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  3. The New Cambridge Shakespeare

The New Cambridge Shakespeare appeals to readers worldwide for its up-to-date scholarship and emphasis on performance. The series, edited by an expert international team, includes all Shakespeare's plays, sonnets and poems, presented in attractively designed volumes. • Modern-spelling texts have been freshly established by each editor according to modern scholarly principles, distinguishing carefully between alternative quarto and Folio readings • Lively introductions provide information on the date of composition, the theatrical and political context, sources, themes, language, critical reception and performance history • Informative illustrations give life to each play and cast light on a wide spectrum of historical, social and theatrical issues. Recreations of Shakespeare's stage and photographs from recent productions are included• Valuable commentary at the foot of each page explains word-meaning and allusions. • Precise details of staging and performance help students visualise the plays in action.• Stylish and spacious page layout preserves an uncluttered text and allows room for the user's annotations.For further details of the individual books available in New Cambridge Shakespeare, and to view pages from each book, please go to www.cambridge.org/ncs.

  • General Editors: Brian Gibbons, University of Münster
  • Associate Editors: A. R. Braunmuller, University of California, Los Angeles

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44 results in The New Cambridge Shakespeare

Page 3 of 3

The Second Part of King Henry VI
  • William Shakespeare
  • Edited by Michael Hattaway
  • Published online:
    16 August 2019
    Print publication:
    27 June 1991
  • The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries, textual notes on the plays and poems and an extensive Introduction. Shakespeare's plays about the reign of King Henry VI were written at the beginning of his career. A recent series of outstanding productions has demonstrated their theatrical vitality, and their sceptical questioning of Elizabethan orthodoxies has been understood through revisionist readings of the history of Shakespeare's own times. The Wars of the Roses haunted the Elizabethans. Among many accounts, Shakespeare's was the most ambitious, dramatically innovative and radical. The Second Part of King Henry VI is concerned with the nature of history, the role of conscience and the relation between law and equity. It contains a complex reading of a popular uprising, led by Jack Cade.

The First Part of King Henry VI
  • William Shakespeare
  • Edited by Michael Hattaway
  • Published online:
    16 August 2019
    Print publication:
    23 April 1990
  • The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Shakespeare's plays about the reign of King Henry VI were written at the beginning of his career. A recent series of outstanding productions has demonstrated their theatrical vitality, and their sceptical questioning of Elizabethan orthodoxies has been understood through revisionist readings of the history of Shakespeare's own times. The First Part of King Henry VI, which gives us Shakespeare's portrait of Joan of Arc, is revealed as a successful venture in its own exploratory style, and as a necessary account of key events in the Hundred Years War without which the Wars of the Roses, anatomised in the following two plays, cannot be understood.

King John
  • William Shakespeare
  • Edited by L. A. Beaurline
  • Published online:
    16 August 2019
    Print publication:
    30 March 1990
  • The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by L. A. Beaurline, the New Cambridge Shakespeare edition of King John offers the most complete account to date of the play's stage history, with accompanying illustrations to demonstrate its dramatic potential. Although King John fell out of fashion by the end of the nineteenth century, Beaurline shows how its political importance, rich and varied language, and skilful design suggest that it should occupy a prominent position among Shakespeare's historical tragedies. In the Appendix, Beaurline surveys the arguments about the dating of the play and the anonymous Troublesome Reign of King John, and presents new evidence to support the view that Shakespeare's play was written first.

King Henry VIII
  • William Shakespeare
  • Edited by John Margeson
  • Published online:
    16 August 2019
    Print publication:
    23 February 1990
  • The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by John Margeson, King Henry VIII appears here for the first time in a New Cambridge Shakespeare edition. In his introduction Margeson explores the political and religious background to the play, its pageant-like structure and visual effects, and its varied ironies. He also discusses its stage history, from the famous occasion in 1613 when the Globe theatre burned down during a performance of King Henry VIII to important theatrical productions of the late twentieth century. A balanced account is provided of the authorship controversy that arose in the nineteenth century, when John Fletcher's name was first put forward as a likely collaborator.

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