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This chapter surveys the development of fiscal policy with regard to revenues from exhaustible natural resources. The Oil and Gas Law of 1952 determined that royalties would be paid to the State on the revenues from a discovery by a privately owned concessionaire at the rate of 12.5 percent. Following the discovery in the early 2000s of large gas fields in Israel’s economic waters (in the amount of about one trillion cubic meters), the government created a committee to evaluate the policy in Israel and compare it to that in other countries. It was found that the taxation of natural resources in Israel (Government Take) was much lower than the world average (30 percent vs. 63 percent of profit). The government and the Knesset adopted the recommendations of the committee (which became Sheshinski Law I in 2011), according to which a progressive tax on excess profit (“rent”) – a more efficient instrument than royalties – would also be imposed at the rate of between 20 and 50 percent, depending on the level of profit. After the amendment to the law, the government expected to collect 60 percent or more of the concessionaires’ profit (equal to the average Government Take in the OECD). The law was expanded in 2014 to other natural resources, primarily potash from the Dead Sea (Sheshinski Law II). This chapter also discusses the Wealth Fund established by law in 2011, in which the revenues from the tax on excess profits will be deposited. Most of the investments will be made abroad thereby preventing the Dutch Disease (i.e., the effect of the appreciation in the exchange rate). Revenues – in the amount of 2 percent of GNP – will be deposited in the Wealth Fund starting from 2020.
A patient satisfaction survey was undertaken in a mixed psychiatric and somatic care unit. An anonymous self-report questionnaire covering setting and satisfaction with care was completed by 60 patients. Median age was 42 (range 20–64), and the majority female (63%). Main ICD-10 diagnostic categories were depressive disorders (51.7%), substance-related disorders (33%) and personality disorders (25%). Somatic comorbidity was present in 60% of patients. Overall satisfaction with care and setting was high. Higher satisfaction was significantly associated with a history of previous hospitalizations in a psychiatric hospital and with being referred to the program by a psychiatrist. These findings emphasize the perceived advantages of mixed units, such as decreased stigmatization of psychiatric inpatients and opportunity to receive adequate treatment for both physical and mental problems during a single hospital stay.
Coordination of distributed design work is an important activity in large-scale and complex engineered systems (LSCES) design projects. Coordination strategies have been studied formally in system design optimization and organizational science. This article reports on a study to identify what strategies are used in coordination practice. While the literature primarily offers prescriptive coordination strategies, this study focussed on the contribution of individuals’ behaviours to system-level coordination. Thus, a coordination strategy is seen as a particular set of individual actions and behaviours. We interviewed professionals with expertise in systems engineering, project management and technical leadership at two large aerospace design organizations. Through qualitative thematic analysis, we identified two strategies used to facilitate coordination. The first we call authority-based and is enabled by technical know-how and the use of organizational authority; the second we call empathetic leadership and includes interpersonal skills, leadership traits and empathy. These strategies emerged as complementary and, together, enabled individuals to coordinate complex design tasks. We found that skills identified in competency models enable these coordination strategies, which in turn support management of interdependent work in the organization. Studying the role of individuals contributes an expanded view on how coordination facilitates LSCES design practice.
Coordination in system design requires an interplay between different roles. In this work, we identify five design team roles that pertain to the partitioning and coordination of distributed design team tasks. The proposed characterization is based on self-reported responsibilities and communication behaviors from 109 student designers in 22 teams at the conclusion of a semester-long design project. The self-reports capture both how team members viewed their own work as well as communication patterns between team members. We leverage two representations of this data. Through text analysis, we identify keywords describing team member roles and responsibilities. Social network analysis can further distinguish roles based on team communication behaviors. Cluster analysis on both types of data identifies groups of individuals with similar characteristics. The resulting five clusters capture common roles in system design teams that simultaneously capture the diverse responsibilities and communication patterns.
After the ‘CNN effect’ concept was coined two decades ago, it quickly became a popular shorthand to understand media-conflict interactions. Although the connection has probably always been more complex than what was captured in the concept, research needs to be updated in order to better understand the multifaceted contemporary environments of both media and conflict. There are growing numbers and types of media sources, and multiple interactions between media and conflict actors, policymakers and engaged publics from the local to the global and back. We argue that understanding the impact of media reporting on conflict requires a new framework that captures the multilevel and hybrid media environments of contemporary conflicts. This study provides a roadmap of how to systematically unpack this environment. It describes and explains how different levels, interactions, and forms of news reporting shape conflicts and peacebuilding in local, national and regional contexts, and how international responses interact with multiple media narratives. With these tools, comprehensive understandings of contemporary local to global media interactions can be incorporated into new research on media and conflict.
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian
Bach to Brahms presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays are divided into three groups, two of which focus primarily on the interaction of elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third group of essays focusses on the 'motive' from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Recent publications include Advanced Schenkerian Analysis, and Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition (co-authored with Ryan McClelland). Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian. He is the author of Prolongation of Seventh Chords in Tonal Music (Edwin Mellen Press, 2008) and published in leading journals on music theory and on Israeli music.
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian
By
Eytan Agmon, teaches music theory and analysis at the Department of Music of Bar-Ilan University, Israel
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian
Edited by
David Beach, Professor emeritus and former dean of the Faculty of Music, University of Toronto,Yosef Goldenberg, Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian