ON THE COVER OF the most recent German edition of Kurban Said's 1937 novel Ali and Nino is a black-and-white picture of a woman who is identified on the book's copyright page as Elfriede von Ehrenfels von Bodmershof. The same edition contains the following statement about the text's author(s):

The authorship of Elfriede von Ehrenfels—the woman on the cover— is given as certain, while the adverb “presumably” (vermutlich) suggests that Lev (Leo) Nussimbaum's role in the text's genesis only can be assumed. The slightly pejorative term “coffee-house-litterateur” (Kaffeehausliterat) describes Nussimbaum, while “publicist” (Publizistin) in German evokes intellectual seriousness and professionalism. Something similar is going on in the afterword to the Englishlanguage paperback edition of Ali and Nino, published in 2000. The afterword was penned by Dr. Heinz Barazon, a lawyer for Leela Ehrenfels, Elfriede von Ehrenfels's niece and the current copyright holder of Ali and Nino. Barazon claims that Kurban Said is a pseudonym for two people, Elfriede von Ehrenfels and Lev Nussimbaum, that the original idea for the novel may have been Nussimbaum's, and that the book is “almost certainly” the product of cooperation between the two. He concludes, “Which sections of the novel are the work of which author remains an unsolved mystery” (282). The idea that Ali and Nino is the product of the work of two authors is a rather new one. Interestingly, the English-language edition of Ali and Nino published in 1970 mentions only one author: “A man who was, by nationality, a Tartar. He escaped from his own country to Vienna and was forced to flee again when the Nazis came.