We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Between the 1870s and the 1930s in England an unprecedented number of women writers entered the public sphere as essayists. Whereas George Eliot established the Victorian ‘woman of letters’ as a commanding presence, a generation later the New Woman arose as a complex figure shaping ‘The Woman Question’ for twentieth-century writers like Virginia Woolf. This period between the Victorian and modernist eras saw an increase in women’s political writing on suffrage and the anti-war movement. Yet, the literary place of women’s protest writing in this period remains opaque. Focusing on Woolf’s experiments with a hybrid ‘novel-essay’ in The Years and Three Guineas alongside Vernon Lee’s political essays as precursors, this chapter argues that the modern literary essay developed in tandem with the protest essay. This approach allows for a consideration of the political stakes and achievements of hybrid experiments with the essay that revealed the inseparability of politics and aesthetics.
Amid imperial expansion in the nineteenth and early twentieth centuries, white settlers were a tiny minority in most newer colonies, and in some cases, a non-white middle class arose that was educated in the colonizer's language and political system. This produced three main outcomes. (1) White settlers became a sizable minority in certain parts of Africa, which yielded electoral representation. Settler-minority regimes strongly opposed political rights for non-whites. (2) Settlers reversed their support for electoral institutions when their dominance was threatened. In the British West Indies in the mid-nineteenth century, white planters responded to the prospect of political control by Black politicians by disbanding their elected legislatures and accepting direct British Crown rule. (3) In some colonies with few settlers, a non-white middle class educated in the colonizer's language emerged. These elites were especially strong in the major port cities in South Asia and West Africa, and in colonies with emancipated slaves. Non-white elites in these areas gained representation by the 1920s, although with limited autonomy and a narrow franchise.
This chapter develops a theoretical framework centered on three actors: metropolitan officials, white settlers, and non-Europeans. Colonists could pressure the colonial state through lobbying/agitation, nonparticipation, and revolt; and metropolitan officials could respond by offering electoral concessions. What mattered? (1) Metropoles with pluralistic institutions should be more responsive to demands for electoral representation. (2) Sizable white settlements should trigger early electoral institutions (prodemocratic effect), but resistance by smaller settler minorities to franchise expansion could undermine the democratic foundations created by early elections (antidemocratic effect). (3) Where local elites were weak, non-Europeans should not gain early elections. Instead, they would move rapidly to mass-franchise elections with high autonomy after World War II, when the threat of revolt spiked. In cases with a large non-white middle class, we expect early elections with small franchises and low autonomy, which should broaden peacefully over time. Finally, cases with a national monarch should correspond with high autonomy but without meaningful electoral bodies.
Colonial electoral institutions influenced postindependence democracy levels. (1) Lengthy democratic exposure under colonialism usually produced stable postcolonial democracies. Often, a non-white middle class pushed for and participated in elections for multiple decades prior to independence. Early colonial elections involved a tiny segment of the population, but electoral reforms deepened over time and yielded institutionalized parties. After independence, institutionalized parties and democratically socialized elites acted as a buffer against military coups and executive power grabs. Some settler colonies followed this path as well. (2) Many colonies inherited democratic-looking institutions at independence, but these institutions reflected relatively shallow, post-WWII concessions. Few colonies with short colonial pluralism were democratic within a decade of independence, although some experienced post-Cold War democratization episodes. (3) Other colonies gained no meaningful electoral experience. Regimes established by successful anticolonial rebels and monarchies monopolized military power and constructed durable authoritarian regimes after independence.
This chapter summarizes the main findings thematically, including the theory (actors, goals, and strategic options), the pluralism of metropolitan institutions, the dual effects of white settlers, pressure from non-Europeans, and postcolonial persistence. We also develop broader implications for numerous segments of the democratization literature, including top-down democratic transitions, social classes and democratization, democratic sequencing, dominant-party democracies, non-Western institutions and democracy, and international democracy promotion.
Prospects for successful mass revolts increased dramatically after 1945, but the pace of reform and approaches to decolonization varied. Some colonizers moved to mass-franchise elections and high autonomy, ending with formal independence – whereas others sought to cling to power. This yielded three main outcomes. (1) Franchise size and legislative autonomy expanded rapidly in most colonies ruled by democratic powers. These processes tended to occur earlier when left-wing governments were in power, who were less tied to the colonial project. (2) White settler elites and the governing class in authoritarian metropoles opposed empowerment for non-whites, who they perceived as an existential threat to their social status and economic rents. This prompted anticolonial revolts by disenfranchised Africans and Arabs. (3) Colonial officials sometimes granted autonomy to nonelectoral institutions if doing so would avoid revolt and be acceptable to metropolitan opinion. This desire led to a distinct type of authoritarian decolonization, prevalent among British colonies, in which the colonizer handed off power to a national monarch.
Why are some countries more democratic than others? For most non-European countries, elections began under Western colonial rule. However, existing research largely overlooks these democratic origins. This book analyzes a global sample of colonies across four centuries to explain the emergence of colonial electoral institutions and their lasting impact. The degree of democracy in the metropole, the size of the white settler population, and pressure from non-Europeans shaped the timing and form of colonial elections. White settlers and non-white middle classes educated in the colonizer’s language usually gained early elections, but settler minorities resisted subsequent franchise expansion. Authoritarian metropoles blocked elections entirely. Countries with lengthy exposure to competitive colonial institutions tended to consolidate democracies after independence. By contrast, countries with shorter electoral episodes usually shed democratic institutions, and countries that were denied colonial elections consolidated stable dictatorships. Regime trajectories shaped by colonial rule persist to the present day.
Before the nineteenth century, most European colonies were located in the New World. British colonies experienced more electoral competition because of parliamentary institutions at home. British-settled colonies in North America, the West Indies, and Oceania routinely gained fully elected assemblies shortly after settlement. However, the early British empire was far from democratic: voting rights were confined to white property-owning men, London occasionally pushed back on settlers’ policymaking autonomy (prompting the American Revolution), and colonies with Catholic or convict populations experienced long delays before gaining electoral representation. Prior to the French Revolution, colonists in the French, Spanish, and Portuguese empires lacked electoral representation beyond the municipal level. Afterward, political transformations in authoritarian metropoles triggered reforms to colonial institutions. France fluctuated between democratic and authoritarian institutions after the French Revolution, and colonial institutions closely tracked metropolitan patterns. Spain and Portugal engaged in abortive electoral reforms in their colonies, which preceded the dissolution of their American empires.
This chapter explores William Morris’s developing views about the ‘woman question’ across his life, focusing in particular on his comments within press interviews, his literary works, and his interpersonal relationships, be this with employees, friends, or family. It considers the past scholarship on this topic, which has tended to focus on debating whether Morris can be considered a ‘feminist’ or not. It emphasises that although Morris agreed in the need for adult suffrage for all and at times actively promoted progressive causes such as equal pay and the need for sexual freedom (even within marriage), he did still believe women had different roles to play to men in society, although these views could be inchoate and ill defined. The chapter showcases how Morris’s views were shaped by the male-orientated networks he inhabited in his political and professional life and by contemporary anxieties about the supposed effeminacy of artistic men. Moreover, it examines his views in relation to others within the networks of fellowship which made up the socialist and women’s movements, to situate and compare his views, and to best explore how Morris’s writings and ideas contributed to public discourse about women and gender at the brink of the twentieth century.
Why are some countries more democratic than others? For most non-European countries, elections began under Western colonial rule. However, existing research largely overlooks these democratic origins. Analyzing a global sample of colonies across four centuries, this book explains the emergence of colonial electoral institutions and their lasting impact. The degree of democracy in the metropole, the size of the white settler population, and pressure from non-Europeans all shaped the timing and form of colonial elections. White settlers and non-white middle classes educated in the colonizer's language usually gained early elections but settler minorities resisted subsequent franchise expansion. Authoritarian metropoles blocked elections entirely. Countries with lengthy exposure to competitive colonial institutions tended to consolidate democracies after independence. By contrast, countries with shorter electoral episodes usually shed democratic institutions and countries that were denied colonial elections consolidated stable dictatorships. Regime trajectories shaped by colonial rule persist to the present day.
The issue of the civil rights of women and more generally of the role of women in public life is another great issue where the importance of rhetoric has been felt by both the advocates of the womens movement and its critics. This section consists of a selection of speeches that mimics the contentious character of this question. The speakers include Sojourner Truth, Susan Anthony, Joseph Jewell Dodge, Lucy Parkman Scott, Gloria Steinem, Phyllis Schlafly, Samantha Powers, and Christina Hoff Sommers.
Twentieth-century feminist activism and thought spread with an urgency and ambition unseen before, as advocates for women achieved mass recognition, unsettled long-held convictions, and upset the status quo in ways unimaginable in previous centuries. No novel genre escaped these changes or failed to register them. Feminist politics reshaped the content, and sometimes the form, of the novel. Yet, dramatic as the expansion of US women’s opportunities was, progress was never unchallenged or universal. Feminist political gains inspired significant backlash: Patriarchy supporters fought back. Meanwhile, feminist organizing fractured from within. Before the twentieth century even began, women of color were explaining why they couldn’t be expected to identify only as women, as if all women belonged in a single category. Their message often went unheeded, particularly in the most widely circulated versions of feminist thought, which elevated white middle-class experiences over those of working-class, Indigenous, Black, Latina, and Asian women. Throughout the century, narratives by women of color pushed back against the white supremacist version of feminism. The American novel narrated multiple feminisms, triumphant and defeated, jubilant and anguished, razor-focused and utterly lost.
A history of Shakespeare in wartime could not be complete without including an object representing the only built memorial in London for Shakespeare’s Tercentenary of 1916, the Shakespeare Hut for servicemen on leave in London. However, material traces of this extraordinary building are extremely scarce. Focusing for the first time on the material and paradigmatic significance of one surviving object from this building and a sister document, this essay examines a paper programme that epitomizes the multilayered significance of women’s Shakespearean performance in wartime. This programme presents an evening of Shakespearean speeches, scenes, and songs, performed by diverse practitioners from theatre superstar Ellen Terry to a troupe of teenaged girls from Miss Italia Conte’s school. Terry kept a copy of this piece of ephemera for the rest of her life. The programme’s flimsy physical form (a small, folded piece of thin paper) reveals how necessary wartime austerity contrasts starkly with the cornucopia of star talent and entertainments presented within, reminding us of the ephemeral and uniquely transient nature both of wartime performance and of the specific fragility and rarity of material traces of women’s wartime Shakespeare production.
Alva Belmont and Elsa Maxwell's Melinda and Her Sisters (1916) is a little-known work promoting women's suffrage, which was publicly performed only once in New York City. It was advertised as an operetta, a decision which minimised its overt stylistic and functional similarities to other genres of popular musical theatre from the period, namely, musical comedy and pageantry. Framed through Jeffrey Kallberg's concept of genre as a ‘gesture of labeling’, this article asks what could be gained – artistically, financially and politically – by Belmont and Maxwell's invocation of operetta and by their disavowal of other appropriate genre alternatives. I argue that the strategy reflects their fundraising priorities, the attitudes of their intended audience, and the social, political and artistic climates that constrained women's activities. This case study offers genre as a productive lens through which to interpret gynocentric musical production and performance.
Having explored the extensive amount of high-profile, large-scale theatrical activity at Bournville that took place before the factory’s first dramatic society was established in 1912, Chapter 5’s focus is the emergence of this group, its key players, and the connections between the society, Birmingham Repertory Theatre, and the city’s wider cultural networks. Cadbury’s first recreational theatrical society proved a useful resource for the firm, and its repertoire, personnel, wartime activity, and programmed appearances at Bournville functions are explored alongside the challenges faced by leaders and members.
At first glance, international arbitration—a legalistic method for the peaceful settlement of disputes among nations—may seem like a topic belonging only to the formal, male-dominated realms of diplomacy and international law. Most men in the late nineteenth century certainly thought so, and many historians since have treated it as such. But prominent women like May Wright Sewall and Belva Lockwood, and mass organizations like the Woman’s Christian Temperance Union, took a lively interest in the subject in the 1890s. In that interest lay the roots of women’s foreign policy activism that led to their participation in debates over the War of 1898 and their peace efforts during and after World War I. International arbitration appealed to women because it complemented their better-known campaigns for temperance, suffrage, and other causes. As a more “civilized” method of resolving conflicts, arbitration was both a symbol of and a prerequisite for a more advanced, temperate, and equal society. It thus became a key component of women’s arguments for inclusion in the public and political life of the nation.
Chapter one examines the impacts of Irish nationalism in British centres during the Home Rule crisis, from the Irish Party’s Home Rule campaign to the Irish Volunteers’ preparations for civil war. It profiles the political languages and cultures of the ‘British’ Home Rule movement; examines the influence of extra-parliamentary crises - Ulster unionist, suffragist, trade unionist – on Irish nationalist identity in British centres; and assesses the militancy, and constitutional impacts, of advanced nationalist activism in metropolitan Britain by July 1914. Between 1912 and 1914, this chapter submits, the Irish Parliamentary Party presented ‘two faces’ of Home Rule - towards British political opinion and Irish nationalist opinion in Britain. John Redmond and the I.P.P., critically, were ‘representative’ of ‘British-Ireland’ and were embedded in the mainstream political cultures of Edwardian Britain on the eve of war. Irish activists in British cities, however, were radicalised by the extra-parliamentary representations of late Edwardian politics, straining the ideological coherence of, and popular adherence to, the I.P.P.’s proto-electoral strategy. The proliferation of Irish Volunteer units in British centres threatened to spark an Irish civil war on mainland Britain. The militarisation of Irish nationalism, in conclusion, constituted one of the ‘surface excitements’ of Edwardian Britain.
The year 1919 saw an unprecedented wave of female activism unleashed by women who collectively decried the exclusion of ’half of humanity’ from the peace negotiations. Promises of a new international order rooted in self-determination, popular sovereignty and social justice served as the catalyst for these women: suffragists, pacifists, labour activists, pan-Africanists and anti-colonialists from Europe, North America, India, Korea, Egypt, China and beyond. Throughout 1919, they congregated in meeting halls and marched in the streets, demanding a voice in the peace negotiations and insisting on representation in democratic states and the new institutions of global governance. In their vision, a just and secure international order depended as much on safeguarding the rights of individuals as it did on facilitating the peaceful coexistence of nations. The result of their activism was an ever-expanding and intersecting network of women’s organisations dedicated to securing gender equality around the world
Churchill is often ranked as one of the most hated figures in Irish history but he was also one of the most influential politicians in shaping relations both within and between Britain and Ireland. Churchill played a formative role in the ‘Irish Question’. At the beginning of his career he was a Unionist, inheriting his father’s sympathy for Ulster, but converted to Home Rule. The chapter contrasts the impact of social reforms in helping Irish pensioners with the role of Irish suffragettes in defeating Churchill at Manchester in 1908. It looks at how he tried to navigate between the Unionists and nationalists in the Edwardian era, before showing how the war (including Irish losses at Gallipoli) led to rebellion. Thereafter, Churchill pursued a dual strategy of repression and negotiation and played a key role in the Anglo-Irish Treaty and the subsequent events surrounding partition. His belligerence has tended to overshadow the multi-faceted ways he dealt with and thought about the Irish.
Latin America in 1870–1930 initiated many modernization projects, and “First Wave” feminism resulted from expanded education, a modernizing strategy. Feminism engaged in emancipation strategies and legal and labor reforms. Suffrage was not its primary aim. Periodicals showed feminism’s impact in culture, commerce, civil rights, and public health, and films showed women in daring roles. Early leaders were professionals (Moreau de Justo) and labor activists (Capetillo, Muzzili). Feminism was first successful in cities (São Paulo, Buenos Aires), changing education, labor practices, and child protection. The Mexican Revolution produced new contexts for women in the arts (Campobello). The US presence in Cuba and Puerto Rico reordered Caribbean racial and social hierarchies. Women writers and activists of varied social classes, feminist or not, showed the costs and benefits of urbanization, family, and immigration. Teaching and writing allowed “middlebrow” access to the public sphere (Mistral, Storni). Literature brought women’s issues to the public sphere.