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The Cambridge Handbook of the Neuroscience of Creativity
  • The Cambridge Handbook of the Neuroscience of Creativity
  • Edited by Rex E. Jung, Oshin Vartanian
  • Published online: 19 January 2018
  • Print publication: 25 January 2018
  • View description
    Historically, the brain bases of creativity have been of great interest to scholars and the public alike. However, recent technological innovations in the neurosciences, coupled with theoretical and methodological advances in creativity assessment, have enabled humans to gain unprecedented insights into the contributions of the brain to creative thought. This unique volume brings together contributions by the very best scholars to offer a comprehensive overview of cutting edge research on this important and fascinating topic. The chapters discuss creativity's relationship with intelligence, motivation, psychopathology and pharmacology, as well as the contributions of general psychological processes to creativity, such as attention, memory, imagination, and language. This book also includes specific and novel approaches to understanding creativity involving musicians, polymaths, animal models, and psychedelic experiences. The chapters are meant to give the reader a solid grasp of the diversity of approaches currently at play in this active and rapidly growing field of inquiry.
  • 7 - The Creation and Aesthetic Appreciation of Architecture
    • from Part II - Creativity in the Traditional Arts
  • Edited by James C. Kaufman, University of Connecticut, Vlad P. Glăveanu, Universitetet i Bergen, Norway, John Baer, Rider University, New Jersey
  • Book: The Cambridge Handbook of Creativity across Domains
  • Published online: 15 September 2017
  • Print publication: 28 September 2017, pp 110-122
  • View extract

    Summary

    Abstract

    Psychologists have historically been interested in architecture as an important domain within which to study creativity. Classic studies highlighted the role of personality variables, while at the same time downplaying the contributions of some cognitive abilities (e.g., intelligence) to individual differences in architectural creativity. Recently, research in this domain has been informed by novel findings from psychology, neuropsychology, and neuroscience. Specifically, architectural creativity has been linked to the flexible interplay between associative and inferential processes, the neural systems for which are dissociable in the brain. In addition, evidence suggests that high-level creativity in architecture could in part be driven by ordinary thought processes working on exceptionally rich content. In turn, neuroimaging studies have begun to also shed light on the neural bases of our aesthetic appreciation of various basic features of architectural design such as contour, ceiling height, and perceived enclosure. Together, these various strands of research are increasing our understanding of creativity and aesthetic appreciation in the domain of architecture.

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