This paper assesses the applicability of modern notions of gender identity and individuality, and examines ‘relationality’ as a key dimension structuring social identity during the Bronze Age and the beginning of the Early Iron Age in western Iberia through a focus on funerary practices and stelae- and statue-menhir-making. It is argued that these practices were involved in the recollection of genealogical and mythical pasts. They entailed the creation of the dead and the ancestors as relational entities through the explicit inscription of graphic and spatial relations. Ultimately, these practices were structured by, and structured, shared understandings of the self and the roles of the deceased and the ancestors in social life—understandings in which ‘relationality’ played a seminal role.

Using cross-cultural ethnographic and archaeological analogy, this paper offers a new interpretation for a specific societal attribute represented on the Iron Age stelae of Daunia, arguing that the designs on the forearms of the female stelae do not represent gloves but are instead tattoos. By questioning a single, long-held, belief about the stelae, it is hoped to highlight a very important principle of method: the need to identify and investigate the socio-cultural context of an image or artefact. For too long the Daunian stelae have been looked at through Hellenized eyes. Unlike other Italic societies of this period, the Daunians appear to have remained reasonably unaffected by Greek and wider Mediterranean influence, suggesting the Iron Age inhabitants of the region retained a strong ethnic identity. With limited evidence of their social and religious life deriving from other sources, any hope of understanding these people properly relies on a correct reading of their stelae, which can only be achieved by firmly placing these monuments within an Adriatic milieu.