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Performance and Literature in the commedia dell'arte. By Robert Henke. Cambridge: Cambridge University Press, 2002. Pp. xiv + 263 + illus. £45 Hb. Music and Women of the commedia dell'arte in the Late Sixteenth Century. By Anne MacNeil. Oxford: Oxford University Press, 2003. Pp. viii + 360 + illus. $85 Hb. Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (‘Studia Litteraria’, 10). By Britta Brandt. Wilhelmsfeld: Gottfried Egert, 2002. Pp. viii + 284 and pp. xxxv + 267. €26 Pb. La Mirtilla: a pastoral (Medieval and Renaissance Texts and Studies, 242). By Isabella Andreini, translated from the Italian, introduced and annotated by Julie D. Campbell. Tempe: Arizona Center for Medieval and Renaissance Studies, 2002. Pp. xxvii + 105. $26 Hb. Improvisation in the Arts of the Middle Ages and Renaissance (Early Drama, Art and Music Monograph Series, 30). Edited by Timothy J. McGee. Kalamazoo: Medieval Institute Publications (Western Michigan University), 2003. Pp. xii + 331 + illus. $30 Hb; $15 Pb. Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (‘Maske und Kothurn’, 48, 1–4). Edited by Brigitte Marschall. Vienna: Böhlau, 2002. Pp. 521 + illus. €78.20 Pb.
Published online by Cambridge University Press: 29 March 2004
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- © International Federation for Theatre Research 2004