Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-13T16:31:36.216Z Has data issue: false hasContentIssue false

Part I - Commercial and Mainstream Theatre

Published online by Cambridge University Press:  20 August 2021

Julia Listengarten
Affiliation:
University of Central Florida
Stephen Di Benedetto
Affiliation:
Michigan State University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Abbotson, S. C. W. Modern American Drama: Playwriting in the 1950s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Adler, T. P. American Drama, 1940–1960: A Critical History. Twayne, 1994.Google Scholar
Albee, E. Remembering Arthur Miller, Bigsby, C. (ed.). Methuen, 2005.Google Scholar
Berkowitz, G. M. New Broadways: Theatre across America 1950–1980. Rowman and Littlefield, 1982.Google Scholar
Bigsby, C. Modern American Drama: 1945–2000. Cambridge University Press, 2000.Google Scholar
Halberstam, D. The Fifties. Random House, 1993.Google Scholar
Krasner, D. American Drama 1945–2000. Blackwell, 2006.Google Scholar
McConachie, B. American Theater in the Culture of the Cold War: Producing and Contesting Containment 1947–1962. University of Iowa Press, 2003.Google Scholar
Murphy, B. Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television. Cambridge University Press, 1999.Google Scholar
Petigny, A. The Permissive Society: America, 1941–1965. Cambridge University Press, 2009.Google Scholar

Select Bibliography

Arons, W.Sarah Ruhl.” In Listengarten, J. and Rosenthal, C. (eds.), Modern American Drama: Playwriting 2000–2009, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Black, C., and Friedman, S.. Modern American Drama: Playwriting in the 1990s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Grode, E. Hair: The Story of the Show That Defined a Generation. Running Press Books, 2010.Google Scholar
Harding, J. M., and Rosenthal, C. (eds.). The Sixties Center Stage: Mainstream and Popular Performances in a Turbulent Decade. University of Michigan Press, 2017.Google Scholar
Jones, C. Rise Up! Broadway and American Society from “Angels in America” to “Hamilton.” Bloomsbury Methuen, 2018.Google Scholar
Riedel, M. Razzle Dazzle: The Battle for Broadway. Simon and Schuster, 2015.Google Scholar
Sell, M. Modern American Drama: Playwriting in the 1960s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Stempel, L. Showtime: A History of the Broadway Musical Theater. W. W. Norton, 2010.Google Scholar
Wolf, S. Changed for Good: A Feminist History of the American Musical. Oxford University Press, 2011.Google Scholar
Wollman, E. Hard Times: The Adult Musical in 1970s New York City. Oxford University Press, 2012.Google Scholar

Select Bibliography

Citron, S. Sondheim and Lloyd-Webber: The New Musical. Oxford University Press, 2001.Google Scholar
Gardner, K. A. Agnes de Mille: Telling Stories in Broadway Dance. Oxford University Press, 2016.Google Scholar
Hirsch, F. Harold Prince and the American Musical Theatre. Cambridge University Press, 1989.Google Scholar
Kraut, A. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. Oxford University Press, 2015.Google Scholar
Laurents, A. Original Story By: A Memoir of Broadway and Hollywood. Knopf, 2000.Google Scholar
Woll, A. Black Musical Theatre. Da Capo Press, 1991.Google Scholar

Select Bibliography

Delgado, M., and Svich, C. (eds.). Conducting a Life: Reflections on the Theatre of Maria Irene Fornes. Smith and Kraus, 1999.Google Scholar
Fliostos, A., and Vierow, W.. American Women Stage Directors of the Twentieth Century. University of Illinois Press, 2008.Google Scholar
Oumano, E. Sam Shepard: The Life and Work of an American Dreamer. St. Martin’s Press, 1986.Google Scholar
Parks, S.-L.From Elements of Style.” In The America Play and Other Works. Theatre Communications Group, 1995.Google Scholar
Robinson, M. (ed.). The Theater of Maria Irene Fornes. Johns Hopkins University Press, 1999.Google Scholar
Schneider, A. Entrances: An American Director’s Journey. Viking Penguin, 1986.Google Scholar
Shannon, S. G. Modern American Drama: Playwriting in the 1980s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Sweet, J. The O’Neill: The Transformation of Modern American Theater. Yale University Press, 2014.Google Scholar
Vanden Heuvel, M. Modern American Drama: Playwriting in the 1970s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Young, H. (ed.). The Cambridge Companion to African American Theatre. Cambridge University Press, 2012.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×