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Brilliant Performances

  • Aaron Ridley (a1)

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Davies, Stephen (2001), Musical Works and Performances: a Philosophical Exploration, Oxford: Oxford University Press.
Dodd, Julian (2010), ‘Confessions of an Unrepentant Timbral Sonicist’, British Journal of Aesthetics 50(1), 3352.
Feagin, Susan (2008), ‘Critical Study: Reading and Performing’, British Journal of Aesthetics 48(1), 8997.
Goodman, Nelson (1968), Languages of Art, Indianapolis: Hackett.
Hermeren, Goran (1993), ‘The Full Voic'd Quire: Types of Interpretations of Music’, inKrausz, M., ed., The Interpretation of Music, Oxford:Clarendon Press, 932.
Kania, Andrew (2008), ‘Piece for the End of Time: in Defence of Musical Ontology’, British Journal of Aesthetics 48(1), 6579.
Kivy, Peter (2008), The Performance of Reading: An Essay in the Philosophy of Literature, Oxford: Oxford University Press.
Ridley, Aaron (2003), ‘Against Musical Ontology’, Journal of Philosophy 100, 203220.
Ridley, Aaron (2004), The Philosophy of Music: Theme and Variations, Edinburgh: Edinburgh University Press.
Walton, Kendall (1970), ‘Categories of Art’, Philosophical Review 79 (3), 334367.

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Brilliant Performances

  • Aaron Ridley (a1)

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