We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter will examine theatre both for, and by, the armed services on the fighting fronts. It will outline how and why theatre was an important aspect of leisure time for British, Colonial and allied troops fighting on land, at sea and in the air. This chapter will examine the importance of both watching and taking part in theatrical entertainments through a discussion of the professional civilian and military Concert Parties in the Army, Navy and the RFC/RAF, the role of voluntary-aid organisations such as the British Red Cross and the YMCA, and theatrical entertainments in wider wartime contexts such as PoW camps and military hospitals. A key focus of the chapter will be the social function of such entertainments, the content, and the practicalities of how they were staged in various wartime contexts.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.