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Tayil as Category and Communication among the Argentine Mapuche: A Methodological Suggestion

Published online by Cambridge University Press:  14 February 2019

Carol E. Robertson-DeCarbo
Carol E. Robertson-DeCarbo*
Affiliation:
Center for Studies in Ethnomusicology, Columbia University, New York, USA
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Extract

The points raised herein address the methodologies and assumptions which undergird the theory-building process in ethnomusicology and ethnology. Hypotheses and conclusions are derived from field research among the Mapuche-speaking peoples of Andean Argentina (1971-72) and have been further tested in cooperative research with Edward A. DeCarbo, Jr., among Kasem-speakers in Northern Ghana. The discussion concerns the description and explanation of tayil, a form of musical communication among the Argentine Mapuche, as well as the utility of the Western musicological category “music” as a point of entry to the explication of a social system.

Type
Articles
Information
Yearbook of the International Folk Music Council , Volume 8 , 1976 , pp. 35 - 52
Copyright
Copyright © 1977 By the International Folk Music Council 

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References

Notes

1. Mills, George, “Art and the Anthropological Lens,” in The Traditional Artist in African Societies, ed. Warren d'Azevedo (Bloomington, Ind., 1973), p. 400.Google Scholar

2. Casamiquela, Rodolfo and Pelinski, Ramón A., “Música de canciones totémicas y populares y de danzas araucanas,” Revista del Museo de La Plata, 6, Antropología 31 (1966), 43-80.Google Scholar

3. “Cantos araucanos de mujeres,” Revista Venezolana de Folklore, 1970:3, p. 78.Google Scholar

4. “Universal Perspectives in Music,” Ethomusicology, 15 (Sept., 1971), 384.Google Scholar

5. Ethnomusicology of the Flathead Indians (Chicago, 1967), p. 1.Google Scholar

6. Sturtevant, William C., “Studies in Ethnoscience,” in Theory in Anthropology, ed. Robert Manners and David Kaplan (Chicago, 1971), p. 478.Google Scholar