In this article, I explore the nature of Augustine's theological thinking. My thesis is that Augustine is an “improvisational theologian,” meaning his theology begins from the place that an improvisational musician's thinking does: attunement. In order to prove this thesis, I have three sections. The first is an analysis of the type of thinking that takes place in improvisational music, showing how it is predicated upon an idea of attunement. Second, I explore the improvisational nature of Augustine's thought by seeing how attunement is also at work in his thinking. In order to do this, I show how he develops a musical worldview in De Musica and how this guides his subsequent thinking in De Doctrina Christiana and Confessions. I conclude by briefly pointing to different contemporary theological issues that this reading of Augustine can enrich.

This article tests whether it is possible to be a ‘phenomenological-Thomist’ through the provision of the first stages of a loosely speaking Heideggerian phenomenological interpretation of the meaning of being an entity as it is disclosed in experience. In the process, the article will unpack and reinterpret the concepts of esse and esse commune in the thought of Thomas Aquinas.