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Part III - Dancing to K-Pop

Published online by Cambridge University Press:  02 March 2023

Suk-Young Kim
Affiliation:
University of California, Los Angeles
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Publisher: Cambridge University Press
Print publication year: 2023

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References

Further Reading

Käng, Dredge Byung’chu. “Idols of Development: Transnational Transgender Performance in Thai K-Pop Cover Dance.” Transgender Studies Quarterly 1/4 (2014): 559571.CrossRefGoogle Scholar
Khiun, Liew Kai. “K-Pop Dance Trackers and Cover Dancers.” In Kim, Youna (ed.), The Korean Wave: Korean Media Go Global, 165182. Abingdon: Routledge, 2013.Google Scholar
Kim, Malborg. Korean Dance. Seoul: Ewha Womans University Press, 2005.Google Scholar
Kim, Suk-Young. K-Pop Live: Fans, Idols, and Multimedia Performance. Redwood City, CA: Stanford University Press, 2018.Google Scholar
Koeltzsch, Grit Kirstin. “Korean Popular Culture in Argentina.” In Oxford Research Encyclopedia of Latin American History (2019). https://doi.org/10.1093/acrefore/9780199366439.013.766.CrossRefGoogle Scholar
Oh, Chuyun. “From Seoul to Copenhagen: Migrating K-Pop Cover Dance and Performing Diasporic Youth in Social Media.” Dance Research Journal 52/1 (2020): 2032. https://doi.org/10.1017/S0149767720000030.Google Scholar
Oh, Chuyun. “Identity Passing in Intercultural Performance of K-Pop Cover Dance.” Journal of Intercultural Communication Research 49/5 (2020): 472483. https://doi.org/10.1080/17475759.2020.1803103.Google Scholar
Oh, Chuyun. K-Pop Dance: Fandoming Yourself on Social Media. New York: Routledge, 2022.Google Scholar
Oh, Chuyun. “Queering Spectatorship in K-Pop: The Androgynous Male Dancing Body and Western Female Fandom.” The Journal of Fandom Studies 3/1 (2015): 5978.Google Scholar
Oh, Chuyun, and Oh, David C.. “Unmasking Queerness: Blurring and Solidifying Queer Lines through K-Pop Cross-Dressing.” Journal of Popular Culture 50/1 (2017): 929.Google Scholar
Shin, Sang Mi. Ingan-eun oe chum-eul chu-neun-ga. Inryu-ui chum munhwa ko-deu ilggi. Seoul: Ewha Womans University Press, 2013.Google Scholar
Van Zile, Judy. Perspectives on Korean Dance. Middletown, CT: Wesleyan University Press, 2001 .Google Scholar

Bibliography

Anderson, Crystal S. Soul in Seoul: African American Popular Music and K-Pop. Jackson: University Press of Mississippi, 2020.Google Scholar
Cho, Michelle. “Domestic Hallyu: K-Pop Metatexts and the Media’s Self-Reflexive Gesture.” International Journal of Communication 11 (2017): 23082331.Google Scholar
Hinck, Ashley. Politics for the Love of Fandom: Fan-Based Citizenship in a Digital World. Baton Rouge: Louisiana State University Press, 2019.Google Scholar
Im, Hyeonju. “Taekwondowa kei-pap daenseu yunghapsueoge daehan yebicheyuk gyosaui gyeongheomgwa insik” (Perceptions and experiences of teacher trainees on integrating taekwondo and K-pop dance in PE classrooms). Gukgiwon taekwondo yeon-guso (Journal of the World Taekwondo Headquarters) 10/2 (2019): 111131.Google Scholar
Jung, Eun-Young. “Articulating Korean Youth Culture through Global Popular Music Styles: Seo Taiji’s Use of Rap and Metal.” In Korean Pop Music: Riding the Wave, 109122. Kent: Global Oriental, 2006.Google Scholar
Jung, Eun-Young. “The Place of Sentimental Song in Contemporary Korean Musical Life.” Korean Studies 35 (2011): 7192.Google Scholar
Kang, Dredge Byung’chu. “Idols of Development: Transnational Transgender Performance in Thai K-Pop Cover Dance.” Transgender Studies Quarterly 1/4 (2014): 559571.Google Scholar
Kang, Dredge Byung’chu. “Surfing the Korean Wave: Wonder Gays and the Crisis of Thai Masculinity.” Visual Anthropology 31/1–2 (2018): 4565.Google Scholar
Kim, Suk-Young. K-Pop Live: Fans, Idols, and Multimedia Performance. Stanford, CA: Stanford University Press, 2018.Google Scholar
Kwon, Jungmin. Straight Korean Female Fans and Their Gay Fantasies. Iowa City: University of Iowa Press, 2018.Google Scholar
Liew, Kai Khiun. “K-Pop Dance Trackers and Cover Dancers: Global Cosmopolitanization and Local Spatialization.” In Kim, Youna (ed.), The Korean Wave: Korean Media Go Global, 165181. London: Routledge, 2013.Google Scholar
Maliangkay, Roald. “The Popularity of Individualism: The Seo Taiji Phenomenon in the 1990s.” In Kim, Kyung Hyun and Choe, Youngmin (eds.), The Korean Popular Culture Reader, 296313. Durham, NC: Duke University Press, 2014.Google Scholar
Oh, Chuyun. “From Seoul to Copenhagen: Migrating K-Pop Cover Dance and Performing Diasporic Youth in Social Media.” Dance Research Journal 52/1 (2020): 2032.Google Scholar
Oh, Chuyun, and Oh, David C.. “Unmasking Queerness: Blurring and Solidifying Queer Lines through K-Pop Cross-Dressing.” The Journal of Popular Culture 50/1 (2017): 929.Google Scholar
Saeji, CedarBough T.Borrowed National Bodies: Ideological Conditioning and Idol-Logical Practices of K-Pop Cover Dance.” Transactions of the Royal Asiatic Society, Korea Branch 94/1 (2020): 4368.Google Scholar
Saeji, CedarBough T.Cosmopolitan Strivings and Racialization: The Foreign Dancing Body in Korean Popular Music Videos.” In Jackson, Andrew David and Balmain, Colette (eds.), Korean Screen Cultures: Interrogating Cinema, TV, Music and Online Games, 257292. Oxford: Peter Lang, 2016.Google Scholar
Seo, Taebeom, Gim, Yeongsuk, Gim, Yumi, Gang, Minjeong, Seo, Gyeongho, and Bak, Haechan. “Kei-pap keobeodaenseu undongi cheonsonyeon pokryeok gwanryeon simni byeonin mit byeoljung horeumon nongdoe michineun yeonghyang” (Effect of K-pop cover dance on violence-related psychological factors, blood hormones, and neurotransmitters in adolescents). Han-guk saenghwal hwan-gyeong hakhoe (The Korean Living Environmental Society) 22/5 (2015): 739746.Google Scholar
Song, Myoung-sun. Hanguk Hip Hop: Global Rap in South Korea. Cham: Palgrave Macmillan, 2019.Google Scholar
Sung, Sang-yeon. “K-Pop Reception and Participatory Fan Culture in Austria.” Cross Currents: East Asian History and Culture Review 9 (December 2013): 90104.Google Scholar

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  • Dancing to K-Pop
  • Edited by Suk-Young Kim, University of California, Los Angeles
  • Book: The Cambridge Companion to K-Pop
  • Online publication: 02 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108938075.008
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Dancing to K-Pop
  • Edited by Suk-Young Kim, University of California, Los Angeles
  • Book: The Cambridge Companion to K-Pop
  • Online publication: 02 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108938075.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Dancing to K-Pop
  • Edited by Suk-Young Kim, University of California, Los Angeles
  • Book: The Cambridge Companion to K-Pop
  • Online publication: 02 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108938075.008
Available formats
×