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Popular Music in the Post-Digital Age: Politics, Economy, Culture, and Technology. Edited by Ewa Mazierska, Les Gillon and Tony Rigg. New York: Bloomsbury, 2019. 304 pp. ISBN: 978-1-5013-3837-3

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Popular Music in the Post-Digital Age: Politics, Economy, Culture, and Technology. Edited by Ewa Mazierska, Les Gillon and Tony Rigg. New York: Bloomsbury, 2019. 304 pp. ISBN: 978-1-5013-3837-3

Published online by Cambridge University Press:  01 April 2020

Ellis Jones
Ellis Jones*
Affiliation:
University of Oslo
*
e.n.jones@imv.uio.no
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Popular Music , Volume 39 , Issue 1 , February 2020 , pp. 146 - 148
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Copyright © The Author(s), 2020. Published by Cambridge University Press

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References

Drott, E. 2015. ‘Rereading Jacques Attali's Bruits’, Critical Inquiry, 41/4, pp. 721–56CrossRefGoogle Scholar
Hesmondhalgh, D., and Meier, L.M. 2018. ‘What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector’, Information, Communication & Society, 21/11, pp. 1555–70CrossRefGoogle Scholar
Prior, N. 2015. ‘Beyond Napster: popular music and the normal internet’, in Bennett, A. (ed.), The Sage Handbook of Popular Music (London, Sage),pp. 493–507Google Scholar