Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-18T04:22:15.488Z Has data issue: false hasContentIssue false

Guide to Further Reading

Published online by Cambridge University Press:  05 December 2012

Timothy Parrish
Affiliation:
Florida State University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adams, Rachel.Continental Divides: Remapping the Cultures of North America. Chicago: University of Chicago Press, 2009.CrossRefGoogle Scholar
Ammons, Elizabeth.Conflicting Stories: American Women Writers at the Turn into the Twentieth Century. Oxford: Oxford University Press, 1991.Google Scholar
Arac, Jonathan.The Emergence of American Literary Narrative, 1820–1860. Cambridge, Mass.: Harvard University Press, 2005.Google Scholar
Armstrong, Nancy.How Novels Think: The Limits of Individualism from 1719–1900. New York: Columbia University Press, 2006.Google Scholar
Bahktin, M. M.The Dialogic Imagination. Translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981.Google Scholar
Baym, Nina. “Melodramas of Beset Manhood: How Theories of American Fiction Exclude Women Authors.” The New Feminist Criticism: Essays on Women, Literature, and Theory, ed. Showalter, Elaine. New York: Pantheon, 1985. 63–80.Google Scholar
Bell, Bernard W.The Contemporary African American Novel: Its Folk Roots and Modern Literary Branches. Amherst: University of Massachusetts Press, 2004.Google Scholar
Berlant, Lauren.The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, N.C.: Duke University Press, 2008.CrossRefGoogle Scholar
Bloom, Harold.How to Read and Why. New York: Scribner, 2001.Google Scholar
Bradbury, Malcom.The Modern American Novel. 2nd rev. ed. Oxford: Oxford University Press, 1992.Google Scholar
Chase, Richard.The American Novel and Its Tradition. Garden City, N.Y.: Doubleday Anchor Books, 1957.Google Scholar
Cowley, Malcolm.After the Genteel Tradition: American Writers, 1910–1930. Carbondale: Southern Illinois University Press, 1964.Google Scholar
Cowley, Malcolm.Exile’s Return: A Literary Odyssey of the 1920s. New York: Viking Press, 1951.Google Scholar
Davidson, Cathy N.Revolution and the Word: The Rise of the Novel in America. New York: Oxford University Press, 1986, rpt. 2004.Google Scholar
Dickstein, Morris.Leopards in the Temple: The Transformation of American Fiction 1945–1970. Cambridge, Mass.: Harvard University Press, 1999.Google Scholar
Dimock, Wai Chee, and Buell, Lawrence, eds. Shades of the Planet: American Literature as World Literature. Princeton, N.J.: Princeton University Press, 2007.
Douglas, Ann.The Feminization of American Culture. New York: Avon Books, 1977.Google Scholar
Edgar, Christopher, and Lenhart, Gary, eds. The Teachers and Writers Guide to Classic American Literature. New York: Teachers and Writers Collaborative 2001.
Elliott, Emory et al., eds. The Columbia History of the American Novel. New York: Columbia University Press, 1991.
Ellison, Ralph.The Collected Essays of Ralph Ellison. Ed. Callahan, John F.. New York: Modern Library, 1996.Google Scholar
Evans, Brad.Before Cultures: The Ethnographic Imagination in American Literature, 1865–1920. Chicago: University of Chicago Press, 2005.Google Scholar
Fabi, Guilia M.Passing and the Rise of the African American Novel. Urbana: University of Illinois Press, 2001.Google Scholar
Fabre, Genevieve, and Feith, Michel, eds. Temples for Tomorrow: Looking Back at the Harlem Renaissance. Bloomington: Indiana University Press, 2001.
Feidleson, Charles.Symbolism and American Literature. Chicago and London: University of Chicago Press, 1953.Google Scholar
Ferraro, Thomas J.Ethnic Passages: Literary Immigrants in Twentieth-Century America. Chicago: University of Chicago Press, 1993.Google Scholar
Fetterley, Judith.The Resisting Reader: A Feminist Approach to American Fiction. Bloomington: Indiana University Press, 1978.Google Scholar
Fiedler, Leslie A.Love and Death in the American Novel. New York: Criterion Books, 1960.Google Scholar
Fishkin, Shelley Fisher.Was Huck Black? Mark Twain and African American Voices. New York: Oxford University Press, 1993.Google Scholar
Foreman, P. Gabrielle.Activist Sentiments: Reading Black Women in the Nineteenth Century. Urbana: University of Illinois Press, 2009.Google Scholar
Gardner, Jared.Master Plots: Race and the Founding of an American Literature, 1787–1845. Baltimore: Johns Hopkins University Press, 2000.Google Scholar
Giles, Paul.Transatlantic Insurrections: British Culture and the Formation of American Literature, 1730–1860. Philadelphia: University of Pennsylvania Press, 2001.CrossRefGoogle Scholar
Hall, David D., ed. A History of the Book in America. Vols. 1–5. Chapel Hill: University of North Carolina Press, 2010.
Hicks, Granville.The Great Tradition. New York: Macmillan, 1933.Google Scholar
Hungerford, Amy.Postmodern Belief: American Literature and Religion since 1960. Princeton, N.J.: Princeton University Press, 2010.CrossRefGoogle Scholar
Hunter, J. Paul.Before Novels. New York: Norton, 1990.Google Scholar
Hutcheon, Linda.A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge, 1988.CrossRefGoogle Scholar
James, Henry.Literary Criticism: Essays on Literature, American Writers, English Writers. Ed. Edel, Leon. New York: Library of America, 1984.Google Scholar
James, Henry.Literary Criticism: French Writers, Other European Writers, The Prefaces of the New York Edition. Ed. Edel, Leon. New York: Library of America, 1984.Google Scholar
Jehlen, Myra.American Incarnation: The Individual, the Nation, and the Continent. Cambridge, Mass.: Harvard University Press, 1986.Google Scholar
Kazin, Alfred.On Native Grounds. New York: Harcourt, Brace & World, 1942.Google Scholar
Klein, Marcus.Foreigners: The Making of American Literature. Chicago: University of Chicago Press, 1981.Google Scholar
Kolodny, Annette.The Lay of the Land: Metaphor as Experience and History in American Life, and Letters. Chapel Hill: University of North Carolina Press, 1975.Google Scholar
Kundera, Milan.The Art of the Novel. Trans. Asher, Linda. New York: Grove Press, 1986.Google Scholar
Lawrence, D. H.Studies in Classic American Literature. New York: Thomas Seltzer, 1923.Google Scholar
Lewis, R. W. B.The American Adam: Innocence, Tragedy and Tradition in the Nineteenth Century. Chicago: University of Chicago Press, 1955.Google Scholar
Marx, Leo.The Machine in the Garden: Technology and the Pastoral Ideal in America. New York: Oxford University Press, 1964.Google Scholar
Matthiessen, F. O.American Renaissance: Art and Expression in the Age of Emerson and Whitman. New York: Oxford, 1941.Google Scholar
McGurl, Mark.The Novel Art: Elevations of American Fiction after Henry James. Princeton, N.J.: Princeton University Press, 2001.Google Scholar
McHale, Brian.Postmodernist Fiction. 2nd ed. London: Routledge, 1991.Google Scholar
Moretti, Franco, ed. The Novel. Vol. 1, History, Geography, Culture. Princeton, N.J.: Princeton University Press, 2007.
Moretti, Franco, ed. The Novel. Vol. 2, Forms and Themes. Princeton, N.J.: Princeton University Press, 2007.PubMed
Nadel, Alan.Invisible Criticism: Ralph Ellison and the American Canon. Iowa City: University of Iowa Press, 1988.Google Scholar
Parrish, Timothy.From the Civil War to the Apocalypse, Postmodern History and American Fiction. Amherst: University of Massachusetts Press, 2008.Google Scholar
Phillips, Dana.The Truth of Ecology: Nature, Culture, and Literature in America. New York: Oxford University Press, 2003.CrossRefGoogle Scholar
Poirier, Richard.A World Elsewhere: The Place of Style in American Literature. New York: Oxford University Press, 1966.Google Scholar
Reynolds, David S.Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. Cambridge, Mass.: Harvard University Press, 1988.Google Scholar
Showalter, Elaine.A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx. New York: Alfred A. Knopf, 2009.Google Scholar
Smith, Henry Nash.Democracy and the Novel: Popular Resistance to Classic American Writers. New York: Oxford University Press, 1978.Google Scholar
Spillers, Hortense J.Black, White, and in Color: Essays on American Literature and Culture. Chicago: University of Chicago Press, 2003.Google Scholar
Stepto, Robert B.From behind the Veil: A Study of Afro-American Narrative. Urbana: University of Illinois Press, 1979.Google Scholar
Sundquist, Eric.To Wake the Nations: Race in the Making of American Literature. Cambridge, Mass.: Harvard University Press, 1993.Google Scholar
Tabbi, Joseph.Postmodern Sublime: Technology and American Writing from Mailer to Cyberpunk. Ithaca, N.Y.: Cornell University Press, 1995.Google Scholar
Tanner, Tony.The American Mystery: American Literature from Emerson to DeLillo. Cambridge and New York: Cambridge University Press, 2000.Google Scholar
Tocqueville, Alexis de.Democracy in America. 2 vols. New York: Vintage Books, 1945.Google Scholar
Trilling, Lionel.The Liberal Imagination. New York: Viking, 1950.Google Scholar
Vidal, Gore.United States: Essays 1952–92. New York: Random House, 1993.Google Scholar
Wall, Cheryl.Worrying the Line: Black Women Writers, Lineage, and Literary Tradition. Chapel Hill: University of North Carolina Press, 2005.Google Scholar
Wertheimer, Eric.Imagined Empires: Incas, Aztecs, and the New World of American Literature. Cambridge: Cambridge University Press, 1999.Google Scholar
Williams, William Carlos.In the American Grain. New York: New Directions, 1925.Google Scholar
Wilson, Edmund.Patriotic Gore: Studies in the Literature of the American Civil War. New York: Atheneum, 1962.Google Scholar
Wirth-Nesher, Hana.Call It English: The Languages of Jewish American Literature. Princeton, N.J.: Princeton University Press, 2006.Google Scholar
Wood, James.How Fiction Works. London: Jonathan Cape, 2008.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Guide to Further Reading
  • Edited by Timothy Parrish, Florida State University
  • Book: The Cambridge Companion to American Novelists
  • Online publication: 05 December 2012
  • Chapter DOI: https://doi.org/10.1017/CCO9781139003780.032
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Guide to Further Reading
  • Edited by Timothy Parrish, Florida State University
  • Book: The Cambridge Companion to American Novelists
  • Online publication: 05 December 2012
  • Chapter DOI: https://doi.org/10.1017/CCO9781139003780.032
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Guide to Further Reading
  • Edited by Timothy Parrish, Florida State University
  • Book: The Cambridge Companion to American Novelists
  • Online publication: 05 December 2012
  • Chapter DOI: https://doi.org/10.1017/CCO9781139003780.032
Available formats
×