, Cambridge University Press, 2017, 374–89.Google Scholar
Styles, M., Joy, L., and Whitley, D. (eds.), Poetry and Childhood, Stoke-on-Trent, Trentham, 2010.Google Scholar
Taylor, B. “Childhood Writings of Elizabeth Barrett Browning: ‘At Four I First Mounted Pegasus,’” in Alexander and McMaster (eds.), The Child Writer, pp. 138–53.
Taylor, B.Elizabeth Barrett Browning and the Politics of Childhood,” Victorian Poetry, 46 (2008), 405–27.Google Scholar
Tucker, H.An Ebbigrammar of Motives; or, Ba for Short,” Victorian Poetry, 44 (2006), 445–65.CrossRefGoogle Scholar
Vallone, L.History Girls: Eighteenth- and Nineteenth-Century Historiography and the Case of Mary, Queen of Scots,” Children’s Literature, 36 (2008), 123.CrossRefGoogle Scholar
Wakely-Mulroney, K. and Joy, L. (eds.). The Aesthetics of Children’s Poetry: A Study of Children’s Verse in English, New York, Routledge, 2016.Google Scholar
Boos, F. S. (ed.), Working-Class Women Poets in Victorian Britain: An Anthology, Peterborough, ON, Broadview, 2008.
Harrington, E. Second Person Singular: Late Victorian Women Poets and the Bonds of Verse, Charlottesville, University of Virginia Press, 2014.Google Scholar
Hughes, L. K.Daughters of Danaeus and Daphne: Women Poets and the Marriage Question,” Victorian Literature and Culture, 34 (2006), 481–93.CrossRefGoogle Scholar
Leighton, A. Victorian Women Poets: Writing Against the Heart, Charlottesville, University of Virginia Press, 1992.Google Scholar
Peterson, L. H.Domestic and Idyllic,” in A Companion to Victorian Poetry, Cronin, Richard, Chapman, Alison, and Harrison, Antony H. (eds.), Oxford, Blackwell, 2002, 4258.Google Scholar
Rigg, P. Augusta Webster: Victorian Aestheticism and the Woman Writer, Madison, NJ, Fairleigh Dickinson University Press, 2009.Google Scholar
Bennett, P.Critical Clitoridectomy: Female Sexual Imagery and Feminist Psychoanalytic Theory,” Signs 18.2 (1993), 235–59.CrossRefGoogle Scholar
Blair, K. Victorian Poetry and the Culture of the Heart, Oxford, Clarendon, 2006.CrossRefGoogle Scholar
Diedrick, J. Mathilde Blind: Late-Victorian Culture and the Woman of Letters, Charlottesville, University of Virginia Press, 2017.Google Scholar
Djikstra, B. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture, New York, Oxford University Press, 1988.Google Scholar
Ehnenn, J.‘Our Brains Struck Fire Each from Each’: Disidentification, Difference, and Desire in the Collaborative Aesthetics of Michael Field,” in Economies of Desire at the Victorian Fin de Siècle: Libidinal Lives, Ford, J., Keates, K. E., and Pulham, P., (eds.), New York, Routledge, 2015, 180203.Google Scholar
Faderman, L. Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present, New York, William Morrow & Co., 1981.Google Scholar
Koven, S. Slumming: Sexual and Social Politics in Victorian London, Princeton, Princeton University Press, 2006.Google Scholar
Logan, D. Fallenness in Victorian Women’s Writing: Worry, Stitch, Die, or Do Worse, Columbia, University of Missouri Press, 1998.Google Scholar
Marcus, S. Between Women: Friendship, Desire, and Marriage in Victorian England, Princeton, Princeton University Press, 2009.Google Scholar
Meyerowitz, J.Thinking Sex with an Androgyne,” GLQ, 17 (2011), 97105.CrossRefGoogle Scholar
Parker, S. The Lesbian Muse and Poetic Identity, 1889–1930, London, Pickering & Chatto, 2013.Google Scholar
Prins, Y. Victorian Sappho, Princeton, Princeton University Press, 1999.Google Scholar
Vicinus, M. Intimate Friends: Women Who Loved Women, 1778–1928, Chicago, University of Chicago Press, 2004.Google Scholar
Bristow, J. (ed.), The Fin-de-Siècle Poem: English Literary Culture and the 1890s, Athens, Ohio University Press, 2005.Google Scholar
Condé, A. (ed.), Decadence and the Senses, Cambridge, Legenda, 2017.Google Scholar
Harrington, E. Second Person Singular: Late Victorian Women Poets and the Bonds of Verse, Charlottesville, University of Virginia Press, 2014.Google Scholar
Hurst, I. Victorian Women Writers and the Classics: The Feminine of Homer, Oxford, Oxford University Press, 2006.CrossRefGoogle Scholar
Lysack, K.Aesthetic Consumption and the Cultural Production of Michael Field’s Sight and Song,” SEL: Studies in English Literature 1500–1900, 45 (2005), 935–60.Google Scholar
Prins, Y. Ladies’ Greek, Princeton, Princeton University Press, 2017.Google Scholar
Stetz, M. and Wilson, C. (eds.), Michael Field and Their World, High Wycombe, Rivendale Press, 2007.Google Scholar
Fleming, P.Tragedy, for Example: Distant Reading and Exemplary Reading,” New Literary History, 48 (2017), 437–55.CrossRefGoogle Scholar
Jin, J.Problems of Scale in ‘Close’ and ‘Distant’ Reading,” Philological Quarterly, 96 (2017), 105–29.Google Scholar
Piper, A.There Will be Numbers,” Journal of Cultural Analytics, 2016, DOI: 10.22148/16.006.http://culturalanalytics.org/2016/05/there-will-be-numbers/.CrossRefGoogle Scholar
Ramsay, S. Reading Machines: Towards an Algorithmic Criticism, Urbana, University of Illinois Press, 2011.CrossRefGoogle Scholar
Smith, B. H.What Was ‘Close Reading’? A Century of Method in Literary Studies,” Minnesota Review, 87 (2016), 5775.CrossRefGoogle Scholar

Send book to Kindle

To send this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle.

Note you can select to send to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be sent to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Linda K. Hughes, Texas Christian University
  • Book: The Cambridge Companion to Victorian Women's Poetry
  • Online publication: 07 March 2019
  • Chapter DOI: https://doi.org/10.1017/9781316856543.019
Available formats
×

Send book to Dropbox

To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Dropbox.

  • Further Reading
  • Edited by Linda K. Hughes, Texas Christian University
  • Book: The Cambridge Companion to Victorian Women's Poetry
  • Online publication: 07 March 2019
  • Chapter DOI: https://doi.org/10.1017/9781316856543.019
Available formats
×

Send book to Google Drive

To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Google Drive.

  • Further Reading
  • Edited by Linda K. Hughes, Texas Christian University
  • Book: The Cambridge Companion to Victorian Women's Poetry
  • Online publication: 07 March 2019
  • Chapter DOI: https://doi.org/10.1017/9781316856543.019
Available formats
×