Hostname: page-component-8448b6f56d-dnltx Total loading time: 0 Render date: 2024-04-25T05:13:12.960Z Has data issue: false hasContentIssue false

The Poems of C. Aurelius Cambinius

Published online by Cambridge University Press:  02 January 2019

J. F. C. Richards*
Affiliation:
University of Connecticut
Get access

Extract

The Text of this collection often poems, 978 lines written in elegiac couplets, is preserved in a single manuscript (169) in the Biblioteca Augusta at Perugia (ff. 2r-33r). It is listed by Mazzatinti, who gives its date as s.xv ex. and adds a full description, and by Tammaro de Marinis. Internal evidence suggests that the poems may have been written between 1492 and 1494. Although the author, C. Aurelius Cambinius, is not mentioned by Bottiglioni or other literary historians, the Cambini family is well known. Andrea and Bernardo Cambini appear both in historical documents of the period and as authors. Bernardo Cambini wrote sonnets and Andrea Cambini wrote historical works and Tuscan translations of works written in classical and humanist Latin.

Type
Research Article
Copyright
Copyright © Renaissance Society of America 1965

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Mazzatinti, G., Inuentari dei manoscritti delle biblioteche d'ltalia, v (Florence, 1895), 175 Google Scholar, no. 675: ‘Membr. sec. XV ex., mm. 194 x 135, ff. 32 n.n., oltri due bianchi di guardia. In princ. una iniziale dorata su fondo rosso damascato ad oro. Didascalie in rosso. Leg. dell'epoca in assi cop, di pelle con eleganti impressioni: dei due fermagli uno á intero.'

2 Marinis, Tammaro de, La Legatura artistica in Italia nei secoli XV e XVI (Florence, 1960), I, 119Google Scholar, no. 1194 bis: ‘Vitellino chiaro; cornice come sopra (cfr. tav. CXII); nel mezzo tre interlazzi. Taglio inciso.’ Tavola cxcn refers to 1194, G. Pontano, Carmina (Florence, 1508).

3 G. Bottiglioni, La Lirica latina in Firenze nella 2” meta del secolo XV (Annali della R. Scuola Superiore di Pisa XXIV, 1913).

4 Florence, Archivio di Stato, Catasto, San Giovanni, Leone d'Oro, n. 923, c. 634 ff. Communication of Dott. Enzo Casetti, secretary of the Istituto degli Innocenti, Prof. Federico Melis of the University of Florence, and the Rev. M. C. Mendes Atanasio of Florence to P. O. Kristeller. Dott. Gino Corti of Florence suggested that the Cambini papers in the Archivio deU'Ospedale degli Innocenti in Florence and the Archivio di Stato in Pisa should be consulted. There was no record of a Carlo Cambini at Pisa according to a communication of Dott. Bruno Casini.

5 Prose volgari inedite e poesie latine e greche edite e inedite di Angelo Atnbrogini Poliziano, ed. I. Del Lungo (Florence, 1867), pp. 335-368; preface pp. 333-335. Del Lungo also gives a letter written by Poliziano to Lucrezia de’ Medici in 1479 (no. 25, pp. 72-74), in which he mentions Giovanni Tornabuoni and his sons. A letter written by Poliziano to Giovanni Pico della Mirandola, in which he says that Piero de’ Medici and Lorenzo Tornabuoni distinguished themselves in a tournament (Epist. xn, no. 6), is included in his Opera (Lyons, 1539), 1, 373-374.

6 Roover, Raymond de, The Rise and Decline of the Medici Bank, 1307-1494 (Cambridge, Mass., 1963).Google Scholar

7 Op. cit., p. 224. In S. Maria Maddalena dei Pazzi the fourth chapel on the left side was probably founded by Lorenzo Tornabuoni in 1490 and dedicated to St. Laurentius. See W. and E. Paatz, Die Kirchen von Florenz, IV (Frankfurt, 1952), 100.

8 Chastel, A., Art et humanisme a Florence au temps de Laurent le magnifique (Paris, 1959), p. 172.Google Scholar

9 See also Warburg, A., Gesamtnelte Schriften (Leipzig, 1932), 1, 28Google Scholar; Wackernagel, M., Der Lebensraum des Kuenstlers in der florentinischen Renaissance (Leipzig, 1938), pp. 157-158Google Scholar,277; E. H. Gombrich, ‘Botticelli's Mythologies', Journal of the Warburg and Courtauld Institutes VIII (1945), 7-60.

10 L. Pastor, The History of the Popes, ed. R. F. Kerr, XI (London, 1912), 201-202; cf. A. Ciaconius, Vitae etgesta summorumpontificum … (Rome, 1601), pp. 1124-1125. See also Kristeller, P. O., Studies in Renaissance Thought and Letters (Rome, 1956), p. 187.Google Scholar

11 Florentinus, Naldus de Naldis, Elegiarum libri III, ed. Juhasz, L. (Leipzig, 1934).Google Scholar

12 Florentinus, Naldus Naldius, Epigrammaton liber, ed. Perosa, A. (Budapest, 1943).Google Scholar

13 W. Leonard Grant, “The Life of Naldo Naldi of Florence', Studies in Philology LX (1963), 606-617; ‘The Major Poems of Naldo Naldi', Manuscripta vi (1962), 131-154; 'The Minor Poems of Naldo Naldi', Manuscripta VII (1963), 3-17, 90-102.

14 P. O. Kristeller refers to Naldi in his Suppletnentum Ficinianum (Florence, 1937), 11, 260-265, where he gives the text of five poems that Naldi wrote to Ficino; cf. p. 328, n. 14. See also P. O. Kristeller, Studies in Renaissance Thought and Letters, pp. 385-389, A. Delia Torre, Storia dell'Accademia Platonica di Firenze (Florence, 1902), pp. 668-681.

15 R. de Roover, op. cit., pp. 348, 357.

16 A. Warburg, op. cit., 1, 198, n. 2.

17 A. Warburg, op. cit., 1, 198-199 and Tafel xxix, xxx, xxxi.

18 The writer would like to thank Dott. Olga Marinelli, director of the Biblioteca Augusta in Perugia, for sending a microfilm and giving permission for the publication of these poems, and also for her advice about the handwriting and corrections in the manuscript. He also thanks Prof. Leonard Grant for his advice and is especially grateful to Prof. Paul Kristeller and Prof. James Hutton for the help they have given him in preparing this article.