Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-tn8tq Total loading time: 0 Render date: 2024-06-15T15:31:32.006Z Has data issue: false hasContentIssue false

Part IV - Interdisciplinary Tango Studies

Published online by Cambridge University Press:  15 March 2024

Kristin Wendland
Affiliation:
Emory University, Atlanta
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Alberto, Paulina L. Black Legend: The Many Lives of Raúl Grigera and the Power of Racial Storytelling in Argentina. New York and Cambridge: Cambridge University Press, 2022.Google Scholar
Alberto, Paulina L., Geler, Lea, and Chisu Teresa, Ko. “‘In Defense of the People of Color of South America’: A New Source for Twentieth-Century Afro-Argentine History and Thought.” Latin American and Caribbean Ethnic Studies, 2023. doi: https://doi.org/10.1080/17442222.2023.2246898.CrossRefGoogle Scholar
Andrews, George Reid. The Afro-Argentines of Buenos Aires, 1800–1900. Madison: University of Wisconsin Press, 1980.Google Scholar
Chasteen, John Charles. National Rhythms, African Roots: The Deep History of Latin American Popular Dance. Albuquerque: University of New Mexico Press, 2004.Google Scholar
Frigerio, Alejandro. Cultura negra en el Cono Sur: representaciones en conflicto. Buenos Aires: Facultad de Ciencias Sociales y Económicas de la Universidad Católica Argentina, 2000.Google Scholar
Geler, Lea. Andares negros, caminos blancos: Afroporteños, Estado y Nación Argentina a fines de siglo XIX. Rosario: Prohistoria Ediciones/TEIAA, 2010.Google Scholar
Goldman, Gustavo. Lucamba: Herencia africana en el tango, 1870–1890. Montevideo: Perro Andaluz, 2008.Google Scholar
Karush, Matthew B.Blackness in Argentina: Jazz, Tango and Race before Perón.” Past & Present 216, no. 1 (2012): 215245.CrossRefGoogle Scholar
Natale, Óscar. Buenos Aires, negros y tango. Buenos Aires: Peña Lillo, 1984.Google Scholar
Ortiz Oderigo, Néstor. Aspectos de la cultura africana en el Río de la Plata. Buenos Aires: Plus Ultra, 1974.Google Scholar
Thompson, Robert Farris. Tango: The Art History of Love. New York: Pantheon, 2005.Google Scholar

Further Reading

Bell, Matthew. “Danses Fantastiques: Metrical Dissonance in the Ballet Music of P. I. Tchaikovsky.” Journal of Music Theory 65, no. 1 (2021): 107137.CrossRefGoogle Scholar
Bosse, Joanna. “Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context.Dance Research Journal 41, no. 1 (2008): 4564.CrossRefGoogle Scholar
Browning, Barbara. Samba: Resistance in Motion. Bloomington: Indiana University Press, 1995.Google Scholar
Guest, Ann Hutchinson. Choreo-Graphics: A Comparison of Dance Notation Systems from the Fifteenth Century to the Present. New York: Gordon and Breach, 1998.Google Scholar
Jordan, Stephanie. Moving Music: Dialogues with Music in 20th Century Ballet. London: Dance Books, 2000.Google Scholar
Kaminsky, David. Social Partner Dance: Body, Sound, and Space. New York: Routledge, 2020.CrossRefGoogle Scholar
Leaman, Kara Yoo. “Musical Techniques in Balanchine’s Jazzy Bach Ballet.” Journal of Music Theory 65, no. 1 (2021): 139169.CrossRefGoogle Scholar
McMains, Juliet and Thomas, Ben. “Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars.Dance Chronicle 36, no. 2 (2013): 196217.CrossRefGoogle Scholar
Simpson-Litke, Rebecca. “Flipped, Broken, and Paused Clave: Dancing Through Metric Ambiguities in Salsa Music.” Journal of Music Theory 65, no. 1 (2021): 3980.CrossRefGoogle Scholar
Simpson-Litke, Rebecca and Stover, Chris. “Theorizing Fundamental Music/Dance Interactions in Salsa.Music Theory Spectrum 41, no. 1 (2019): 74103.CrossRefGoogle Scholar

Further Reading

Archetti, Eduardo. Masculinities: Football, Polo, and the Tango in Argentina. Oxford: Berg, 1999.Google Scholar
Armus, Diego. “Tango, Gender, and Tuberculosis in Buenos Aires.” In Disease in the History of Modern Latin America, 101129. Durham, NC: Duke University Press, 2003.CrossRefGoogle Scholar
Cibotti, Ema. “El tango argentino como genuina expresión de las clases medias.” In Escritos sobre tango 2, edited by Lencina, Teresita, 91107. Buenos Aires: Centro ‘feca, 2011.Google Scholar
Fischerman, Diego, and Gilbert, Abel. Piazzolla el mal entendido. Buenos Aires: Edhasa, 2009.Google Scholar
Gálvez, Eduardo. “El tango en su época de gloria: ni prostibulario, ni orillero: Los bailes en los clubes sociales y deportivos de Buenos Aires 1938–1959.” Nuevo Mundo, Mundos Nuevos (February 6, 2009). https://journals.openedition.org/nuevomundo/55183.CrossRefGoogle Scholar
Karush, Matthew B. Culture of Class: Radio and Cinema in the Making of a Divided Argentina. Durham, NC: Duke University Press, 2012.CrossRefGoogle Scholar
Liska, María Mercedes. “El arte de adecentar los sonidos: Huellas de las operaciones de normalización del tango argentino.” Latin American Music Review 35:1 (2014): 2549.CrossRefGoogle Scholar
La revitalización del baile social del tango en Buenos Aires: Neoliberalismo y cultura popular durante la década de 1990.” Ethnomusicology Review 18 (2013). https://ethnomusicologyreview.ucla.edu/journal/volume/18/piece/702.Google Scholar
Matamoro, Blas. La cuidad del tango: Tango histórico y Sociedad. Buenos Aires: Editorial Galerna, 1969.Google Scholar
Savigliano, Marta. Tango and the Political Economy of Passion. Boulder, CO: Westview, 1995.Google Scholar
Varela, Gustavo. Tango y política: sexo, moral burguesa y revolución en Argentina. Buenos Aires: Ariel, 2016.Google Scholar

Further Reading

D’Lugo, Marvin. “Early Cinematic Tangos: Audiovisual Culture and Transnational Film Aesthetics.Studies in Hispanic Cinemas 5, no. 1–2 (2009): 923.CrossRefGoogle Scholar
Kailuweit, Rolf and Tölk, Vanessa, eds. TangoMedia: Multimodality Matters. Baden-Baden: Rombach Wissenschaft, 2020.CrossRefGoogle Scholar
Karush, Matthew. Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946. Durham, NC: Duke University Press, 2012.CrossRefGoogle Scholar
Ochoa, Pedro. Tango y cine mundial. Buenos Aires: Ediciones del Jilguero, 2003.Google Scholar
Miller, Marilyn G., ed. Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice. Durham, NC: Duke University Press, 2014.CrossRefGoogle Scholar

Further Reading

Asaba, Yuiko. “‘Folds of the Heart’: Performing Life Experience, Emotion, and Empathy in Japanese Tango Music Culture.” Ethnomusicology Forum 28, no. 1 (2019): 4565.CrossRefGoogle Scholar
Tango in Japan: Cosmopolitanism Beyond the West. Honolulu: University of Hawai’i Press, (forthcoming, 2025).Google Scholar
Asaba, Yuiko. “The Reception of Tango and the Creation of Its Authenticity in Twentieth Century Japan: A Study from the Perspective of ‘Internalized Modernity.’” (「20世紀日本におけるタンゴの受容と「本場」意識の形成 — 内面化されたモダニティという視点からの一考察」) Popular Music Studies (『ポピュラー音楽研究』) 24 (2020): 315.Google Scholar
Heinonen, Yrjö. “Globalisation, Hybridisation, and the Finnishness of the Finnish Tango.” Etnomusikologian vuosikirja 28 (2016): 136.CrossRefGoogle Scholar
Howland, John. Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920–1944. Redwood City, CA: Stanford University Press, 2002.Google Scholar
Levine, Lawrence W. Highbrow Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press, 1988.CrossRefGoogle Scholar
Moehn, Frederick. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Durham, NC: Duke University Press, 2012.CrossRefGoogle Scholar
Pearsall, Caroline. “Tango in Diaspora – An Argentine Abroad: An Examination of the Parisian Tango Music Community.” Master’s thesis, Royal Holloway, University of London, 2011.Google Scholar
Stokes, Martin. Republic of Love: Cultural Intimacy in Turkish Popular Music. Chicago: University of Chicago Press, 2010.CrossRefGoogle Scholar
Willoughby, Heather. “The Sound of Han: P’ansori, Timbre and a Korean Ethos of Pain and Suffering.” Yearbook for Traditional Music 32 (2000): 1730.CrossRefGoogle Scholar

Further Reading

Bor, Joep. “Studying World Music: The Next Phase.” In Teaching Musics of the World: The Second International Symposium, Basel, October 14–17, 1993, edited by Lieth-Philipp, Margot and Gutzwiller, Andreas, 6181. Affalterbach: Philipp, 1995.Google Scholar
Manual Artistic Research Design: Methodology toolbox for research in-and-through artistic performance and creation.” Rotterdam: Codarts University of the Arts, 2021.Google Scholar
García Brunelli, Omar. “Los estudios sobre tango observados desde la musicología. Historia, música, letra y baile.” El oído pensante 3, no. 2 (2015): 6899. http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7463.Google Scholar
Gonnet, Daniel H.La construcción de conocimientos pluriversales en la escena del tango de principios de siglo XXI. La experiencia de la Escuela Orlando Goñi.” Revista Internacional de Educación Musical 5 (2017): 111118. www.revistaeducacionmusical.org/index.php/rem1/article/view/127.CrossRefGoogle Scholar
Peralta, Julián. La orquesta típica: mecánica y aplicación de los fundamentos técnicos del tango. Buenos Aires: Departamento de Impresiones de la H. C. D. de la Provincia de Buenos Aires, 2008; and later The Tango Orchestra: Fundamental Concepts and Techniques, trans. Morgan James Luker. Warwickshire, UK: Tanguero Publishing/Presto Music, 2016.Google Scholar
Scherbovsky, Natacha. “Julián Peralta: Hacemos tango desde este lugar de resistencia.” La Tinta (March 15, 2017). https://latinta.com.ar/2017/03/julian-peralta-hacemos-tango-desde-este-lugar-de-resistencia/.Google Scholar
Serafini, A. 2016. “Yeites de tango. Análisis de gestos musicales y técnicas extendidas en el tango para su utilización creativa y pedagógica.” Paper presented at I Congreso Internacional de Música Popular, La Plata, October 2016. La Plata: SEDICI, Repositorio Institucional de la Universidad Nacional de La Plata, http://sedici.unlp.edu.ar/handle/10915/77184.Google Scholar
Varassi Pega, Bárbara. The Art of Tango. New York: Routledge, 2021.Google Scholar

Further Reading

Chauvigné, Léa A. S., Belyk, Michel, and Brown, Steven. “Taking Two to Tango: fMRI Analysis of Improvised Joint Action with Physical Contact.” PLoS One 13, no. 1 (January 2018): e0191098. doi: https://doi.org/10.1371/journal.pone.0191098.CrossRefGoogle ScholarPubMed
Hackney, Madeleine E., Byers, Colleen, Butler, Gail et al. “Adapted Tango Improves Mobility, Motor-Cognitive Function, and Gait but Not Cognition in Older Adults in Independent Living.” Journal of the American Geriatrics Society 63, no. 10 (October 2015): 21052113. doi: https://doi.org/10.1111/jgs.13650.CrossRefGoogle ScholarPubMed
Hackney, Madeleine E., and Earhart, Gammon. “Effects of Dance on Movement Control in Parkinson’s Disease: A Comparison of Argentine Tango and American Ballroom.” Journal of Rehabilitation Medicine 41, no. 6 (May 2009): 475481. doi: https://doi.org/10.2340/16501977-0362.CrossRefGoogle ScholarPubMed
Hackney, Madeleine E., and McKee, Kathleen. “Community-Based Adapted Tango Dancing for Individuals with Parkinson’s Disease and Older Adults.” Journal of Visualized Experiments 94 (December 2014): 52066. doi: https://doi.org/10.3791/52066.Google Scholar
Hackney, Madeleine E., Kantorovich, Svetlana, Levin, Rebecca, and Earhart, Gammon M.. “Effects of Tango on Functional Mobility in Parkinson’s Disease: A Preliminary Study.” Journal of Neurological Physical Therapy 31, no. 4 (December 2007): 173179. doi: https://doi.org/10.1097/NPT.0b013e31815ce78b.CrossRefGoogle ScholarPubMed
Kreutz, Gunter. “Does Partnered Dance Promote Health? The Case of Tango Argentino.” The Journal of the Royal Society for the Promotion of Health 128, no. 2 (March 2008): 7984. doi: https://doi.org/10.1177/1466424007087805.CrossRefGoogle ScholarPubMed
Low, Lee Fay, Lee Carroll, Sophie, Lev Merom, Dafna et al. “We Think You Can Dance! A Pilot Randomised Controlled Trial of Dance for Nursing Home Residents with Moderate to Severe Dementia.” Complementary Therapies in Medicine 29 (December 2016): 4244. doi: https://doi.org/10.1016/j.ctim.2016.09.005.CrossRefGoogle Scholar
McKee, Kathleen E., and Hackney, Madeleine E.. “The Effects of Adapted Tango on Spatial Cognition and Disease Severity in Parkinson’s Disease.” Journal of Motor Behavior 45, no. 6 (2013): 519529. doi: https://doi.org/10.1080/00222895.2013.834288.CrossRefGoogle ScholarPubMed
Sacco, Katiuscia, Cauda, Franco, Cerliani, Leonardo et al. “Motor Imagery of Walking Following Training in Locomotor Attention. The Effect of ‘the Tango Lesson’.” Neuroimage 32, no. 3 (September 2006): 14411449. doi: https://doi.org/10.1016/j.neuroimage.2006.05.018.CrossRefGoogle ScholarPubMed
Manal, Zafar, Bozzorg, Ariyana, and Hackney, Madeleine E.. “Adapted Tango Improves Aspects of Participation in Older Adults versus Individuals with Parkinson’s Disease.” Disability and Rehabilitation 39, no. 22 (November 2017): 22942301. doi: https://doi.org/10.1080/09638288.2016.1226405.Google Scholar

Further Reading

Alberto, Paulina L. Black Legend: The Many Lives of Raúl Grigera and the Power of the Racial Storytelling in Argentina. Cambridge: University of Cambridge Press, 2022.Google Scholar
Apprill, Christophe. Tango: le couple, le bal, la scène. Paris: Autrement, 2008.CrossRefGoogle Scholar
Asaba, Yuiko. “‘Folds of the heart’: performing life experience, emotion, and empathy in Japanese tango music culture.” Ethnomusicology Forum 29, no. 1 (2019): 4565.CrossRefGoogle Scholar
Davis, Kathy. Dancing Tango: Passionate Encounters in a Globalizing World. New York: New York University Press, 2015.Google Scholar
Dezillio, Romina. “Historizar la experiencia. Hacia una historia de la creación musical de las mujeres en Buenos Aires (1930–1955): fundamentos, metodología y avances de una investigación.” Boletín de la Asociación Argentina de Musicología 27/68 (2012): 1827.Google Scholar
García Brunelli, Omar. Discografía básica del tango, 1905–2010: su historia a través de las grabaciones. Buenos Aires: Gourmet Musical Ediciones, 2010.Google Scholar
Graciano, Julián. Método Guitarra Tango/Tango Guitar Method. Buenos Aires: Melos, 2016.Google Scholar
Karush, Matthew. Musicians in Transit: Argentina and the Globalization of Popular Music. Durham, NC: Duke University Press, 2017.Google Scholar
Link, Kacey, and Wendland, Kristin. Tracing Tangueros: Argentine Tango Instrumental Music. New York: Oxford University Press, 2016.CrossRefGoogle Scholar
Luker, Morgan James. The Tango Machine: Musical Culture in the Age of Expediency. Chicago: Chicago University Press, 2016.CrossRefGoogle Scholar
Merritt, Carolyn. Tango Nuevo. Gainesville, FL: University Press of Florida, 2012.CrossRefGoogle Scholar
Navitski, Rielle. “The Tango on Broadway: Carlos Gardel’s International Stardom and the Transition to Sound.” Cinema Journal 51/1 (Fall 2011): 2649.CrossRefGoogle Scholar
Palomino, Pablo. The Invention of Latin American Music: A Transnational History. New York: Oxford University Press, 2020.CrossRefGoogle Scholar
Stepputat, Kendra, Kienreich, Wolfgang, and Dick, Christopher. “Digital Methods in Intangible Cultural Heritage Research: A Case Study in Tango Argentino.” ACM Journal on Computing and Cultural Heritage 12, no. 2 (2019): 123.CrossRefGoogle Scholar
Varassi Pega, Bárbara. The Art of Tango. New York: Routledge, 2021.Google Scholar
Varchausky, Igancio. El contrabajo en el tango/The Bass in Tango (in Spanish and English). Buenos Aires: Tango Sin Fin, 2018.Google Scholar
Wendland, Kristin. “So You Think You Know Tango?” Coursera Mini-MOOC, with the Emory Center for Faculty Development and Excellence, July 2019.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×