Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-18T18:17:02.974Z Has data issue: false hasContentIssue false
  • English
  • Français

Person Viewpoints — notes by five composers

Published online by Cambridge University Press:  04 February 2010

Roger Smalley ,
Alexander Goehr ,
Gordon Crosse ,
John Taverner  and
Albert Ginastera
Get access Rights & Permissions [Opens in a new window]

Extract

What follows is a purely personal account of my speculations about composition today, in relation to a study of Stravinsky's work. Under three main headings I shall try to show the contemporary relevance of certain features of Stravinsky's musical style which have not been very frequently discussed.

Type
Research Article
Information
Tempo , Issue 81: Stravinsky's 85th Birthday , Summer 1967 , pp. 19 - 29
Copyright
Copyright © Cambridge University Press 1967

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

page 22 note 1 The Language of Modern Music (Faber), p. 117

page 23 note 1 Anton von Webern: Perspectives (University of Washington Press), p. 10

2 Aristotle, Ars Poetica. All quotations are taken from the Penguin edition, translated by T. S. Dorsch