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3 results

7 - Illusions
from Part III - Instrumental Music
John Link
Book: Elliott Carter's Late Music
Published online: 06 January 2022
Print publication: 27 January 2022, pp 229-255
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Summary

A study of Elliott Carter’s compositions for orchestra from the period 2002-2012. Included are individual analytical essays on Boston Concerto (2002), Three Illusions for Orchestra (2002-04), Réflexions (2004), Soundings (2005), and Instances (2012)

8 - Social Aspirations
from Part III - Instrumental Music
John Link
Book: Elliott Carter's Late Music
Published online: 06 January 2022
Print publication: 27 January 2022, pp 256-296
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Summary

A study of Elliott Carter’s concertos for solo instrument(s) and ensemble from 1996-2011. Included are individual analytical essays on Clarinet Concerto (1996), Cello Concerto (2000), Dialogues (2003), Horn Concerto (2006), Interventions (2007), Flute Concerto (2008), Concertino for Bass Clarinet and Chamber Orchestra (2009), Dialogues II (2010), and Two Controversies and a Conversation (2010-11)

5 - Sense and Sensibility
from Part II - A Literary Imagination: Text Settings
John Link
Book: Elliott Carter's Late Music
Published online: 06 January 2022
Print publication: 27 January 2022, pp 95-116
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A study of Elliott Carter’s opera What Next? with a libretto by Paul Griffiths, premiered at the Staatsoper Unter den Linden in Berlin, conducted by Daniel Barenboim. The chapter considers the influence of Jacques Tati’s film Trafic (Traffic) as well as the opera’s response to the Mozart/Da Ponte operas, verismo, Ferruccio Busoni, the Verfremdungseffekt in the “epic theater” of Berthold Brecht, and European postwar modernism.