Editorial
Editorial: Between Breaths
- Published online by Cambridge University Press: 04 November 2020, pp. 227-229
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Articles
Welcome to The Jungle: Performing Borders and Belonging in Contemporary British Migration Theatre
- Published online by Cambridge University Press: 04 November 2020, pp. 230-244
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Towards a Collaborative Ergonomics: From Strangers to Symbiotic Community through Boundary Traversal in Performance
- Published online by Cambridge University Press: 04 November 2020, pp. 245-263
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Mei Lanfang and Stanislavsky: The (De)construction of an Intercultural Myth on the International Stage
- Published online by Cambridge University Press: 04 November 2020, pp. 264-280
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Staging Tagore Beyond the Spectres of Authority: Suman Mukhopadhyay's Falguni: Suchana (2001)
- Published online by Cambridge University Press: 04 November 2020, pp. 281-296
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Dossier–Theatrical Vestiges: Material Remains and Theatre Historiography
Dossier–Theatrical Vestiges: Material Remains and Theatre Historiography: Introduction
- Published online by Cambridge University Press: 04 November 2020, pp. 297-302
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Staging Global Theatre History in the Museum: Carl Niessen and the Draft of the Reichstheaterinstitut (1943)
- Published online by Cambridge University Press: 04 November 2020, pp. 303-307
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Archival Practices of Suspicion: Remains in Secret Reports, Self-Documentation and Oral Histories
- Published online by Cambridge University Press: 04 November 2020, pp. 308-314
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How to Catch the Devil? Performance Materiality and Meyerbeer's Robert le Diable
- Published online by Cambridge University Press: 04 November 2020, pp. 315-320
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Remains of a Past Production: A Short Film, Theatre (1957)
- Published online by Cambridge University Press: 04 November 2020, pp. 321-325
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Work and Play: Rolf Hochhuth's The Representative in Tel Aviv (1964)
- Published online by Cambridge University Press: 04 November 2020, pp. 326-331
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Feminist Exploration of Material Objects in Anuradha Kapur's Jeevit Ya Mrit
- Published online by Cambridge University Press: 04 November 2020, pp. 332-336
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Reusing Props at the National Theatre, London: Considering Theatre Materiality in a Historiographical Context
- Published online by Cambridge University Press: 04 November 2020, pp. 337-343
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Remembering Phillip Zarrilli (1947–2020)
‘It's Never about Me, It's Always about You’: Generosity in Zarrilli's Training Space
- Published online by Cambridge University Press: 04 November 2020, pp. 344-347
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The Matter of Metaphor: Remembering Phillip
- Published online by Cambridge University Press: 04 November 2020, pp. 348-350
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Phillip Zarrilli's Knowledges: ‘About’, ‘In’, ‘For’
- Published online by Cambridge University Press: 04 November 2020, pp. 351-353
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Phenomenology and the Actor's Breath: In Memory of Phillip Zarrilli
- Published online by Cambridge University Press: 04 November 2020, pp. 354-357
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For Phillip: Remembering a Friend
- Published online by Cambridge University Press: 04 November 2020, pp. 358-361
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Double Take
Theatre & Everyday Life: An Ethics of Performance. By Alan Read. London: Routledge, 1993. Pp. xii + 260. £33.99/$58.95 Pb.
- Published online by Cambridge University Press: 04 November 2020, pp. 362-364
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New Books
Incapacity and Theatricality: Politics and Aesthetic in Theatre Involving Actors with Intellectual Disabilities. By Tony McCaffrey. London and New York: Routledge, 2019. Pp. 198. £120 Hb.
- Published online by Cambridge University Press: 04 November 2020, pp. 365-366
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