Published online by Cambridge University Press: 21 December 2020
Inspired by Brittany Howard's solo album Jaime (2019), this contribution creates a conversation between music studies, queer studies, African American Literature, and memoir to think about lived ways of understanding, performing, and participating in music to create a future of inclusion. I argue that Black queer strategies of listening and musicking contributes to a new layer of music, the dream space, which helps us understand the impact of music on everyday life.