The feminists of the querelle [des fewines] were reacting to changes they seemed to have no control over, or to a Puritan revolution that served mainly to confirm their subjection to men. Lacking a vision of social movement to change events, their concern lay with consciousness. By their pens, they could at least counteract the psychological consequences of what they felt was a recent, steady decline in the position of women.
Joan Kelley, “Early Feminist Theory and the
Querelle des Fannies,” in Women, History and Theory
Georgette de Montenay has been the object of enduring scholarly interest, not only as the first woman author of an emblem book, but also as the creator of a new literary and artistic genre: the religious emblem. Most probably converted to Protestantism under the influence of Jeanne d'Albret, Queen of Navarre (to whose court she was attached after her marriage to Guyon de Gout, c. 1562), de Montenay composed a series of one hundred militant Christian octets in the mid-i56os and closely supervised their illustration by a gifted Lyonnais etcher, Pierre Woeiriot, who was also of the reformed persuasion.