This chapter examines the ways in which Grand Tour narratives developed through the seventeenth and eighteenth centuries, and contributed to the conception of Europe in that period. It includes Joseph Addison’s Remarks on Several Parts of Italy &c (1705), Laurence Sterne’s A Sentimental Journey Through France and Italy (1768), and Mary Wollstonecraft’s Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) and argues that in the later eighteenth century the description of Europe via a part (classical Italy) gives way to an emphasis on the particular. Recent critical attention to slowness, microspection and proximate ethnography in travel writing studies is applied to Grand Tour sentimentalism and satire in order to propose the value of reading such texts as examples of vertical travel. Late eighteenth- and early nineteenth-century women’s contributions to Grand Tour writing and discourse rearticulated some of the motifs of stillness and intimacy popularised by earlier writers such as Sterne but introduce new frameworks for thinking about Europe which include its possibilities as a site for shared, familial experience.