Phineas Taylor Barnum was a strange breed of nineteenth-century Renaissance man. Although best known as showman and exhibitor of “curiosities,” Barnum enjoyed a multifaceted career including stints as editor, politician, reformer, and patron of a higher form of “the arts” than is usually associated with him. But in each of these endeavors, he represented a product of, and comment upon, his roots. If his enterprises grew and adapted in striking parallel to the social and political changes of the nineteenth century, they also represented a constant application of the peculiar down-eastern Yankee of Connecticut known as the “humbug.”