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8 - Portugal

Published online by Cambridge University Press:  05 January 2019

By
João Pedro d’Alvarenga
Edited by
Mark Kroll
Mark Kroll
Affiliation:
Boston University
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The Cambridge Companion to the Harpsichord , pp. 165 - 184
Publisher: Cambridge University Press
Print publication year: 2019

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References

Further Reading

d’Alvarenga, João Pedro. “Domenico Scarlatti in the 1720s: Portugal, Travelling, and the Italianisation of the Portuguese Musical Scene,” in Domenico Scarlatti Adventures: Essays to Commemorate the 250th Anniversary of his Death, ed. Sala, Massimiliano and Dean Sutcliffe, W., Ad Parnassum Studies 3. Bologna: Ut Orpheus Edizioni, 2008.Google Scholar
Coelho, Victor Anand. “Music in the New Worlds,” in The Cambridge History of Seventeenth Century Music, ed. Carter, Tim and Butt, John. Cambridge: Cambridge University Press, 2005, pp. 88–110.CrossRefGoogle Scholar
Pollens, Stewart. “The Early Portuguese Piano.” Early Music 13, no. 1 (1985), pp. 18–27.CrossRefGoogle Scholar
Pollens, Stewart.The Early Pianoforte. Cambridge: Cambridge University Press, 1995.Google Scholar

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