Book contents
- Frontmatter
- Contents
- List of Figures and Tables
- Note on the Derek Brewer Prize
- General Editors’ Preface
- List of Contributors
- List of Abbreviations
- 1 The Inaugural Derek Brewer Essay Prize: Animals at the Feast: Strange Strangers and Courtly Power in The Wedding of Sir Gawain and Dame Ragnelle
- 2 The Kindred of a Boy without a Father: Merlin’s British Forebears and Irish Cousins
- 3 Geoffrey of Monmouth’s Subtle Subversion: Active Double- Voiced Discourse in the Historia regum Britanniae
- 4 ‘Cornwall, up in the North’: Geography and Place Names in the Source of the Old Icelandic Brut
- 5 Enacting Arthurianism in the Order of the Garter and Sir Gawain and the Green Knight
- 6 Deviants and Dissenters: Theorizing Shame and Punishment in Malory’s Morte
- 7 Loyalty and Worshyp in Conflict in Malory’s Lancelot
- 8 Emotional Inheritance in Malory’s Morte Darthur: Shame and the Lott–Pellinore Feud
- 9 Navigating and Indexing Arthurian Romance in Benoît Rigaud’s Edition of Lancelot du Lake (1591)
- 10 ‘A great many strange puppets’: Queen Caroline, Merlin’s Cave, and Symbolic Arthurianism in the Age of Reason
- 11 How Galahad Regained his Virginity: Dead Women, Catholicism and the Grail in Nineteenth-Century British Poetry
- Notes
- Miscellaneous Endmatter
8 - Emotional Inheritance in Malory’s Morte Darthur: Shame and the Lott–Pellinore Feud
Published online by Cambridge University Press: 10 January 2024
- Frontmatter
- Contents
- List of Figures and Tables
- Note on the Derek Brewer Prize
- General Editors’ Preface
- List of Contributors
- List of Abbreviations
- 1 The Inaugural Derek Brewer Essay Prize: Animals at the Feast: Strange Strangers and Courtly Power in The Wedding of Sir Gawain and Dame Ragnelle
- 2 The Kindred of a Boy without a Father: Merlin’s British Forebears and Irish Cousins
- 3 Geoffrey of Monmouth’s Subtle Subversion: Active Double- Voiced Discourse in the Historia regum Britanniae
- 4 ‘Cornwall, up in the North’: Geography and Place Names in the Source of the Old Icelandic Brut
- 5 Enacting Arthurianism in the Order of the Garter and Sir Gawain and the Green Knight
- 6 Deviants and Dissenters: Theorizing Shame and Punishment in Malory’s Morte
- 7 Loyalty and Worshyp in Conflict in Malory’s Lancelot
- 8 Emotional Inheritance in Malory’s Morte Darthur: Shame and the Lott–Pellinore Feud
- 9 Navigating and Indexing Arthurian Romance in Benoît Rigaud’s Edition of Lancelot du Lake (1591)
- 10 ‘A great many strange puppets’: Queen Caroline, Merlin’s Cave, and Symbolic Arthurianism in the Age of Reason
- 11 How Galahad Regained his Virginity: Dead Women, Catholicism and the Grail in Nineteenth-Century British Poetry
- Notes
- Miscellaneous Endmatter
Summary
Trauma, it has been discovered, may be passed down generationally. This ‘trans-generational adaptation’ is defined as a response to recurring oppression or violence, inherited through behaviours exhibited within the family or the community. The emotions associated with transgenerational trauma are social hostility, mistrust, and shame. These emotions also appear in the generational dynamics that lead to three dishonourable deaths at the center of Malory's Morte Darthur, those of King Pellinore, Queen Morgause, and Sir Lamorak. King Pellinore is Lamorak's father, and Gawain, Gaheris, Aggravain, and Gareth are the sons of King Lot and Queen Morgause. Proceeding in the chronological rather than the narrative order of the murders, Pellinore is killed when Gawain and Gaheris set upon him. Queen Morgause is decapitated by her son, Gaheris, when found in bed with Pellinor's son, Lamorak. Finally, Lamorak is hewn down by Lot and Morgause's sons, except for Gareth. All of the deaths are flagrant violations of chivalric culture and specifically of Malory's Round Table code, and all are motivated by shaming acts involving parents or relatives of the elder generation. Although hostility and mistrust can certainly be attributed to Gawain and his brothers as they engage with Pellinore and Lamorak, it is primarily shame that drives their actions. My argument focuses on shame as an emotional inheritance that affects Lot and Morgause's sons and Arthur's reign. I examine the links between Malory's use of shame language and its medieval philosophical background; the brothers’ double sense of shame, inherited from their father and mother; active and passive shame displayed in Morgause's death; and the Orkney princes’ self-shaming in their murders of Pellinore and Lamorak. The negative repercussions of the Orkneys’ shame trouble Arthur's reign from the beginning to the end of Malory's ‘hoole book’.
From the Classical and Medieval Inheritance to Malory
For current English speakers, shame is an unpleasant emotion, associated with humiliation and guilt, caused by wrongdoing and/or moral transgression, and sometimes experienced vicariously. Although psychologists and historians of emotion note wide cultural differences in understanding shame, the features listed above are shared with past formulations of shame in the west.
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- Information
- Arthurian Literature XXXVIII , pp. 209 - 235Publisher: Boydell & BrewerPrint publication year: 2023