Continental nations still used spectacular modes of execution – especially breaking on the wheel or decapitation by sword – upon common criminals during the eighteenth century. In England, bloody and prolonged executions were inflicted solely upon traitors. Moreover, the fullest horrors of the traitor’s death – disembowelment while still alive, and the long-term post-mortem display of the head and quarters – were largely dispensed with by the end of the seventeenth century. These changes had two major causes: a sense of the limits of what might be tolerated in a genteel and rapidly growing metropolis; and the desire of governments – especially constitutional monarchies after 1689 – not to discredit themselves by displaying an excessive thirst for blood in punishing enemies. These considerations, coupled with the occasional need to execute traitors after 1689, also precluded the use of aggravated execution rituals against the other two categories of traitor: coiners and petty traitors.

The Introduction situates the book within the theoretical parameters of Cultural Memory Studies, Print Culture Studies and British Studies. It provides a short history of Memory Studies, focusing on Pierre Nora’s concept of lieux de mémoire (sites of memory) as well as Aleida Assmann’s, Astrid Erll’s and Ann Rigney’s focus on media and memory. It surveys the complex media ecology of the late seventeenth and eighteenth centuries, arguing that the role that printed texts played in articulating sites of memory changed between 1688 and 1745 as the meaning of print itself changed in relation to oral and manuscript cultures. It compares the media environments of the beginning and end of this period by focusing on the creation and circulation of two documents – the Declaration of William of Orange (1688) and the Particulars of the Victory regarding the Battle of Culloden (1746). The Introduction concludes by suggesting that Michael Rothberg’s concept of noeuds de mémoire (knots of memory) provides a useful model for examining printed works of British national memory in the mid-eighteenth century.

Chapter 4 examines the early mediation of the events of 1715 Rising within the context of a mediascape for news consisting of both the older form of manuscript newsletters and an increasing number of printed newspapers and periodicals. It compares reports about the developing conflict found in the manuscript newsletters sent to the Newdigate family between May 30 and September 29, 1715 with those printed in five newspapers during the same time period, suggesting that the affordances of the newspaper form both amplified the sense of discontinuity in the news about the Rising as it was unfolding and made that information available to a larger and anonymous audience. It explores the subsequent treatment of the conflict in two periodical essays published in 1715 and 1716: Richard Steele’s The Town-Talk and Joseph Addison’s The Free-Holder. It concludes by considering popular histories written in the immediate aftermath of the 1715 which reprinted information originally found in newsletters and newspapers. These histories both minimized what had been the threat of the 1715 Rising and helped to circulate Jacobite counter-memories.

Chapter 1 begins by comparing Gilbert Burnet’s focus on the song “Liliburlero” as the media event of the 1688 Revolution with what contemporary scholars have written about the importance of printed works at the time. It asserts the importance of adopting a multi-media perspective on the 1688 Revolution. It analyzes James II/VII’s shifting use of media in the context of challenges to his throne by the Duke of Monmouth and the Earl of Argyll in 1685 and William of Orange in 1688. It assesses William’s Declaration outlining “the Reasons Inducing him, to Appear in Armes in the Kingdome of England” and suggests that the document gained its authority as a printed text by being represented in oral and manuscript forms. It concludes by suggesting that the initial mediation of the 1688 Revolution impacted its later re-inscription as a site of “Glorious” cultural memory when William’s Declaration was reprinted in early eighteenth-century histories of recent events such as those by Edmund Bohun and Abel Boyer.

Chapter 5 examines in the 1745 Jacobite Rising in the context of the expansion of the periodical press and the print marketplace in the mid-eighteenth century. Information about the events of the 1745 Rising was made available to readers in a more continuous and a more pervasive way than during the 1715 Rising. The chapter explores how this expanding circulation of information prompted greater concern not just about the trustworthiness of the genres of the newspaper and the political pamphlet but also about how citizens were consuming information. It next focuses on three genres of printed works produced after the Battle of Culloden (1746) that reworked newspaper reports into their narratives: accounts of the trials and executions of the rebels, “Chevalier” or “Pretender” narratives about the escape of Charles Edward Stuart, and popular histories. With their conscious and unconscious intertextual borrowings, these printed works, like those of the 1715 Rising, inscribe the cultural memory of the 1745 as a series of complicated knots of memory.

The Conclusion traces the afterlife of the knots of memory examined in earlier chapters in two printed genres: the multi-volume histories of the nation that became popular in the late eighteenth century and the historical novel in the hands of Walter Scott. Works such as David Hume’s and Tobias Smollett’s histories replicate some of the counter-memories that were produced in the earlier printed discourse on the nation. Scott, however, transforms the complicated knots of memories and counter-memories by drawing attention to and framing them. Waverley, for example, both acknowledges the power of counter-memories and prevents their re-activation by including them within a narrative that connects a progressive sense of a consolidated British cultural memory with a model of media succession.