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Mark Twain made several attempts at autobiography over the years, finally arriving in the early 1900s at a very unconventional approach: rather than a chronological memory of his life, he made daily dictations, talking about whatever was on his mind that day, which was only sometimes memories of his life, and more often comments on current events. He stopped in the middle of many memories, sometimes never to come back. The result is a rambling but interesting window into the mind of a man reflecting on his life and his times. Although versions of his autobiography were published, one during his lifetime, the complete autobiography was not published until one hundred years after his death, as he requested. The editing of these autobiographical efforts is one of the great achievements in American literary scholarship.
Mark Twain In Context provides the fullest introduction in one volume to the multifaceted life and times of one of the most celebrated American writers. It is a collection of short, lively contributions covering a wide range of topics on Twain's life and works. Twain lived during a time of great change, upheaval, progress, and challenge. He rose from obscurity to become what some have called 'the most recognizable person on the planet'. Beyond his contributions to literature, which were hugely important and influential, he was a businessman, an inventor, an advocate for social and political change, and ultimately a cultural icon. Placing his life and work in the context of his age reveals much about both Mark Twain and America in the last half of the nineteenth century, the twentieth century, and the first decades of the twenty-first century.
A growing body of qualitative literature globally describes post-hospital experiences during early recovery from a traumatic brain injury. For Indigenous Australians, however, little published information is available. This study aimed to understand the lived experiences of Indigenous Australians during the 6 months post-discharge, identify the help and supports accessed during transition and understand the gaps in service provision or difficulties experienced.
Methods and Procedure:
Semi-structured interviews were conducted at 6 months after hospital discharge to gain an understanding of the needs and lived experiences of 11 Aboriginal and Torres Strait Islander Australians who had suffered traumatic brain injury in Queensland and Northern Territory, Australia. Data were analysed using thematic analysis.
Results:
Five major themes were identified within the data. These were labelled ‘hospital experiences’, ‘engaging with medical and community-based supports’, ‘health and wellbeing impacts from the injury’, ‘everyday living’ and ‘family adjustments post-injury’.
Conclusions:
While some of the transition experiences for Indigenous Australians were similar to those found in other populations, the transition period for Indigenous Australians is influenced by additional factors in hospital and during their recovery process. Lack of meaningful interaction with treating clinicians in hospital, challenges managing direct contact with multiple service providers and the injury-related psychological impacts are some of the factors that could prevent Indigenous Australians from receiving the supports they require to achieve their best possible health outcomes in the long term. A holistic approach to care, with an individualised, coordinated transition support, may reduce the risks for re-admission with further head injuries.
Increasingly, narrative and creative arts approaches are being used to enhance recovery after traumatic brain injury (TBI). Narrative and arts-based approaches congruent with Indigenous storytelling may therefore provide benefit during the transition from hospital to home for some Indigenous TBI patients. This qualitative study explored the use and impact of this approach as part of a larger, longitudinal study of TBI transition with Indigenous Australians.
Method:
A combined narrative and arts-based approach was used with one Indigenous Australian artist to describe his transition experiences following TBI. Together with the researchers and filmmaking team, the artist was involved in aspects of the process. The artist contributed two paintings, detailing the story of his life and TBI. Based on the artworks, a film was co-created. Following the viewing of the film, impacts of the narrative and arts-based process were examined through semi-structured interviews with the artist, a service provider and a family member. Multiple sources of data were used in the final thematic analysis including transcripts of the interviews and filming, paintings (including storylines) and researcher notes.
Results:
Positive impacts from the process for the artist included positive challenge; healing and identity; understanding TBI and raising awareness.
Discussion:
This approach may enable the individual to take ownership over their transition story and to make sense of their life following TBI at a critical point in their recovery. A combined narrative and arts-based approach has potential as a culturally responsive rehabilitation tool for use with Indigenous Australians during the transition period following TBI.