No CrossRef data available.
Article contents
David Cline, The Graph Music of Morton Feldman (Cambridge: Cambridge University Press, 2016), ISBN 978-1-107-10923-0 (hb). - Alistair Noble, Composing Ambiguity: The Early Music of Morton Feldman (Abingdon, UK: Routledge, 2016 [2013]), ISBN 978-1-138-27053-4 (pb), ISBN: 978-1-4094-5164-8 (hb).
Published online by Cambridge University Press: 29 November 2018
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Reviews
- Information
- Copyright
- Copyright © Cambridge University Press 2018
References
1 DeLio, Thomas, Circumscribing the Open Universe (Lanham, MD: University Press of America, 1984)Google Scholar and DeLio, , ed., The Music of Morton Feldman (New York: Excelsior, 1996)Google Scholar.
2 Beal, Amy, New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification (Berkeley, CA: University of California Press, 2006)CrossRefGoogle Scholar and Packer, Renée Levine, This Life of Sounds: Evenings for New Music at Buffalo (New York: Oxford University Press, 2010)CrossRefGoogle Scholar.
3 Boutwell, Brett, ‘Morton Feldman's Graphic Notation: Projections and Trajectories’, Journal of the Society for American Music 6/4 (2012), 457–82CrossRefGoogle Scholar; Bernard, Jonathan, ‘Feldman's Painters’, in The New York Schools of Music and Visual Art, ed. Johnson, Steven (New York: Routledge, 2002), 173–215Google Scholar; Laws, Catherine, Headaches Among the Overtones (New York: Rodopi, 2013)Google Scholar.
4 Hanninen, Dora, ‘Feldman, Analysis, Experience’, Twentieth Century Music 1/2 (2004), 225–1CrossRefGoogle Scholar; Hirata, Catherine Costello, ‘The Sounds of the Sounds Themselves: Analyzing the Early Music of Morton Feldman’, Perspectives of New Music 34/1 (1996), 6–27Google Scholar; Johnson, Steven, ‘Rothko Chapel and Rothko's Chapel’, Perspectives of New Music 32/2 (1993), 6–53CrossRefGoogle Scholar; Steven Johnson, ‘Jasper Johns and Morton Feldman: What Patterns?’, in The New York Schools of Visual and Modern Art, ed. Johnson, 217–47.
5 Ashton, Dore, A Critical Study of Philip Guston (Berkeley: University of California Press, 1976), 74Google Scholar.
6 Schillinger, Joseph, Schillinger System of Musical Composition (New York: C. Fischer, 1946)CrossRefGoogle Scholar.
7 Gommart, Emile and Hennion, Antoine, ‘A Sociology of Attachment: Music Amateurs, Drug Users’, in Law, John and Hassard, John, eds., Actor Network Theory and After (Malden, MA: Blackwell/Sociological Review, 1999), 220–47Google Scholar.