In September 2002, an article I had authored, “Iraq's Security and Intelligence Network: A Guide and Analysis,” was published in the September 2002 issue of the journal, Middle East Review of International Affairs (MERIA). On February 6, 2003 a UK news report revealed that entire sections of a British government dossier entitled “Iraq-Its Infrastructure of Concealment, Deception and Intimidation” were copied from three published sources, with the bulk of the plagiarized material coming from the article I had written. I was a twenty-nine year old doctoral student when the media frenzy that surrounded this incident erupted, six weeks prior to the 2003 Iraq War. I, as an Iraqi-American, had to watch as both sides opposite my hyphen waged a war against each other that I had an indirect role in justifying.

The 2005 UNAIDS/WHO Epidemic Update reports that the number of people living with HIV last year worldwide was 40.3 million (1). In 2005, approximately 3.2 million people became newly infected by HIV in Sub-Saharan Africa, the region of the world that is considered the epicenter of the AIDS epidemic (2).

Although the rates of HIV are much less in the Middle East and North Africa (MENA) than in Sub-Saharan Africa, some experts believe that without appropriate implementation of surveillance and prevention services, the epidemic will spread to the general population (3). Reportedly, 67,000 people in MENA became infected with HIV in 2005; there are approximately 510,000 people living with HIV in the region (2). Because of cultural and social taboos surrounding the discussion of the acquisition of HIV around the world in general, and in MENA in particular, it is difficult to develop a clear representation of HIV's presence and risk in countries in the Middle East. Based on the information that is available, the main mode of transmission of HIV is sexual contact, with injecting drug use recognized as the second mode of increasing prevalence (2). Without sufficient implementation of surveillance in the region, however, estimated rates of infection may indeed be lower than the actual number of people infected with HIV (4).

Images of the Middle East form an important part of the 14 million items in the Prints and Photographs Division (P&P) of the Library of Congress (LC). The Middle East designation covers a broad geographical region stretching from Algiers in North Africa, to Samarqand in present day Uzbekistan. Most of the photographs, negatives, book illustrations, posters, albums, stereographs, and prints date from between 1840 to the present and document people, archaeological sites, buildings, important events, and everyday life. The photographers include resident foreigners such as Rudolf Lehnert and Ernst Landrock (generally known by their corporate name Lehnert & Landrock), travelers to the region like Francis Frith, local photographers such as Ottoman military photographer Ali Riza Pasha, and most recently LC staff members who visited war-torn Baghdad. The Middle East holdings total about 50,000 items, received through copyright deposit, gift and purchase.

Within the realm of Iranian studies, music remains mostly outside the purview of larger social and political discussions of the region. At first glance this may seem appropriate, since even musicians often consider their work beyond the reach of sociological discussions. But the behavior of Iranians suggests that music has a broader social and political role beyond narrowly defined musical contexts. Music is a common part of everyday life in Iran. In traditional contexts such as weddings and other family gatherings as well as in modern settings such as the car, the computer, or the concert hall, most Iranians experience music on a daily basis. Music's influential role in Iranian society has made it the target of constant government scrutiny both before and after the Islamic Revolution. The current Islamic government's need to control and approve of every aspect of music making demonstrates a keen understanding of music's influence in the country. Hence whether Iranians are listening to it, dancing to it, performing it, or banning it, the message is the same: music is a powerful force that affects key aspects of Iranian society. For this reason music can offer a unique perspective on a variety of topics relevant to students and scholars of modern Iran.