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Jane Austen is renowned for the economy of her art: for the close focus of her romantic plots and the precision of her writing style. Exploring that economy stylistically and structurally, this book traces Austen's keen interest in narrative form. Anne Toner pinpoints techniques that are fundamental to the distinctiveness of Austen's fiction, many of which have been little explored to date. Toner argues that Austen's conciseness in terms of plotting, narrative description and in the depiction of dialogue also contributed to her innovations in representing thought, expanding the novel's capacity to depict consciousness. Narrative and rhetorical features are presented clearly and accessibly and will open up new ways of thinking about prose style with implications for the study of fiction beyond Austen's own.
Anne Toner provides an original account of the history of ellipsis marks - dots, dashes and asterisks - in English literary writing. Highlighting ever-renewing interest in these forms of non-completion in literature, Toner demonstrates how writers have striven to get closer to the hesitancies and interruptions of spoken language, the indeterminacies of thought, and the successive or fragmented nature of experience by means of these textual symbols. While such punctuation marks may seem routine today, this book describes their emergence in early modern drama and examines the relationship between authors, printers and grammarians in advancing or obstructing the standardisation of the marks. Their development is explored through close study of the works of major English writers, including Jonson, Shakespeare, Richardson, Sterne, Meredith and Woolf, along with visual illustrations of their usage. In particular, Toner traces the evolution of ellipsis marks in the novel, a form highly receptive to elliptical punctuation.