Responses of corals to seawater acidification have been extensively studied. Sensitivity varies widely between species, highlighting the need to avoid extrapolation from one to another to get an accurate understanding of coral community responses. We tested the responses of seven coral species (Acropora cytherea, Acropora hyacinthus, Acropora pulchra, Leptastrea pruinosa, Montipora grisea, Pavona cactus, Pocillopora verrucosa) from the Mo'orea lagoon to a 48-day exposure to three pH scenarios (pH 7.95, 7.7 and 7.3). Tissue necrosis, mortality, growth rates, photophysiological performances and colour index were recorded. Few significant differences were noted between pH 7.95 and 7.7, but species-specific responses were observed at pH 7.3. While our data do not allow identification of the mechanisms behind this diversity in response between species inhabiting the same environment, it can exclude several hypotheses such as local adaptation, skeletal type, corallum morphology or calcification rate as sole factors determining coral sensitivity to pH.

For many benthic marine invertebrates, inversion (being turned upside-down) is a common event that can increase vulnerability to predation, desiccation and unwanted spatial transport, and requires behavioural ‘self-righting’ to correct. While self-righting behaviour has been studied for more than a century, the repeatability (R) – the portion of behavioural variance due to inter-individual differences – of this trait is not well understood. Heritability and the evolution of animal behaviour rely on behavioural repeatability. Here, we examined the self-righting technique of a cold-water holothurid, Parastichopus tremulus, and assessed the repeatability of this behaviour. Under laboratory conditions, P. tremulus consistently used muscle contractions to curl its body and roll itself back to an upright position, which provided for rapid (x̅ ± SD = 96.7 ± 49.8 s) and highly repeatable (R = 0.75) self-righting in the short term that varied between individuals (range of individual average righting times = 34.8–217.0 s). Righting time tended to increase with animal size; however, substantial variation was evident at comparable sizes, as average righting time ranged from 34.8–155.5 s for animals ~20 cm in body length. Contrary to previous studies on other echinoderms, we found no evidence of improved righting times for P. tremulus over time. This study ultimately provides the first detailed documentation of self-righting behaviour for P. tremulus and suggests that this species displays a high degree of repeatability for this trait in the short term.

Recent events in world politics demonstrate that a part of society has lost faith in their institutions. The importance of facts and evidence in citizens’ decision making is weakened by opinions and belief systems. This post-fact or alternate facts era is a new challenge in the field of science communication as we urgently need to tackle global environmental challenges. Not only do scientists need to better communicate their work, they also need to explore alternative ways of transferring knowledge to help citizens reconnect with nature and actively take responsible decisions to protect it. The activity ‘I am the Ocean’ has been developed by an artist and a scientist with the goal to help students understand, connect and be equipped to take actions on marine global changes. The activity was a mix of field trips, open discussions and sensory immersion. It illustrates how art and metaphors can add an emotional and physical dimension to science communication, allowing a better understanding of otherwise invisible threats, and move from knowledge to passion.

Back in 1963, the proto-punk band The Trashmen released the single Surfin’ bird (written by Frazier, White, Harris & Wilson Jr. and released in November 1963 by Garrett label; https://www.youtube.com/watch?v=ZThquH5t0ow). Fifty years later and despite the obscure lyrics, the song remains iconic in western pop culture; e.g. through the recurrent appearance in the TV show Family Guy (e.g. I dream of Jesus episode, released on 5 October 2008; https://www.youtube.com/watch?v=2WNrx2jq184). It is thought that the line ‘everybody knows that the bird is the word’ was inspired by a highly successful and catchy radio jingle released/commissioned in post prohibitionist USA by the Gallo brothers to boost the sales of their inexpensive fortified Thunderbird wine: ‘What's the word? Thunderbird’ (http://www.absurdintellectual.com/2009/06/05/everybodys-heard-that-the-bird-is-the-word-but-its-not-what-they-think/). This illustrates how a simple and catchy message can have a profound and long-lasting influence on society.