There are two kinds of time bias: near bias and future bias. While philosophers typically hold that near bias is rationally impermissible, many hold that future bias is rationally permissible. Call this normative hybridism. According to arbitrariness objections, certain patterns of preference are rationally impermissible because they are arbitrary. While arbitrariness objections have been leveled against both near bias and future bias, the kind of arbitrariness in question has been different. In this article we investigate whether there are forms of arbitrariness that are common to both kinds of preferences and, hence, whether there are versions of the arbitrariness objection that are objections to both near bias and future bias. If there are, then this might go some way toward undermining normative hybridism and to defending thoroughgoing time-neutralism.

Part 1 of this essay began to develop a philosophical interpretation of The Neapolitan Novels by grounding a vision of the work's moral psychology in the tradition of Italian difference feminism, particularly as it is expressed in the texts of the influential Milan Women's Bookstore Collective. Part 2 advances the interpretive argument by presenting a more detailed literary analysis of the character of Lila Cerullo. After motivating the interest of various aspects of her symbolization by connecting them to important motifs in feminist philosophy and literature, I present evidence of Lila's special status in the work, and the puzzles this status raises. I advance a reading of Lila as a brilliant woman capable of playing the superior role in a hierarchical relationship of entrustment—and of The Neapolitan Novels as a sympathetic yet critical exploration of the viability of such relationships and their connection to female friendship and female freedom. In support of this reading, I give an account of Lila's strange condition of smarginatura (“dissolving margins/boundaries”), the import of her perplexing earthquake speech in which this condition is explicitly addressed, and Elena Greco's troubling reactions.

This essay begins to develop a philosophical interpretation of Elena Ferrante's L'amica geniale, a work of fiction that is known in English as The Neapolitan Novels. My ultimate aim is to explore the work's ambitious moral psychology, and particularly its subtle conceptualization of women's path to freedom. I begin by reconstructing some of the main ideas of Italian difference feminism as they are expressed in the texts of the Milan Women's Bookstore Collective—texts that are controversial milestones of Italian social theory, yet are relatively unknown outside of Italy. I then show how these ideas provide a useful frame of reference for interpreters of Ferrante's novel. This discussion sets up a more extended analysis (in part 2 of this essay) of the special status of Lila Cerullo, her strange condition of smarginatura (“dissolving boundaries”), and the import of her puzzling earthquake speech.