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  • Chapter 14 - Little Postage Stamps

  • from Part III - People and Places
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book:
    The Cambridge Companion to the American Short Story
    Published online:
    11 May 2023
    Print publication:
    25 May 2023, pp 221-235

  • Summary

    The short story remains at heart of southern literature. Anthologies, surveys, and criticism all tout the centrality of the form to the representation of the region. But the short story form does not merely facilitate a focus on diverse, local southern cultures. Because short stories can be easily republished and collected, these “little postage stamps” also allow such diverse, local cultures to circulate broadly. In examining the ways short fictional forms enable access to and communication with far-flung places, this chapter offers case studies of three accomplished short story writers: Kate Chopin, Zora Neale Hurston, and Oscar Cásares. Theirs is a literature of the provinces that is far from provincial – a regional literature par excellence that remains very much engaged with the broader world.

  • Introduction

  • Edited by Kathleen Diffley, University of Iowa, Coleman Hutchison, University of Texas, Austin
  • Book:
    The Cambridge Companion to the Literature of the American Civil War and Reconstruction
    Published online:
    04 August 2022
    Print publication:
    18 August 2022, pp 1-12

  • Summary

    In a scathing November 2018 editorial published in The Guardian, public intellectual Rebecca Solnit connected a series of violent white supremacist acts in Charleston, Charlottesville, and Pittsburgh to the Civil War and Reconstruction. Writing with characteristic verve, Solnit concluded, “If you are white, you could consider that the Civil War ended in 1865. But the blowback against Reconstruction, the rise of Jim Crow, the myriad forms of segregation and deprivation of rights and freedoms and violence against black people, kept the population subjugated and punished into the present in ways that might as well be called war.”1 Solnit’s was in many ways a representative argument during the age of Donald Trump, whom Solnit deemed “an openly Confederate president.” In a moment of intense political division and social strife, many critics and commentators find themselves returning to this difficult period in American history in search of precedent.

The Cambridge Companion to the Literature of the American Civil War and Reconstruction
  • Edited by Kathleen Diffley, Coleman Hutchison
  • Published online:
    04 August 2022
    Print publication:
    18 August 2022
  • The legacies of the Civil War and Reconstruction remain a central part of American life a century and a half later. Drawing together leading scholars in literary studies and history, this volume offers accessible treatments of major authors and genres of this period, including Walt Whitman, Frances Ellen Watkins Harper, Rebecca Harding Davis, Frederick Douglass, and Charles Chesnutt, as well as fiction, poetry, drama, and life-writing. Although focused on literature, this Companion also canvases battlefields, homefronts, and hospitals, and discusses a range of topics, including constitutional reform and presidential impeachment; emancipation and Africa; material culture and monuments; education, civil rights, and reenactment. The Cambridge Companion to the Literature of the American Civil War and Reconstruction speaks powerfully to literature's ability to help readers come to terms with a violent, oppressive history while also imagining a different future.

A History of American Civil War Literature
  • Edited by Coleman Hutchison
  • Published online:
    05 December 2015
    Print publication:
    01 December 2015
  • This book is the first omnibus history of the literature of the American Civil War, the deadliest conflict in US history. A History of American Civil War Literature examines the way in which the war has been remembered and rewritten over time in prose, poems, and other narratives. This history incorporates new directions in Civil War historiography and cultural studies while giving equal attention to writings from both northern and southern states. It redresses the traditional neglect of southern literary cultures by moving between the North and the South, thus finding a balance between Union and Confederate texts. Written by leading scholars in the field, this book works to redefine the boundaries of American Civil War literature while posing a fundamental question: why does this 150-year-old conflict continue to capture the American imagination?

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