This article, originally presented as the Presidential Address at the 2022 SNTS Meeting in Leuven, explores the ways in which Paul configures giving and ‘wealth’, both in relation to the Macedonians and Corinthians (as contributors to the Jerusalem collection) and in relation to Christ. Drawing on the dream-interpretations of Artemidorus, it illustrates how ‘wealth’ could be understood in antiquity as performance rather than possession: one is wealthy in giving and not (or not only) in having. In this light, Paul offers a striking image of the Macedonians who in their poverty were ‘rich’ in their unreserved commitment to the collection, fulfilling the dream of the poor by acquiring the dignity of giving. The Christological statement of 2 Cor 8.9 can also be understood (and integrated) in a new way: it was in his wealth (of self-sharing) that Christ became poor (in the weakness of the cross), so that the Corinthians, participating in this momentum, might become ‘rich’ in the same self-giving of Christ. Although grace and money are not identical, neither are they unrelated ‘economies’: the grace of the Christ-event transforms its beneficiaries into givers, rich in multiple forms of generosity, including material gift. The text thus evidences principles of a non-competitive mode of social relations operative in the material sphere, with the capacity to stimulate a theological challenge to dehumanising forms of capitalism.

This essay discusses the reading of Paul offered by the contemporary French philosopher, Alain Badiou. Badiou's emphasis on event and unconditioned grace is supported by readings from Galatians, such that his philosophical notion of ‘event’, with its militant and universal effects, may claim real consonance with Paul. However, Paul's strong notions of divine creation from nothing, and of the benevolence of the Christ event, require that God be reinserted into Paul's theology, while Badiou's focus on the resurrection, rather than the cross, misses the social radicalism latent in Paul.

Josephus, the Judean general, Roman captive and Flavian protégé, devoted the last twenty-five years of his life, as a privileged resident in Rome, to the redescription of Jewish identity and to the strategic placement of his cultural tradition on the controverted map of the late first-century empire. After writing his delicately poised account of the Judean War, and the large-scale ‘autoethnography’ known as the Jewish Antiquities, his final and most intricate literary endeavour is his apologetic work, Against Apion. Here Jewishness is constructed and positioned in carefully nuanced dialectic with images of ‘Egyptian’, ‘Chaldean’, ‘Greek’ and (to some degree) ‘Roman’ cultural tradition. The rhetorical flamboyance of this piece and its predominantly polemical tone give Josephus considerable licence to manipulate the tropes that suit his argumentative needs. His eye-catching exordium and the opening vilification of ‘Greek’ historiography (1.1-56) start this treatise with a familiar antithesis between Eastern antiquity and the comparative youth and fickleness of the Greeks. But as the discourse develops we find Josephus deploying his considerable knowledge of the Greek literary and historical tradition to place his Jewish tradition both outside and inside ‘Greekness’, indeed also above (superior to) and behind (historically earlier than) what may be variously labelled ‘Greek’. What gives this manipulation of Greek historical and literary tropes particular interest is not only that Josephus writes explicitly as a Jew, and in defence of his own Jewish tradition, but that he does so in Rome, aware of how ‘Greekness’ may be variously bought and sold in the Roman market-place, ‘displayed or excoriated for its decadence’. It is within this triangulation of Jewish, Greek and Roman—the last always implicit if not explicit in Josephus' text—that the subject of Sparta becomes a particularly interesting topic of discussion.