Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 5
‘A Multicoloured Alphabet’: Rediscovering Albert Giraud’s Pierrot Lunaire
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- Published online by Cambridge University Press:
- 01 March 2007, pp. 97-121
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- Cited by 5
‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968
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- Published online by Cambridge University Press:
- 30 July 2014, pp. 217-244
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- Cited by 5
Performing the South African Archive in REwind: A Cantata for Voice, Tape, and Testimony
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- Published online by Cambridge University Press:
- 15 August 2018, pp. 187-209
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- Cited by 5
Against Populism: Music, Classification, Genre
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- 17 April 2020, pp. 247-267
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- Cited by 4
Skryabin's Revolving Harmonies, Lacanian Desire, and Riemannian Funktionstheorie
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- 29 November 2011, pp. 167-194
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- Cited by 4
Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman
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- 01 March 2007, pp. 73-96
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- Cited by 4
Representing Australia to the Commonwealth in 1965: Aborigiana and Indigenous Performance
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- Published online by Cambridge University Press:
- 24 October 2019, pp. 3-22
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- Cited by 4
Appendix: Fundamental Issues of Musical Listening (1925)
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- Published online by Cambridge University Press:
- 23 February 2012, pp. 49-70
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- Cited by 4
Musique concrète, French New Wave cinema, and Jean Cocteau's Le Testament d'Orphée (1960)
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- 26 August 2015, pp. 197-224
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- Cited by 4
Hearing Kaleidoscopes: Embedded Grouping Dissonance in Electronic Dance Music
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- 15 August 2006, pp. 221-243
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- Cited by 4
Controlling the Liminal Power of Performance: Hungarian Scholars and Romani Musicians in the Hungarian Folk Revival
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- 01 March 2007, pp. 51-72
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- Cited by 4
Soft Socialism, Hard Realism: Partisan Song, Parody, and Intertextual Listening in Yugoslav Black Wave Film (1968–1972)
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- 15 March 2019, pp. 95-121
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- Cited by 4
Latin American Songs in the GDR and the East German Singer-Songwriter Repertoire (1970–2000): Gerhard Schöne's ‘Meine Geschwister’ in the Light of Translation Studies
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- 08 October 2020, pp. 401-417
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- Cited by 4
The Russian Revolution and Music
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- 15 March 2019, pp. 157-164
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- Cited by 4
‘Who Is British Music?’ Placing Migrants in National Music History
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- 29 November 2018, pp. 439-492
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- Cited by 3
Béla Bartók's Evolutionary Model of Folk Music
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- 16 August 2016, pp. 291-320
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- Cited by 3
Analysing Aporia
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- 31 July 2012, pp. 133-151
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- Cited by 3
The Genealogy of a Song: Lady Gaga's Musical Intertexts on The Fame Monster (2009)
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- 28 January 2015, pp. 3-35
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- Cited by 3
Unsettling Brian Eno's Music for Airports
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- 25 July 2017, pp. 305-333
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- Cited by 3
Leaders of the New School? Music Departments, Hip-Hop, and the Challenge of Significant Difference
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- 21 December 2020, pp. 45-64
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