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- Introduction
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- Copyright
- Copyright © International Federation for Theatre Research 1996
References
Notes
1. Kruger, Loren, The National Stage: Theatre and Cultural Legitimation in England, France and America (Chicago: University of Chicago Press, 1992), p. 3.Google Scholar
2. Ibid., p. 13.
3. Ibid., p. 27.
4. Ibid., p. 127.
5. Snead, James, ‘European pedigrees/African contagions: nationality, narrative, and community in Tutuola, Achebe, and Reed’, Nations and Narrations, ed. Bhabha, Homi K. (London: Routledge, 1990 [rpt 1994]), pp. 235–6.Google Scholar
6. Ibid., p. 233.
7. Kruger, p. 130.
8. Homi K. Bhabha, The Location of Culture (London: Routledge, 1994), p. 12.
9. Ibid., p. 21.
10. Ibid., p. 27.
11. Ibid., p. 27–8.
12. Ibid., p. 37.
13. Ibid., p. 67.
14. Ibid., p. 75.
15. Ibid., p. 86.
16. Ibid., p. 87.
17. During, Simon, ‘Literature—Nationalism's other? The case for revision’, Nation and Narration, ed. Bhabha, Homi K. (London: Routledge, 1990 [rpt 1994]), p. 139.Google Scholar
18. Gunew, Sneja, ‘Denaturalizing cultural nationalisms: multicultural readings of “Australia”’, Nation and Narration, ed. Bhabha, Homi K. (London: Routledge, 1990 ‘rpt 1994’), p. 111.Google Scholar
19. Bhabha, Homi K., The Location of Culture (London: Routledge, 1994), p. 155.Google Scholar The wording here is a revision of the paper published initially in Bhabha, Homi K., ‘DissemiNation’, Nature and Narration, ed. Bhabha, Homi K. (London: Routledge, 1990 [rpt 1994]), p. 305.Google Scholar