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- Visions of Russian Modernism: Challenging Narratives of Imitation, Influence, and Periphery
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- Copyright © Association for Slavic, East European, and Eurasian Studies 2019
References
1. Blakesley, Rosalind P., “Slavs, Brits and the Question of National Identity in Art: Russian Responses to British Painting in the Mid-Nineteenth Century,” in English Accents: Interactions with British Art c. 1776–1855, Payne, Christiana and Vaughan, William, eds. (Burlington, VT, 2004), 203Google Scholar.
2. Chaadaev, Petr, Philosophical Works of Peter Chaadaev, McNally, Raymond T. and Tempest, Richard, eds. (Dordrecht, Netherlands, 1991), 23Google Scholar.
3. Stasov, “Twenty-Five Years of Russian Art” (Dvadtsat΄-piat΄ let russkogo iskusstva. Nasha zhivopis΄), Evropeiskii vestnik (Nov.-Dec., 1882) (Feb., June, Oct. 1883). Translated in Elizabeth Valkenier and Wendy Salmond, eds., Russian Realist Painting. The Peredvizhniki: An Anthology (Los Angeles, 2008), 318.
4. Starr, S. Frederic, “Russian Art and Society, 1800–1850,” in Stavrou, Theofanic George, ed., Art and Culture in Nineteenth-Century Russia (Bloomington, 1983), 88Google Scholar.
5. There are numerous examples of this kind of scholarship, including works like: Blakesley, Rosalind and Reid, Susan, eds., Russian Art and the West: A Century of Dialogue in Painting, Architecture, and the Decorative Arts (DeKalb, IL, 2007)Google Scholar; Sharp, Jane, Russian Modernism Between East and West: Natal΄ia Goncharova and the Moscow Avant-Garde (Cambridge, Eng., 2006)Google Scholar; Shvidkovskii, Dmitrii, Russian Architecture and the West (New Haven, 2007)Google Scholar; and Bova, Russell, Russia and Western Civilization: Cultural and Historical Encounters (New York, 2015)CrossRefGoogle Scholar.
6. Blakesley, Rosalind, The Russian Canvas: Painting in Imperial Russia, 1757–1881 (New Havem, 2016)Google Scholar; Brunson, Molly, Russian Realisms: Literature and Painting, 1840–1890 (DeKalb, IL, 2016)Google Scholar.
7. John E. Bowlt, “Russian Painting in the Nineteenth Century,” in Stavrou, ed., Art and Culture in Nineteenth-Century Russia, 136.
8. Mitter, , “Decentering Modernism: Art History and Avant-Garde Art from the Periphery,” The Art Bulletin 90, No. 4 (Dec., 2008): 538CrossRefGoogle Scholar.
9. Lounsbery, Anne, “‘Mirovaia literatura’ i Rossiia,” trans. Naumova, O., Voprosy literatury, vol. 5 (2014): 9–24Google Scholar.
10. Besides those sources contained elsewhere in these notes, just a few of the most notable works on this topic include: Calinescu, Matei, Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism (Durham, 1987)Google Scholar; Williams, Raymond, The Politics of Modernism: Against the New Conformists, Pinkney, Tony, ed. (London, 1996)Google Scholar; Ram, Harsha, “Futurist Geographies: Uneven Modernities and the Struggle for Aesthetic Autonomy: Paris, Italy, Russia, 1909–1914,” in The Oxford Handbook of Global Modernisms, Wollaeger, Mark and Eatough, Matt, eds. (Oxford, 2012)Google Scholar; and Piotr Piotrowski, “East European Art Peripheries Facing Post-Colonial Theory,” nonsite.org, December 2014, at http://nonsite.org/article/east-european-art-peripheries-facing-post-colonial-theory (accessed August 1, 2016).
11. Mitter, “Decentering Modernism,” 532.