Surveying Shakespeare adaptations in Classical Hollywood from the failure of Sam Taylors Taming of the Shrew in 1929 to the final triumph of Joseph L. Mankiewicz’s Julius Caesar in 1953, this chapter looks at how Hollywood film endeavoured to become the ‘new Shakespeare’ while Shakespeare film adaptation gained the reputation for being, as Louis B. Mayer famously declared, ‘box office poison’. Focusing on the marketing of Hollywood Shakespeare adaptations, the chapter reveals how in their eagerness to please everyone, promoters of these films reveal some of the underpinning strategies for adapting Shakespeare in Classical Hollywood. ‘Exploitation’ and ‘showmanship’ (terms used in film marketing in Classical Hollywood) offer an approach to film adaptation that focuses on the consumer rather than the author, the adaptation not as interpretation but as product, not as something to be revered, but as something to be sold.