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Part V - Histories

Published online by Cambridge University Press:  06 August 2021

Benedict Taylor
Affiliation:
University of Edinburgh
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Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Blume, Friedrich. Classic and Romantic Music: A Comprehensive Survey (New York: Norton, 1970).Google Scholar
Cooper, John Michael (with Kinnett, Randy). Historical Dictionary of Romantic Music (Lanham MD: Scarecrow Press, 2013).Google Scholar
Dahlhaus, Carl. Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Mary Whittall (Berkeley and Los Angeles: University of California Press, 1980).CrossRefGoogle Scholar
Dahlhaus, Carl. Nineteenth-Century Music, trans. Robinson, J. B. (Berkeley and Los Angeles: University of California Press, 1989).Google Scholar
Einstein, Alfred. Music in the Romantic Era: A History of Musical Thought in the 19th Century (New York: W. W. Norton & Co., 1947).Google Scholar
Frisch, Walter. Music in the Nineteenth Century (New York: Norton, 2013).Google Scholar
Lang, Paul Henry. Music in Western Civilization (London: Dent, 1942).Google Scholar
Longyear, Rey. Nineteenth-Century Romanticism in Music (Englewood Cliffs, NJ: Prentice Hall, 1988).Google Scholar
Mellor, Anne (ed.). Romanticism and Feminism (Bloomington, IN: Indiana University Press, 1988).Google Scholar
Pederson, Sanna. ‘Romantic Music under Siege in 1848’, in Bent, Ian (ed.), Music Theory in the Age of Romanticism (Cambridge: Cambridge University Press, 1996), 5774.Google Scholar
Samson, Jim (ed.). The Cambridge History of Nineteenth-Century Music (Cambridge: Cambridge University Press, 2001).CrossRefGoogle Scholar
Samson, Jim (ed.). The Late Romantic Era: From the Mid-19th Century to World War I (London: Macmillan, 1991).CrossRefGoogle Scholar
Whittall, Arnold. Romantic Music: A Concise History from Schubert to Sibelius (London: Thames and Hudson, 1987).Google Scholar

Further Reading

Cook, Nicholas and Pople, Anthony (eds.). The Cambridge History of Twentieth-Century Music (Cambridge: Cambridge University Press, 2004).CrossRefGoogle Scholar
Dahlhaus, Carl. Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Whittall, Mary (Berkeley and Los Angeles: University of California Press, 1980).CrossRefGoogle Scholar
Dahlhaus, Carl Foundations of Music History, trans. Robinson, J. Bradford (Cambridge: Cambridge University Press, 1983).CrossRefGoogle Scholar
Dahlhaus, Carl Nineteenth-Century Music, transRobinson, . J. Bradford (Berkeley and Los Angeles: University of California Press, 1989).Google Scholar
Danuser, Hermann. Weltanschauungsmusik (Schliengen: Edition Argus, 2009).Google Scholar
Franklin, Peter. Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds (Berkeley and Los Angeles: University of California Press, 2014).CrossRefGoogle Scholar
Harper-Scott, J. P. E.How We Got Out of Music History, and How We Can Get Back Into It’, in Kelly, Michael J. and Rose, Arthur (eds.), Theories of History: History Read Across the Humanities (London, New York, Oxford, New Delhi, Sydney: Bloomsbury Academic, 2018), 3759.Google Scholar
Hepokoski, James. ‘The Dahlhaus Project and Its Extra-Musicological Sources’, 19th-Century Music, 14/3 (1991), 221–46.CrossRefGoogle Scholar
Hepokoski, James Sibelius: Symphony No. 5 (Cambridge: Cambridge University Press, 1993).CrossRefGoogle Scholar
Kramer, Lawrence. Musical Meaning: Toward a Critical History (Berkeley, Los Angeles: University of California Press, 2002).Google Scholar
Mauser, Siegfried and Schmidt, Matthias (eds.). Geschichte der Musik im 20. Jahrhundert: 1900–1925 (Laaber: Laaber-Verlag, 2005).Google Scholar
Meyer, Leonard B. Style and Music: Theory, History, and Ideology (Chicago: University of Chicago Press, 1989).Google Scholar
Samson, Jim (ed.). The Late Romantic Era: From the Mid-19th Century to World War I (London, Basingstoke: Macmillan Press, 1991).CrossRefGoogle Scholar
Taruskin, Richard. Music in the Early Twentieth Century, volume 4 of The Oxford History of Western Music (New York: Oxford University Press, 2005).Google Scholar
Treitler, Leo. Music and the Historical Imagination (Cambridge, MA: Harvard University Press, 1989).Google Scholar

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  • Histories
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
Available formats
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  • Histories
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Histories
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
Available formats
×