Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-fv566 Total loading time: 0 Render date: 2024-07-24T19:44:00.975Z Has data issue: false hasContentIssue false

Part I - Genealogies

Published online by Cambridge University Press:  02 March 2023

Suk-Young Kim
Affiliation:
University of California, Los Angeles
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adorno, Theodor W.On Popular Music.” In Storey, John (ed.), Cultural Theory and Popular Culture: A Reader, 197209. Dorchester: Prentice Hall, 1998.Google Scholar
An, Ikjo. “Yuhaeng gasu jwadamhoe” (A discussion with popular singers). Sinin munhak 3 (December 1934): 9297.Google Scholar
Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press, 1984.Google Scholar
Choi, Hye Eun. “The Making of the Recording Industry in Colonial Korea, 1910–1945.” PhD diss., University of Wisconsin-Madison, 2018.Google Scholar
Coulangeon, Philippe. “Social Mobility and Musical Tastes: A Reappraisal of the Social Meaning of Taste Eclecticism.” Poetics 15 (2015): 5468.Google Scholar
Couldry, Nick. Why Voice Matters: Culture and Politics after Neoliberalism (London: Sage, 2010).Google Scholar
Epstein, Stephen. “Fly the Flag (at Your Own Risk): Netizens, Nationalism and Celebrities between South Korea, Japan and Beyond.” In Sakamoto, Rumi and Epstein, Stephen (eds.), Popular Culture and Transformation of Japan-Korea Relations, 167181. London: Routledge, 2020.CrossRefGoogle Scholar
Fiske, John. “The Cultural Economy of Fandom.” In Lewis, Lisa A. (ed.), The Adoring Audience: Fan Culture and Popular Media), 3049. London: Routledge, 1992.Google Scholar
Flew, Terry. “Six Theories of Neoliberalism.” Thesis Eleven 122/1 (2014): 4971.CrossRefGoogle Scholar
Gilbert, Jeremy. “What Does Democracy Feel Like? Form, Function, Affect, and the Materiality of the Sign.” In Dahlberg, Lincoln and Phelan, Sean (eds.), Discourse Theory and Critical Media Politics, 82105. Basingstoke: Palgrave Macmillan, 2011.CrossRefGoogle Scholar
Han, Hyeonu. “Odisyeon-gwa keompeotisyeon-ui chai” (The difference between an audition and a competition). Joseon ilbo (Korea Daily), April 18, 2013, A33.Google Scholar
Hill, Annette. Restyling Factual TV: Audiences and News, Documentary and Reality Genres. London: Routledge, 2007.CrossRefGoogle Scholar
Jang, Yujeong. Norae punggyeong: Jang Yujeong-ui eumak sanmunjip (A Scenery of Songs: Essays on Music by Yujeong Jang). Seoul: Alma, 2013.Google Scholar
Jang, Yujeong. Oppa-neun punggakchaengi-ya (My brother is a street singer). Seoul: Hwanggeumgaji, 2006.Google Scholar
Joo, Kyeongmi. “Gendered Differences in Modern Korea Toward Western Luxuries.” In Pyun, K. and Wong, Y. (eds.), Fashion, Identity, and Power in Modern Asia, 143166. Cham: Palgrave Macmillan, 2018.CrossRefGoogle Scholar
Kang, Inkyu. “The Political Economy of Idols: South Korea’s Neoliberal Restructuring and Its Impact on the Entertainment Labour Force.” In JungBong, Choi and Maliangkay, Roald (eds.), K-Pop: The International Rise of the Korean Music Industry, 5165. New York: Routledge, 2015.Google Scholar
Kim, Donghwan. “In’gi gasu jwadamhoe” (A discussion of noted singers). Samcheolli (Our land) 8 (January 1936): 130.Google Scholar
Kim, Sung Sik (Kim Seongsik), and Kang, Seung Mook (Kang Seungmuk). “Odisyeon rieolliti syo ‘Seuta odisyeon widaehan tansaeng’-gwa ‘Syupeo seuta K2’-ui paendeom hyeonsang” (A study of the fandom of “Star Audition: The Great Birth” and “Superstar K2”). Eollon gwahak yeon’gu (Studies in Media Science) 12/3 (2012): 536.Google Scholar
Lee, Yongwoo. “Embedded Voices in between Empires: The Cultural Formation of Korean Popular Music in Modern Times.” Doctoral thesis, McGill University, 2010.Google Scholar
Maliangkay, Roald. “Koreans Got Talent: Auditioning for U.S. Army Gigs in Korea.” Situations: Cultural Studies in the Asian Context 11/1 (2018): 5979.Google Scholar
Maliangkay, Roald. “New Symbolism and Retail Therapy: Advertising Novelties in Korea’s Colonial Period.” East Asian History 36 (2008): 4748.Google Scholar
Maliangkay, Roald. “Not a Habitus for the Have Nots: The Walker Hill Shows, 1962–2012.” In Howard, Keith and Ingram, Catherine (eds.), Presence through Sound: Music and Place in East Asia, 148161. London: Routledge SOAS Studies in Music Series, 2020.Google Scholar
Maliangkay, Roald. “The Popularity of Individualism: The Seo Taiji Phenomenon in the 1990s.” In Kim, Kyung Hyun and Choe, Youngmin (eds.), The Korean Popular Culture Reader, 296313. Durham, NC: Duke University Press, 2014.Google Scholar
Nam, Im. “Gasu seonbal ‘kongkul’-gwa keommeo-syallijeum” (The singer selection “concours” and commercialism). Joseon Ilbo, April 25, 1940, 4.Google Scholar
Oh, Jinseok, and Kahm, Howard. “Selling Smiles: Emotional Labor and Labor-Management Relations in 1930s Colonial Korean Department Stores.” Journal of Korean Studies 23/1 (2018): 324.Google Scholar
Pak, Chanho. Han’guk gayosa (A history of Korean popular songs), vol. 1. Seoul: Mizi Books, 2009.Google Scholar
Park, Yong-Gyu. “Han’guk tellebijeon eumak beoraieotisyo-ui seongsoe: TBC-TV-ui ‘syosyosyo’-reul jungsim-euro” (The rise and fall of television musical variety shows in Korea: Focusing on TBC-TV’s “Show Show Show”). Han’guk kontencheu hakhoe nonmunji (Journal of Korea Contents Association) 14/10 (2014): 5163.Google Scholar
Song, Geumnyeong. “Geori-ui kanaria” (Street canary). Joseon ilbo, January 13, 1940, 4.Google Scholar
Storey, John. An Introduction to Cultural Theory and Popular Culture. Athens: University of Georgia Press, 1998.Google Scholar
Wada, Shigeyoshi. Dai Keijō toshi daikan [Overview of Greater Seoul]. Seoul: Chōsen shinbunsha, 1937.Google Scholar
Wong, Alyssa. Luna Snow, vol. 1. Marvel, 2019.Google Scholar
Yi, Dongsun. Beonji eomneun jumak [The tavern without a number]. Seoul: Seon, 2007.Google Scholar
Yi, Dongsun. “Iljemal gunguk gayo-ui balpyo hyeonhwang-gwa siltae” (Actual status and conditions of the release of military songs at the end of the period of Japanese colonial rule). Hanminjok eomunhak (Korean linguistics and literature studies) 59/59 (2011): 369399.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Genealogies
  • Edited by Suk-Young Kim, University of California, Los Angeles
  • Book: The Cambridge Companion to K-Pop
  • Online publication: 02 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108938075.002
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Genealogies
  • Edited by Suk-Young Kim, University of California, Los Angeles
  • Book: The Cambridge Companion to K-Pop
  • Online publication: 02 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108938075.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Genealogies
  • Edited by Suk-Young Kim, University of California, Los Angeles
  • Book: The Cambridge Companion to K-Pop
  • Online publication: 02 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108938075.002
Available formats
×