Book contents
- Frontmatter
- Table of Contents
- Translator's Preface
- Dedication
- Black German
- White Mother, Black Father
- Our Roots in Cameroon
- My Father's Story
- The Human Menagerie
- School
- The Reichstag is Burning
- Circus Child
- The Death of My Father
- Berlin-Karlshorst
- Undesirable
- As an “Ethiopian” in Sweden
- On My Knees in Gratitude
- The Lord is My Shepherd
- The Nuremberg Laws
- War Begins
- Hotel Excelsior
- Munich
- Hotel Alhambra
- Cinecittà
- Münchhausen
- Thoughts Are Free
- Forced Laborer
- New Quarters
- Air Raid
- Fear, Nothing but Fear
- Aryans
- A Miracle
- Liberated! Liberated?
- The Russians
- Dosvidanya
- Victors and Non-Victors
- Mixed Feelings
- Lessons in Democracy
- Displaced Person
- A Fateful Meeting
- An Excursion
- A New Family
- Butzbach
- Disasters Big and Small
- A Job with the US Army
- A Meeting with Some “Countrymen”
- Show Business
- Reunion with My Brother and Sister
- Workless
- Theater
- Radio
- Television
- Hard Times
- In the Sanatorium
- A Poisoned Atmosphere
- An Opportunity at Last
- The Decolonization of Africa
- Studying in Paris
- A New Beginning
- The Afrika-Bulletin
- Terra Incognita
- African Relations
- In My Father's Homeland
- Officer of the Federal Intelligence Service
- A New Afro-German Community
- Experiences
- Light and Dark
- Homestory Deutschland
- A Journey to the (Still) GDR
- Back to the Theater
- Loss and Renewal
- Last Roles
- Reflecting on My Life
- Thanks
- Explanatory Notes
- Chronology of Historical Events
- Further Reading in English
A Meeting with Some “Countrymen”
from Black German
- Frontmatter
- Table of Contents
- Translator's Preface
- Dedication
- Black German
- White Mother, Black Father
- Our Roots in Cameroon
- My Father's Story
- The Human Menagerie
- School
- The Reichstag is Burning
- Circus Child
- The Death of My Father
- Berlin-Karlshorst
- Undesirable
- As an “Ethiopian” in Sweden
- On My Knees in Gratitude
- The Lord is My Shepherd
- The Nuremberg Laws
- War Begins
- Hotel Excelsior
- Munich
- Hotel Alhambra
- Cinecittà
- Münchhausen
- Thoughts Are Free
- Forced Laborer
- New Quarters
- Air Raid
- Fear, Nothing but Fear
- Aryans
- A Miracle
- Liberated! Liberated?
- The Russians
- Dosvidanya
- Victors and Non-Victors
- Mixed Feelings
- Lessons in Democracy
- Displaced Person
- A Fateful Meeting
- An Excursion
- A New Family
- Butzbach
- Disasters Big and Small
- A Job with the US Army
- A Meeting with Some “Countrymen”
- Show Business
- Reunion with My Brother and Sister
- Workless
- Theater
- Radio
- Television
- Hard Times
- In the Sanatorium
- A Poisoned Atmosphere
- An Opportunity at Last
- The Decolonization of Africa
- Studying in Paris
- A New Beginning
- The Afrika-Bulletin
- Terra Incognita
- African Relations
- In My Father's Homeland
- Officer of the Federal Intelligence Service
- A New Afro-German Community
- Experiences
- Light and Dark
- Homestory Deutschland
- A Journey to the (Still) GDR
- Back to the Theater
- Loss and Renewal
- Last Roles
- Reflecting on My Life
- Thanks
- Explanatory Notes
- Chronology of Historical Events
- Further Reading in English
Summary
It was not long after Gabriele was born and Friedel was still in the hospital in Bad Nauheim, when the Althoff Circus arrived in Butzbach for a few days. Of course I went to the matinee with Roy, who was already walking. It was the first circus performance that I went to after the war.
The program included a group of trapeze artists; they were called the Burketts. I didn't know them. They were obviously “countrymen” and they put on an excellent show. I was full of enthusiasm and decided to take Roy to visit the performers in their caravan after the show. I introduced myself, and we were greeted warmly. Then we tried to work out whether we had any contacts from the past, but nothing came up except a few names that we all knew. The Burketts were an old performing family. They included the father, Alfred, who was white, the Afro-German mother, Lilly, and their children, Charly and Manuela. There was also Waldemar, Waldi for short, a brother of Lilly, who was the catcher in the trapeze act.
They had survived the war in Wuppertal. Alfred had been called up to the army early and returned badly wounded. He had built up the acts again systematically with his family, but he himself now performed as a clown on the ground rather than on the trapeze. We chatted happily for about an hour, and then they had to go to their evening show and I had to take my son home. This brief encounter would later have very positive unexpected consequences for me.
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- Black GermanAn Afro-German Life in the Twentieth Century By Theodor Michael, pp. 133Publisher: Liverpool University PressPrint publication year: 2017